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higurashi no naku koro ni 0

How Higurashi no Naku Koro Ni Got Me into Old School Hip-Hop

Rena_Illmatic

Higurashi no Naku Koro Ni (lit. When The Cicadas Cry) is a fantastic, intense horror anime, manga, and visual novel series filled with nerve-wracking suspense, psychological terror, bloody brutality, and relentless ultra-violence written by Japanese author Ryukishi07. Higurashi is beloved by both anime and visual novel fans globally and is considered by many as Ryukishi07’s best work, and for many great reasons.

By crafting a cocktail of classic narrative themes/conflicts, traditional Japanese folklore, and supernatural elements with real-world topics/issues (such as mental illness, child abuse/neglect, ethics in scientific research, citizens vs. government, etc.), Ryukishi07 delivered to the world of  anime and visual novel a powerful and thought-provoking masterpiece. A masterpiece that ’s still respected and celebrated in anime and visual novel circles today; despite the visual novel ending in 2006 (not counting remakes, ports, remasters, etc. after 2006), and five years after the run of the anime (with Higurashi Outbreak in 2013).

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Series creator Ryukishi07

With Halloween drawing near, I figured that it now would be the best time to talk about this marvelous series – but not in a way you may expect.  Yes. The spooky holiday is almost here. Higurashi is a spooky anime. You would think that logically, I would talk about the spooky and horror themes of the series.

But, I’m going to take different approach.
A much different approach.

Would you call me crazy if I say that Higurashi, a Japanese otaku series, helped me get into old school Hip-Hop; a beloved urban American music artform?
Imagine that!

 Life…
I wonder…
Will it take me under?
I don’t know.
-Rika Furude probably

Yes.  As wild as it may sound, Higurashi no Naku Koro ni got me into old-school hip-hop.  Out of anything and everything that is a possibility in the world, it took a Japanese horror series for me to not only get into old-school hip-hop but have a strong love for it. You may be wondering how is that ’s even possible.

Well, in order for me to tell you this tale, we need to go back to the Summer of 2010.


I’ve been a fan of Higurashi for almost a year after discovering the series on YouTube (I was actually aware of it back in high school, but that’s for another tale). And by a fan, I was fucking obsessed with it. I spent most of that summer looking up anything Higurashi; in efforts to gain knowledge about it. The official manga.  The Fan doujins. The voice actors. Video games. Ryukishi07 himself even.  And of course, it’s music.

Goddamn, the music.

One night, I was bumpin’ Dear You: Destructive, one of many remixes of Shion’s image song You from the Higurashi visual novel.  As the song was ending, there was a video in the suggestion bar of YouTube that made me a bit curious thanks to its thumbnail.

The thumbnail featured a transparent face of Rena in the foreground of a  New York City borough with the word “You” in the top right corner in Old English font.  The title of the video was in Japanese, sans one single word: “HIPHOP”. I merely assumed that a Japanese doujin music producer created a hip-hop sample beat of the song and was excited to hear a hip-hop version of the song.

Being ever so curious and my attention grabbed, I clicked on the link.

 

The song starts to play. A lone piano playing arpeggios rang out for four bars. The piano version of You no doubt. A drumbeat sample from Shing02 and Nujabee’s  Luv Sic Pt. 1 played on the fifth beat  and throughout the song, along with a woman (Lauryn Hill) vocalizing “ooo ooo ooooo”, and an East Coast hip-hop legend spitting.

‘Imagine smokin’ weed in the streets without cops harassin’
Imagine going to court with no trial…’

‘This is Nas! This is Nas rapping over a Higurashi song!’ I was in both awe and disbelief. Some visual novel otaku fuck in Japan mashed up Nas’s If I Ruled The World with You! Not only did he do that, but he also threw in the drum track from Luv Sic as an added bonus!  Granted, I knew who Nas was thanks to a friend who’s a fan of his works – I just wasn’t a fan of him until I heard this mashup.

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Nas

I instantly fell in love with both the mashup and the lyrics of If I Ruled The World, even if it wasn’t the original song itself.  I let the song repeat itself for about seven times.  Upon Hearing the sorrowful piano notes of  You in unison of Nas’s speaking on of his vision of utopia for Black America, along with Lauryn Hill’s breathtaking vocals, and the cries of the summer cicadas, Goosebumps hit me hard.

I grew ever more curious about If I Ruled The World and the lyrics.

It’s elementary: they want us all gone eventually’.
‘Why does this fit well with how the Japanese government wants to wipe out Hinamizawa and the villagers in it?!’
I asked myself.

‘If I ruled the world (imagine that), I’d free all my sons!’.
‘I wonder; did the dude who made this thought about how Rika wanted to free herself from her tragic fate ?’ I pondered.

‘Strictly living longevity to the destiny
I thought I’d never see it, but reality struck
Better find out before your time’s out, what the fuck?’

‘I can see this for Rika and how she is desperately trying to find a way to cheat death for good before fate closes in on her.’

All Wild theories; but it made sense (in my head).
I had to let it marinate.

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Hanyuu of Higurashi fulfilling her dreams of being an NYC DJ after defeating fate

Even if the mashup creator didn’t mean to make certain lyrics relate to Higurashi, I couldn’t help but reflect. I let the song stop playing and decide to listen to the original version of Nas’s classic. There’s no denying that the beat was soaked in that definitive New York City hip-hop vibe. That electro notes playing up and down the scale.  The simple yet deep pulse of the bass.  The quiet layered strings.

I craved for more information.

Acting on a gut instinct that the beat for If I Ruled the World was a sample, I went on Google to see if my gut was correct – and it was. Not only was my gut was correct, but the sampled was also from Whodini’s 1984 classic Friends.

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Whodini

‘Friends…
How many of us have them?
Friends…
Ones we can depend on.’

It was like if the universe knew I was searching for a connection for the Higurashi mash up. The overarching theme of Higurashi is the power of friendship and there I was; listening to a classic hip-hop song with the hook asking if we have friends we can depend on.

‘Friends…Ones we can depend on.’
God. That’s powerful.

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Some are ok, and they treat you real cool
But some mistake your kindness for bein’ a fool

Satoko depended on her friends to save her from her abusive uncle – including her new friends; who were once her enemies (the villagers who once hated her and her family).  Rena realized that no matter what, her friends love her: even if Rena was having a mental breakdown and couldn’t trust the friends she loved.  Rika learned that how it was okay to open up to her friends about her depression and fear that Satoko – her best friend – was going to be taken away from her (by said abusive uncle mentioned earlier). Keiichi, like Rena, learned the value of trusting and opening up to his friends.

Was it all a coincidence that I would find a hip-hop song that has a famous hook that could relate to Higurashi? Perhaps.  But there was no denying the fact by me researching the source of Nas’s If I Ruled The World sample, it opened an entirely new world of music for me. Sure, I was aware of classic 80s hip-hop legends such as KRS-One, N.W.A, Public Enemy, and Grandmaster Flash, but I never went out of my way to listen to them.

Until then.

At the time,  my mind only focused on listening to modern artists who were on the real shit (J. Cole for example) and 90s rappers such as Tupac. I thought I didn’t need to listen to classic rappers; I foolishly believed they were outdated!  Nobody, sans OGs (original gangstas) and oldheads, went out their way to listen to the classic MCs. I was ignorant! Stupid even! For years, I allowed myself to miss out on what hip-hop legends of the past had to offer to the art form.  My jaded attitude caused me to miss out.

You can even say it was a shame that it took some weeaboo bullshit to get me into the classics.
But, it did.

As I’m finishing up this little insight of my world for you guys, I am reflecting on how hip-hop has a lot in common with not only Higurashi but with anime in general.
Two completely art forms.
Many endless similarities.

Let’s start with Higurashi, of course.  Both Higurashi and Hip-Hop share a common birth month: August.  In fact, the first Higurashi game, Onikakushi-Hen (lit. Spirited Away By The Demon Chapter) dropped on August 10th, 2002.  The official birthday of hip-hop? August 11th, 1973. A mere 29 years and a day apart, but it’s amazing on how they have back-to-back birthdays.

Hip-Hop, for generations, has been used as a platform to speak out against government oppression and corruption with hits such as N.W.A.’s Fuck The Police, Public Enemy’s By The Time I Get To Arizona, and Childish Gambino’s This is America. One could say that hip-hop inspires Black Americans to rise up and fight against the oppressive forces that threaten our quality of life.

During the second half of Higurashi (The Answer Arcs), the series switch from a supernatural, psychological thriller tale, to a story of the people of Hinamizawa rising up against the corrupt Japanese government (that was trying to wipe out the town and its people).

When it comes to the realm of anime in general, you can’t tell me there aren’t any hip-hop songs that can be used for anime and the characters and stories that make up this beloved art medium. Listen to Sky’s The Limit by Biggie Smalls: A song about the hustler’s rise to riches and achieving his dreams. After you listen to that go watch Gainax’s classic OVA Otaku no Video: an anime about an otaku becoming a hustler, to a businessman, to the world’s richest man.

Or maybe Tech N9ne’s Pyscho Bitch may persuade you. Listen to it and think about your classic psychotic yandere characters such as Yuno Gasai (The Future Diary), Kotonoha Katsura (School Days),  Kaede Fuyou (Shuffle!), and since we’re talking about Higurashi, the series best girl Shion Sonozaki.

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Shion A.K.A best Higurashi girl

To end my tale, let’s go back to my previous question: Would you, after reading all of this, call me crazy for the fact that it took Higurashi no Naku Koro ni – a classic otaku horror series, to get me into hip-hop? I can understand if you say yes. Of course, it is. It shouldn’t even make sense.

But, without that You x If I Ruled The World mash up I discovered nearly ten years ago, I would have gone through life never knowing about timeless artists that paved that path for talented, iconic wordsmiths such as J. Cole, Logic, Tupac, KRS-One, Kendrick Lamar, and many more.

That would have been much, much crazier.

-Yuki The Snowman

P.S.

Somebody on Wiz Khalifa’s team is a fucking weeaboo and sampled Main Theme Ai from the Higurashi anime for him to rap over:

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Higurashi is Back!

When I had first received word of a new Higurashi anime coming out, I was thinking to myself ‘This has to be a troll’.  The Higurashi series is over. There is  no casual anime fan that  fucked with Higurashi since Higurashi no Naku Koro Ni Kira (if even that)The visual novel side of the fandom is niche as hell.  You ask some norime anime fan they heard of Higurashi and they’re either going to look at you silly or think you’re a sick fuck that gets off to lolis killing each other. Higurashi is not and will never come back.

Or so I thought.

Right before I was going to take a power nap, my YouTube notification alert went off on my phone.  Subconsciously, I grabbed my phone to see what lame video some lame YouTuber has uploaded. As I scrolled down to unveil my shameful clutter of news in my notification bar, I was greeted with something that made my usual pathetic day better:

The haunting cries of the cicadas.  Rika doing her classic “Nippah!” catchphrase.  The yandere Shion in her Angel Mort uniform.  Mion…with a butcher’s knife.  Okay. She’s finally snapped or whatever but she’s back.  Our favorite characters are back…alongside some new characters that I don’t give a shit about.  One of them looks like series creator Ryukishi07. Okay,  it may not be him and I’m probably just being prejudice towards Asians.

 

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I mean, he looks like Ryukishi07.  I swear I don’t think all Asians look alike. I only think that about white people.

 

As I’m watching the trailer I couldn’t help but notice the text in the upper right-hand corner: Last Period.  ‘Did Ryukishi finally tell Studio Deen to fuck off and got with a new animation studio!?’ I thought to myself.  I went ahead to do some research on this “Last Period” and things became clear on why Higurashi was coming back.

Last Period is a smartphone RPG game.  Joy.  Fuckin’ joy. I mean, it’s awesome Higurashi is coming back in animation form.  However, it’s being pimped to sell a fuckin’ RPG. Ryukishi, did something happen?  I know BT’s death fucked your head up and everything but damn man, you broke too? Were those Umineko pachinko games secretly a front by the Yakuza for money and now you got too deep with them?  You owe them some cash?  You good bruh?

Jokes aside, I am happy Higurashi no Naku Koro ni is coming back. It’s one of those series that has a life-long impact on me as an otaku, consumer of art,  a creator, and as a person.  Even if Higurashi is crossing over with a smartphone JRPG series, I’m still going to watch anything Higurashi related.  Expect Kira.  That was a fuckin’ mess.  But really, I hope this collab project is a success because I want more Higurashi.  Hell, that might mean we might get a faithful adaption of Umineko no Naku Koro ni

…you know what, let me not get my hopes up.

 

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Bunny/Pervy Nurse Tanako was the only good thing about Higurashi Kira.

 

Maybe not all weeaboos on the internet aren’t all trolls trying to raise my hopes up. Maybe there is a God who actually loves me and wants me to be happy with my life.
Maybe Studio Deen won’t fuck this up. Regardless, there’s a new Higurashi anime coming out and I’m happy.

 

Sources:
Last Period x Higurashi no Naku Koro ni collab website:
http://lastperiod.happyelements.co.jp/collaboration/higurashi/

Last Period x Higurashi no Naku koro ni animation trailer

 

 

Anime Analysis 1

Higurashi and the Power of Friendship Pt. 2: Rena

‘Oh I get by with a little help from my friends.
Mm, I get high with a little help from my friends.
Oh, I’m gonna try with a little help from my friends.’
“With a Little Help From My Friends” by The Beatles (1961 rock single)

Rena, despite her naive and ditsy nature,  has a rough past. She harbors hatred towards her mother (who cheated on her father and tore apart their family).  Her “friends” from middle school tried to rape her.  She fought back however, savagery beating them with a baseball bat. Following that, she went on a rampage at her school, smashing all the windows in it.  Following, Rena was admitted to a mental health clinic (due to the stress of the incidents).  After recovery, Rena and her father moved back to Hinamizawa in an attempt to continue their lives as normal.

Rena managed to move on, regaining her happiness and enjoying the company of her new friends, Rika, Satoko, Mion, and Keiichi.  Together they formed “The Club”, a clique created from their  friendship; spending many happy days with one another.

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The Club

Yet,  Rena’s happy days would come to an end thanks to her heinous acts of murder.

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‘I do you one better and slay these niggas faithfully.
Murder is a tough thing to digress
It’s a slow process
And I ain’t got nothin’ but time.’
“Dead Presidents II” by Jay-Z (1996 hip-hop single)

Discovering that Mamiya Rina and her pimp Teppei Houjou entrapped her father into a badger game (with Rina pretending to act as her father’s boyfriend and Teppei coercing him into a payment plan), Rena decides to take action. She lured Teppei and Rina into her hideout (the garbage dump).  First, she barbarously smashed Rina’s skull in with her lead pipe. Later, she cleaved Teppei’s head with her billhook – taking their lives.

The next day, The Club decides to check up on Rena, who was absent from school.  Upon arrival at her hang out spot, they see Rena dismembering the bodies of her victims.  Keiichi goes off on her; demanding Rena to explain why she committed such acts.  He also asks why she didn’t ask for help before killing the two.  Rena tells him that they couldn’t help her. She only sees friends as people to only have fun with – not as an outlet for emotional support. Because of past betrayals, Rena fears that she can’t disclose painful information to her friends.  She doesn’t trust them to help her. She believes by murdering Teppei and Rina, she made the best choice for her life.

Keiichi calls her out on her bullshit; telling her that she crying and suffering.  He presses the question of why won’t t trust her friends.  Despite her crimes, he wants to forgive and understand her.   The Clubs shares his idea, as they too want to still remind friends with her and help her (including helping her burying Teppei and Rina’s remains).  They assure her that they’ll never turn their backs on her – and that they’ll still be friends.  Rena thanks everyone for helping her out and understanding her actions.  Rena feels that she no longer has to bare the cross of her sins alone.  She can trust and rely on her friends.

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And yet, this period of trust and reliance wouldn’t last for long.

Time has pass since the Cotton Drifting Festival. Oishi visits one classroom school of Hinimizawa,  requesting to speak to Rena.  The two have a little chat in his car, with him informingthe girl that Tomitake is dead and Miyo is missing. As the two talk, a flashback plays.  Rena and Miyo are chilling at the library, speaking about  Oyashiro’s  curse  and the influence it has on the village and Rena herself.

We learn from this flashback that Rena “broke the taboo” of leaving Hinamizawa.  Rena believes that the cause of her being cursed by Oyashiro was in relation of her family leaving the village years ago. The incident at her school and her parents’ divorce was punishment brought upon by the resident god to her to suffer from.  Rena then tells Miyo that she the god spoke to her, telling her she must return back to Hinamizawa.

“Believing” her story, Miyo gives Rena her bullshit “research” scrapbook. (Granted, Miyo only gave her this to agitate Rena’s Hinamizawa). Upon learning about Miyo’s disaperance,  grows paranoid.   With Tomitake’s murder and Miyo’s disappearance, Rena believes she’ll be targeted next.  She hits Keiichi’s line up, informing him on the situation, and theorizes that the Three Great Family had Miyo (and the rest of the Cotton Drifting Festival victims) murdered  in order to revive the Oyashiro curse.

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Rena’s paranoia worsens.  The following day, members of the Yamainu unit visit the Hinamizawa School for an “inspection”.  Rena takes notice and investigates.  Going over the information left behind by them, she calls their business number, only to discover that the company doesn’t exist.  Rena thinks they’re after her , decides to leave school early, and goes into hiding. Worried about Rena’s behavior, Keiichi decides to search for her.

Learning that the both the police and Sonozaki clan are after her (given she stole money form the later), Keiichi grows concern about Rena’s wellbeing.  Assuming that she’s hiding out in the dump, Keiichi searches for her there.

Meanwhile, Rena is indeed hiding around in the dump – with the police nearby. While evading them, she overhears a dispatcher (from the radio) telling the field officers that she has been spotted at a warehouse near the Sonozaki land, thus making the police leave the dump to confirm this information. This should relive Rena, but she’s freaking out.  She thinks that she has been clone (thanks to Miyo’s bullshiting Rena in her scrapbook)!  It doesn’t help that Rena’s paranoia has gotten worse and the Hinamizawa Syndrome is screwing with her head.

Rena attempts to leave the dump (and the village) but she is caught by Keiichi.  He tries to convince her to return to the village but she refuses. She’s pretty pissed off at Keiichi. Earlier, she had went to check on the burial site of the victims and discovered that their bodies weren’t there. Keiichi tries to explain to her that Mion had her family exhume the bodies from the original burial site to their secret mass grave site  (due to government deforesting).  Rena doesn’t believe this.  She  feels betrayed by Mion (despite Mion was covering Rena’s ass for her own good) and snaps on Keiichi.

Keiichi begs Rena to trust The Club and Mion’s action but Rena is blinded by rage.  In her anger (and derange fits of laughter) she tells Keiichi a little secret – a secret  that Keiichi hidden for years.  Before Keiichi moved to Hinamizawa, he was facing legal issues. Due to stress, Keiichi hunted down young girls and shot them with a BB Gun (with one of the victims losing an eye). In her normally sweet voice, Rena taunts him with this reveal, calling him a shameless pervert (for attacking little girls) and that it must had been fun for him to install fear into young girls for his actions. She finds joy in making Keiichi cry and forcing him to beg her to stop, but Rena keeps at it. Rena finish her sadistic taunting by telling Keiichi that she’s not his friend and for not telling The Club about his past.

She leaves Keiichi alone in his pitiful state.

‘I think we all have stories we don’t want to share of misery, sadness, mistakes, or even memories we don’t want to recall.’
-Mion Sonozaki

The morning after, Keiichi reveals his past to the Club. When questioned by his friends on why he’s revealing such things, he tells them that he doens’t feel right about it from them.  To his surprise, Mion and Rika tell him that he shouldn’t feel shame from it.  Satoko follows suite, telling her friend that he’s a good person now.

His friends’ words of forgiveness and kindness trigger yet another seemly forgotten past:  his distrust towards his beloved friends – and of him killing Mion and Rena in another world.

Keiichi freaks out, weeping in front of the others.  He remembers his delusions of Rena and Mion plotting against him. In reality, they were only trying to help him get better.  Especially Rena whom, even at the final seconds of her life (of that world) literally reached out to him to tell him that it’s everything is okay – to believe in her.

Keiichi laments over this. He questions himself on  why he couldn’t see the fact that his friends wanted to help him. Rika calms Keiichi down and tells him that she forgives him. She knows that he’s a good person now.  Fully aware and understanding what Rena is going through (and awared of the multiple worlds), Keiichi is inspired to fight against fate and save his friend – and to atone for his own sins.

The following school day Rena, who hasn’t shown up to class in a while, finally shows up! To celebrate her triumphant return, she decides to take everyone hostage!  Yea, she pretty much went completely insane.  She forces Keiichi to join her side, as he was the only one who “believed” her story( along with Oishi)  As time passes, things get worse.  Rena starts to spread gasoline around the classroom.  You know, just a simple insurance policy, just in case things go south.

It’s normal in hostage situation trust me.

Rena takes her anger out on her best friend Mion.  She beats her with the blunt end of her billhook, screaming at her. “I trusted you!” She yells, slamming her billhook downwards on to her friend’s forehead and busting her open. Keiichi tries to stop Rena but she threatens to blow up the school right then and there.   Despite Keiichi telling Rena that Mion only had the bodies moved to a secured location; Rena still neither trust nor believe her friends.

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Observation: It can be theorized that Rena does not trust her friends because she experienced mistrust and betrayal from people she once trust in her past.  Remember: three of her former male friends attempted to raped her years ago, friends that she probably trusted.  Additionally, her own mother lied to her father about her having an affair with a coworker.  This coworker impregnated her.  The mother tried to convince her to leave her father, which she refused.   Perhaps in Rena’s head, Mion and Keiichi’s acts against was yet another betrayal.

Her so-called friends violated her trust – therefore, they must be punished.

The day passes.  Keiichi (through an earpiece provided by the police) is informed about a homemade bomb crafted  by Rena, which is hidden in the school.   Keiichi sneaks out of the classroom in search of it.  He encounters Satoko, who concludes that the bomb was hidden away in the school’s storage room. Satoko then gives Keiichi a weapon – her beloved brother’s baseball bat.

Observation:  This scene can be considered a full circle of sorts. During the events of the first arc Keiichi “borrowed” Satoshi’s bat.  Keiichi was planning to use the bat for self-defense Rena (during his bout with paranoia).  This made Satoko upset.  Flash forward to the Atonement Arc. Satoko trust Keiichi.  She trusts him so much that she allows him to use her brother’s bat – one  of the few items she has to remember him.  After giving him the bat, Satoko  is staring at Keiichi, quietly saying “Nii-Nii”.

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What we can take from this is two things:
1. Keiichi reminds her of Satoshi
2. Satoko sees Keiichi like an older brother.

(This is very important for the finale of this analysis series)

Keiichi finds the bomb and disarms it (with a second to spare).  As the hostages escape and the police charge in the school to capture Rena, she encounters Keiichi on the rooftop.  The two talk some shit, mostly with Rena speaking about aliens and Keiichi calling her an idiot.  She then challenges her to a fight to prove who’s right.  During their clash, Keiichi jokes about making Rena his service maid if she loses.  He brings up that their rooftop battle is like their old fun water gun fights and other past club games and ask if her she wanna go back to those days.

The two fight again but then stop when Keiichi thinks of all the fun things he would do to Rena if she was his maid.   He then asks what she would want if she wins, which are the same rewards of the battle he requests.  Rena tells Keiichi that regardless of the winner, they will still be together and happy.  Rena will still have her friends – something she truly wants.

Before they prep for their final blow, Keiichi brings up that this was fun, which Rena plies that it was fun for her too.  The two charge at each other, with Rena wining it by disarming Keiichi of his bat and knocking him to the ground.

“The fight’s over now, right?” Rena asks him.  Keiichi replies once she swings her weapon towards him for the finishing blow.  Rena – regaining her sanity – breaks down crying.  She doesn’t want to hurt her friends.  She weeps as she questions herself on why she cause her friends to suffer and shaming herself for not believing in her friends who only wanted to help her and ruining the happy, fun days they had.

Keiichi then tells Rena that she was right to be suspicious when she sensed something was wrong – anyone would have done the same.  He then follows up with that if there was something painful going on in her life she needs to talk to her friends about it.  Reazling this, Rena starts t ocry uncontrollably in Keiichi’s arms.

It is then that Rena realized her mistake – she needed her friends for support.

‘Sometimes in our lives we all have pain
We all have sorrow
Buy if we are wise
We know that there’s always tomorrow

Lean on me, when you’re not strong
And I’ll be your friend
I’ll help you carry on’

-“Lean on Me” by Bill Withers (1972 soul single)

Series continued in part 3.

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Rena and Keiichi’s fight video source:
https://sakugabooru.com/post/show/18796

anime 0

30 Day Anime Challenge Day 23: Most Hated Character (Kinzo Ushiromiya of Umineko no Naku Koro ni)

Kinzo. Fuck you.

Kinzo Ushiromiya; the patriarch of the (in)famous multi-billion dollar Ushiromiya family. He’s a superior demon summoner and black magic user, owner of the private island of gold: Rokkenjima, diligent businessman, and an abusive, psychotic piece of shit.   This man, boy.  Let me tell you why I hate this  how horrible dude.

ominous-kinzo

 

Prior to the Umineko series, he lost his lover, Beatrice Castiglioni (who died during childbirth) and was grief stricken.  Honoring her, he named their (illegitimate) daughter “Beatrice”, after the mother. Cool.  Whatever helps you overcome grief . What’s not fucking cool was Kinzo raping and impregnating his teenage daughter – because she resembled his lover.

That’s fucking sick.

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Beatrice Castiglioni.  Kinzo’s late mistress.
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Beatrice Ushiromiya – daughter of Kinzo. She’s a lovely, charismatic  young lass with cowtits and is a huge fan of weird, outlandish kinky BDSM play.

Oh, it gets worse. This wouldn’t be the last time he abused his children.  Yes.  Children.  I did say Beatrice was his love child.  So, what about his real children? Well,  to “toughen up” the others  (Kruass, Eva, Rudolf, and Rosa)  for the real and business world, he  physically, emotionally and psychologically abused them. Naturally, his abusive ways caused his children to disdain him.  Worse, his children would pass down the cycle of abusive towards their own, and in many causes, the siblings would abuse each other – Kruass (the eldest) being the worst offender.

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Third Generation Ushiromiyas.  From left-to-right: Eva (2nd child) Rudolph (3rd child), Kruass (Eldest Child), and Rosa (youngest child) 

 

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Kinzo lifting and chocking Kruass

Due to Kinzo’s abusive parenting and teachings, Krauss emulated his dad’s abuse. He would emotionally bullying his little sister, Eva  (as well as being sexist towards her).  This created much disdain in and anger in her heart, which she passes down to her husband, the kind-hearted Hideyoshi (who loves Eva to death), and her only child, George.  Further in the future, Eva passes the abuse down to her niece, Ange, but more on her later. Let’s focus on Eva’s sister, Rosa.

Rosa (just like her only sister Eva), was too abused by not only Kinzo and Krauss, but her other siblings as well (due to her status as the youngest).  Lacking someone to hurt in their family to soothe her rage, she had nobody to further the chain of abuse, until she had her daughter, Maria. Rosa (never recovered or attacking her pain in a healthy matter) starts to abuse Maria, verbally and physically beating her.

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fate/rosa

See how Kinzo’s chain of abuse goes further?  Kinzo abuses Krauss, whom abuses Rosa, who in turn abuses her daughter, Maria.   Now his grandchildren are affected by the abuse her created.   Speaking of his grandchildren, let’s go back to series best girl Ange.

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Ange smiling for once in her life.

So Ange. Her entire family (sans Eva) was massacred on Rokkenjima (due to Kinzo’s bullshit), leaving her orphaned.  Eva, being the “good” aunt that she is, adopts Ange.  The two somewhat got along, until the stress  of her family’s  deaths (as well as the media accusing her for their murders) took its toll on her.   Eva in turn, took her anger out on Ange, putting her through the same abusive treatment as her father did her.  This ruined Ange’s  already troubling mental state.  Due to Eva’s abuse (among other things), Ange  would grow to hate herself, becoming suicidal.  In one scene, Ange is seen lashing out on her best friend, Mammon and her sisters.  She calls them “useless” and wish that they all die.

Even after his death, Kinzo’s abusive cycle  continues.

 

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Remember how I said that the massacre  of Rokkenjima was due to Kinzo’s bullsht in the last paragraph?  Well, Kinzo is not above having his own family members killed for his own desires.

As mentioned earlier, Kinzo dedicated his life  to learning summoning and  black magic, and studying occult spells. His plan was to master black magic in order to revive Beatrice.  Not his lover Beatrice, but their daughter.  The same daughter that he raped.  He wants to see her once more So, he successfully revives Beatrice, right?  However, as exchange for her revival, Kinzo must sacrifice a few people.

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Six members of the Ushiromiya family sacrificed to Beatrice 

Kinzo selects his own family members as sacrifices. He seems them as vultures after his riches.  He believes his nether children nor his grandchildren gives a damn about him (as they rightfully should not), and wants them all dead.   Beatrice kills them for him, nad in turns – kills her abuser Kinzo.

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Kinzo burning alive by Beatrice;s magic.

Kinzo if you think about it, is the main source of his entire family’s pain and suffering, from him raping his daughter, abusing his children.  The same abuse in which was passed on to his kids down to their own.  By direct and indirection action, he ruined his family.

Fuck you Kinzo.

AFTERWORD

Whew.  I didn’t expect this post to go on that long, but I figure I would provide details and proof to show how much I despise this dude.  This would had been much longer if I would had gotten drunk  to write about how much I hate Kinzo as I originally planned lmfao (all the liquor stores in my area were closed at the time of writing the first draft..  You know those 3 o’ clock A.M.  alcohol laws can be.

 

Fuck you, Kinzo.

Ushiromiya FAMILY art source:

https://www.pixiv.net/member_illust.php?mode=medium&illust_id=7436300

Further Reading on the abusive cycle of Umineko:

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Rika to Bernkastel (Freewrite)

NOTE: This freewrite is based off memories of my experience with the  When They Cry series (Higurashi and Umineko)  I am too lazy to check if what I said are correct .  I may have some information wrong.

I’ve always enjoy characters that started out as heroes, but grew into villains.  It’s interesting to see what  events have such an impact on them that they decided to say “fuck it”,  evolving into a villain.  Some become villains due to an incident.  Others as a result of losing their hope and giving up on their goals.

I feel like Rika Furude from Higurashi no Naku Koro Ni (When The Cicadas Cry)  is such a heroine-turn-villain by the factors previously mentioned.  Tragic factors that caused the young child to become the sadistic witch, Bernkastel.

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Oh innocent Rika. So full of hope and optimism despite a fucked up life.

Rika had a pretty fucked up life despite being so young.  She’s theorized to be the queen carrier of the Hinamizawa Syndrone (a virus that cause victims to go into a psychiatric rage, increase anxiety, and commit violent homicidal and suicidal acts), her parents are dead, she can’t escape a timeloop that ends with her death,  is an alcoholic at the age of 9, and she also tried to stab Santa Clause to death.

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Seriously she really did try to murder Santa Claus. 

Initially, Rika started out as an optimistic and happy child, She  believed she could prevent the endless June 1983 tragic events.  She wouldn’t give up, no matter how bleak each situation felt.  Even when Hanyuu (her ancestor ghost or  whatever the fuck she is) flat out told her in the Massacre Arc that she and her friends will die, she just simply brush her aside, stating that she will defeat fate.

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Rika in her alcoholic rage.

Of course, Rika failed and Hanyuu was once again right.  Her friends got gun down by Miyo (the series’s true villain, who also had a fucked up childhood) and Rika got gutted by the crazed nurse-turned-terrorist.  Rika was proven wrong once again.  Don’t have hope children or you’ll end up like Rika.

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Keep thinkin’ that kiddo.

After a few oh let’s say hundred years’ worth of  losing and watching her  friends and love ones die , Rika’s mind and views changed. Once a girl full of hope was slowly becoming hopeless. Overtime, she stop caring about fighting against fate and saving her friends.   She became numb and cold.  Emotionless even.

She became Bernkastel, the witch of Miracles; A collection of hopeless Rikas from different worlds and timelines fused into one sadistic being.

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‘Lord, I don’t cry no more
Don’t look to the sky no more
Have mercy on me
Have mercy on my soul
Somewhere my heart turned cold’

“Many Men” by 50 Cent (American rapper)

Bernkastel is one of the main villains of Umineko no Naku Koro ni (When The Seagulls Cry), the spiritual successor to Higurashi (which I’m not gonna go into in-depth details with both series about their relation.  It’s fucking crazy). Simply put, Bernkastel is a piece of shit. She loves fucking with people, playing mind games with them.  She use people for her personal gain.  She’ll act like she’s your friend and ally, only to fuck you over at the end.   Ange Ushiromiya (a girl with her own tragic past and pain) had to learn that shit the hard way.

Boy did she learn the hard way.

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Best Umineko girl

Simply put, Bern doesn’t give a fuck about you.  Only herself.  Maybe her lover Lambdadelta and her teacher Featherine. But that’s it.  Bernkastel is the type of person who has clearly been through some shit. Horrible shit that changed her.  The way she deals with that shit is by passing her own pain upon others to make her feel better about herself.  She wants others to experience the pain she went through from her past.  A past she really hates.

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To conclude this unorganized freewrite, horrible events creates horrible people who started out nice and heroic. Rika was an innocent carefree girl, and yet due to being a victim one too many time, became a horrible corrupted being who had her point of view destroyed.

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ART SOURCES:

Shut the Fuck Up Hanyu:
http://kyousgayart.tumblr.com/post/89109835477/serious-higurashi-fanart

 

Rika and Bernkastel

https://www.pixiv.net/member_illust.php?mode=medium&illust_id=28677576

 

Feature image:
https://www.pixiv.net/member_illust.php?mode=medium&illust_id=207464