NOTE: This article essay will contain spoilers for the video game Fire Emblem: Genealogy of the Holy War. If you are planning to play this game in the future then I HIGHLY recommend going in blind.
Also, for you weirdo cornball hardcore Genealogy of the Holy War fans: For the most part, I’ll be using the modern fan translation names for characters, items, and locations. For in-game quotes, however, I will be using the Reparation 0.78d translation patch script from Serenes Forest. Why? Well because I’m old enough to remember when that patch first came into the community. I’m also old enough to have some fun with both your young aunt and mom while they’re dressed up as Deidre and Tailtiu while I’m recording everything and I got some Marvin Gaye music playing in the background so don’t try me. Plus, I don’t feel like replaying the Project Naga patch for quotes.
Anyway, let’s get to it!
A few months ago, I was watching Projared’s retrospective on Final Fantasy VI. In the introduction, he mentioned that most gamers have that one special game that had made the biggest impact on their life. It is that one single game that shaped us into becoming the person we are today.
A game that we will never forget.
For me, that game is Intelligent System’s Fire Emblem 4: Genealogy of the Holy War, released on May 14th, 1996 for the Super Famicom (the Super Nintendo in the West). Genealogy of the Holy War or FE4 for short is a strategy role-playing game, serving as the fourth installment of the famed Fire Emblem series that is often hated on by pedophilesSuper Smash Bros. fans. Directed, designed, and written by series creator Shouzou Kaga and produced by the late Gunpei Yokoi, the game take place on the continent of Jugdral (which is based on some Norse myths of something, idunno I’m not that much of a nerd).
Jugdral is divided into eight countries. They are The Kingdom of Grannvale, The Kingdom of Verdane, The Kingdom of Agustra, the Munster District, The Kingdom of Thracia, The Republic of Miletos, the Kingdom of Silesse, and the Kingdom of Issach.
Mentioned in Kaga’s designer notes, Judgral exists in the same world as Archanea; the continent in which the events of Fire Emblem: Dark Dragon and Sword of Light (FE1, i.e. the irrelevant Marth’s game)take place. Historically, FE4’s events predate FE1’s by thousands of years.
In the Grann Year 757, barbaric warriors from Issach raise an army to attack the city of Darna: southwest of the Aed Desert. Upon hearing the news, Prince Kurth of Grannvale and his confidant Lord Byran of Chaply set out to investigate.
Taking advantage of the brewing conflict, Verdane builds an army to invade Grannvale. Leading the invasion (on orders of his otherwise pacifist father, King Batu) is Prince Gandolf (and no, not the Gandolf portrayed by legendary fruit booty actor Sir Ian Mckellen, mind you). Gandolf successfully captures Junby Castle; slaughtering most of its knights and civilians. Following that, he proceeds to kidnap Junby’s princess, Aideen to take her as his bride.
Hearing news of his childhood friend’s kidnapping, the main character Sigurd; scion of Chaply and son of Lord Byron, vows to deliver justice to Verdane. Joining up with Sigurd are his loyal knights: Noish; a proper and diligent man, Alec; a playful flirty guy, and Arden; the slow one.
FE4 starts simple. Aideen’s kidnapping can be akin to her fellow yet mainstream Nintendo princess contemporaries Zelda or Peach’s kidnapping in their games and it’s up to the hero to save her.
But that’s where the comparison ends in terms of princesses getting kidnapped and such.
Aideen’s kidnapping and the invasions were two smaller steps of a much larger and insidious plan for one cult – the Lopty Cult – to not only rule the world, but plunge it back into the darkness it once suffered under centuries prior.
It doesn’t just end there.
While the invasions were orchestrated by the Lopty Cult, it must be mentioned that the cult had “help” from an ambitious leader who desired to end bigotry and discrimination by any means. Even if those means include pretending to be an ally for multiple leaders only to set them up for death – and personally murdering Sigurd himself so he can rule Granvelle alone as emperor.
Not so simple, huh?
If you’re like me, you didn’t expect things in FE4 to play out the way they did. Neither you nor I could have predicted that something as innocent as Sigurd marrying Deidre would lead the world to near ruin. Furthermore, Sigurd would face his own personal tragedies in his short life.
Tragedies such as:
Branded as a traitor by his beloved motherland after being framed for the assassination of Prince Kurth.
Forced into fighting his best friend Elidgan to the death.
Hearing news that his little sister Ethlyn and brother-in-law Quan were murdered in an ambush by King Travant of Thracia.
And that’s not even the tip of the iceberg of FE4’s story and how dark it can get.
Genealogy of the Holy War is the darkest entry of the series (don’t listen to those Scared Stones fanboys who claim that game is the darkest; they don’t know what they’re talking about all they know is how to indulge in their necrophilia kink through Orson). The story features controversial themes and topics such as incest, rape, abuse, and children sacrifice.
It’s not a tale of happiness, glory, and triumph.
Even when our heroes are ultimately victorious, the continent of Grannvale has been torn apart by war. Royal families have been split apart due to petty differences or lust for power. The children of these once-grand and proud families are forced to repair their bloodline’s reputation. Smaller nations are either engaged in civil wars or have been completely abandoned by the empire; left at the mercy of savage bandits and thieves.
To quote a gentleman from The Godfather of Harlem: “I’ve learned one thing about war, Bump. Nobody really wins.”
Shouzou Kaga paints war not in black and white, but with spots of gray. While of course there are enemies that the player must defeat leading up to the ultimate big evil, Kaga likes to portray these enemies as heroes in their own right. This shines clearly with certain villains.
Ruthless King Travant of Thracia is viewed by Grannvale as a despicable man who, through the eyes of others, thoroughly disrespects the code of knighthood. He, along with his famed Dragon Knights, is often compared to hyenas: willing to slaughter anyone for cash.
In Chapter 5 of FE4, Travant uses Quan’s 3-year-old daughter, Altena, as a human shield during an ambush attack by Thracia against Quan’s troops. Travant threaten to murder Altena if Quan didn’t surrender his holy lance, the Gae Bulg to him. After killing Quan and his wife Ethlyn, Travant raises Altena as his own daughter: not out of love or guilt, but to use her as a weapon against her own people and surviving family members in the future.
However, if one were to dig deep into Thracia’s situation, one will come to understand Travant’s actions.
Travant’s kingdom, South Thracia, is surrounded by steep mountain ranges that can barely provide resources for its people. For years, Travant requested aid from North Thracia (as North Thracia’s soil and land are heavily enriched with minerals) only to be shot down by Quan and his family. Therefore, South Thracia suffers from systematic poverty.
To combat poverty, men take up mercenary and farming jobs. Women take whatever job they can to provide for their family (they’re selling that poverty monkey on the “Me love you long time” side of the game).
South Thracia’s situation is beyond dire.
While outsiders of South Thracia see Travant as a cutthroat man, his people view him as the liberator who’ll deliver them from poverty. Travant is a patriot who is fed up with his people’s suffering.
Next, Arvis – the ambitious leader who spearheaded most of the game’s events. Arvis’s a tragic man who, as Seliph (son of Sigurd) puts it, “a victim swept by fate”.
At the age of seven, Arvis witnessed his father, Victor, committing suicide. His mother, Cigyun, ran off with another man (Prince Kurth) due to Victor’s womanizing actions (he even raped Cigyun’s favorite maid; impregnating her with Arvis’s half-brother, Azel). From these events, Arvis was forced to ascend the throne at an early age.
Through Cigyun, Arvis is the descendant of Maera: a holy man who had the moral courage to fight against his oppressive kin: The Loptrian Empire. Maera was a good man; however, he had the blood of the demonic god Loptous coursing through his veins.
Now, for those unaware of FE4’s lore (why are you even here?), you may be wondering who’s Loptous and the Loptrian are. Well, let’s go back to how Judgrall is connected to Archena.
Avris (and Maera)’s ancestor, Galle I, was a simple bishop who traveled the world in search of the legendary Earth Dragon tribe. Landing in Archena, Galle would encounter the Earth Dragon, Loptous. In exchange for raw power, Galle would offer his body and soul as a vessel for Loptous.
Later, Galle returned to Judgral; using his new powers to organize a mass army to effortlessly conquer the continent. Galle and his decedents would ruthlessly rule Judgral for two centuries. The Loptrain Empire fell when Galle’s decedent, Galle the Seventeenth was killed by the Twelve Crusaders (ancestors of some of the major heroes and villains of FE4), with the help of Maera: Galle’s younger brother.
Before his death, Maera moved to the Spirit Forest: a secluded forest hidden from the outside world to protect his descendants from harm. He’d issue both a warning and an order to his descendants. The order and warning: they are only allowed to produce one child per generation.
If a generation produced multiple children, it’s possible for the off-springs to engage in incestuous relationships to produce a child with major Lotpous Blood – therefore reviving the dark god himself and returning the world back into the darkness it was once saved from.
Guess who has Lotpous blood in his veins? Yep. Arvis.
If that information were to be leaked, Arvis would be executed regardless if he worshiped Loptous or not. Manfroy, the current leader of the Lotpous Cult, knows this. Therefore, he seeks to take advantage of Arvis’ cursed bloodline and vision of anti-bigotry by blackmailing Arvis; forcing the duke to comply with Manfroy’s wishes (allowing the Lopty Church to operate in the open once Arvis ascends the Grannvale throne among other things).
Everything mentioned up to this point is the reason why Arvis wants to be the champion of all those who’re facing oppression just for who they are. He doesn’t want other people to live in fear because of their ethnic background like him. He wants to end bigotry by any means necessary – something that would eventually become corrupted thanks to Manfroy.
And since we’re on him, let’s talk about the man himself: Manfroy.
Note that Manfroy and the Lopty Sect’s actions are heinous and inexcusable. No amount of unjust suffering and oppression have been done unto them because of their ancestor’s actions gives them pardon for continuing the pattern of death and destruction.
That said, we must understand the reasoning behind the Lopty Sect’s actions. Let’s refer to a scene in Chapter 7 of the game: Crossing The Desert.
Upon capturing the Lopty operated Aed Shrine, Seliph, and his advisor Lewyn, examine a temple underneath the shrine. As they walk around the ruins, Lewyn tells Seliph of how descendants of the Lopty Empire were forced to live within the depths of the Aed Desert after the defeat of Galle the 17th and the fall of the empire; as they feared execution due to their bloodline. He expresses doubts that they differed much from himself and Seliph in terms of life, but over time, the descendants succumbed to the darkness and evil within their hearts.
Seliph replies that it’s like the decedents are being punished for their forefather’s sins. Following, he discovers a prayer for the revival of Lopotusu written on the walls. He’s stunned that the prayer was written by a child.
Levin finishes the conversation by stating, quote,: “You have to be careful when placing labels on good and evil, Seliph. Never waste your anger on individuals. Always focus it on the evil within all of us.”
Personally, Levin’s statement and Seliph’s shock hits hard here. Imagine being oppressed for generations just because of your background. Often told that you deserve to be punished simply because of those who fear what you are capable of due to your genetics. Your oppressors strip you of resources to ensure your people won’t survive. Hopeless, you turn into the darkness within your heart. Maybe if you had a little bit of power, you could get back at your oppressors by any means – even if those means include doing unthinkable things to them and their children.
(You know, maybe Manfory and the Lotpy Church had the right idea with their methods).
Prior to me playing FE4, the villains in the games I played (excluding Final Fantasy VI) were your simply plain and honestly, cartoonish bad guys. Evil guys doing evil things simply because they were evil. Nothing else. Nothing more. The games never drove into why they chose the route of evil and darkness; they just told you that they were the baddies and that you had to defeat them. However, the thing that I love about Genealogy of the Holy War is that Kaga designed and wrote the villains in a way that makes you understand why they were “evil”.
Villains like Manfroy, Travant, and Arvis presented their reasons behind their cruel actions with depth. Reasons that some players could relate to. You might have lived in an area that was stricken by poverty. You saw how people struggled to put something on the table for their families. You know first hand the despair that comes with poverty. You could click with Arvis and Manfroy because you’ve faced systematic oppression just because of your race. If given the power and opportunity, you would do what Manfroy and his crew did to liberate your people and do unimaginable harm to your oppressors just so you can make them suffer like they made you suffer (again, maybe Manfroy and his people were in the right).
Today in gaming, it’s common to have well-written villains with depth beyond them being evil for the sake of evil. It’s almost a requirement in gaming nowadays. However, (to my knowledge), back when FE4 first came out, villains with the depth of the FE4 bad guys weren’t common in gaming. I’m not saying that it was a huge groundbreaking game-changer for the video game industry, but still, it was something different.
Overall, that’s one thing that I love about FE4. However, what other things about the game that I love about it to the point that I’m always talking about it? Find out in part two!
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This is a collection of notes I’ve written down in my notebook about my thoughts of the Fire Emblem: Shadow Dragon and the Blade of Light Nintendo Switch port that due for release on December 4th, 2020. Given the nature of sudden shadow drop of the reveal as well as me working on an article for a news website, I did not have time to properly organize this post like my past articles. I did my best to fix more grammatical errors, but if there are any lingering please forgive them.
NINTENDO’S BULLSHIT LIMITED RELEASE PRACTICES
Once again, Nintendo has pulled their Limited Release practice with another of their beloved franchise: Fire Emblem. On October 22nd, 2020, Nintendo shadow dropped a trailer of their latest retro re-release: Fire Emblem: Shadow Dragon and the Blade of Light. If you want to learn more about the release, you can check out this link because I do not have the time to explain every little detail about the digital release and the physical special edition collector’s package at the moment.
As with Super Mario 3D All-Stars, Fire Emblem: Shadow Dragon and the Blade of Light will have a limited release time window starting from December 4th, 2020 to March 31st, 2021. It is unclear why Nintendo chosen March 31st, 2021 to end production of both Super Mario 3D All-Stars and Fire Emblem: Shadow Dragon and the Blade of Light, but people have theorize that the March 31st 2021 deadline relates to Nintendo’s ending of their fiscal year on the same date.
Some believe with the March 31st, 2021 date, this will give investors and stock holders a chance to analyze the market to see if there are enough customers to justify doing normal runs of video game re-releases or to continue with the trend of limited run releases. Others view this as an ill-will form of pseudo scarcity: purposely creating a limited amount of copies of Super Mario 3D All-Stars and the collector’s edition of Fire Emblem: Shadow Dragon and the Blade of Light to claim that they sold out of copies where they can easier make more or keep the digital copies of both games online.
With that said, we as not only fans of Fire Emblem and Mario, but as customers must be vocal in our demands with Nintendo being more open and transparent about their Limited Run practices.
We have the right to know if March 31st, 20201 means that Nintendo will no longer produce digital and physical copies of Fire Emblem: Shadow Dragon and the Blade of Light and Super Mario 3D All-Stars ever again, or if there will only be digital releases Super Mario 3D All-Stars through the Nintendo eShop/Switch Online. The same apply with the new Shadow Dragon English release. This in turns creates a scalper culture of sorts.
Now, I have nothing against scalpers and hustlers who purchase 2-4 copies of Super Mario 3D-All Stars to resell at a premium. I won’t have any issue with Fire Emblem fans doing the same with the collector’s edition. We live in a capitalist society and we are free to make money by almost any means (as long as nobody is getting hurt, killed, trafficked, abused, etc.).
Hell, even I plan on doing some short term flipping with these limited run items myself so I can take advantage of all these feeble-minded Fire Emblem and Mario fans with their fear of missing out. What I do have a problem is with Nintendo enabling people to do these moves rather than producing more games for “quality control” of their products.
Nintendo, listen: creating pseudo scarcity doesn’t make for a thrilling gaming experience. It only creates a situation for morons with fears of missing out to do fuck shit with your limited releases because they’re mentality weak men and women.
SAMMY SMARTASS KNOW IT ALLS
If you go on twitter right now, you will see people who I like to call “Sammy Smartass” ranting about how it’s pointless to purchase a digital copy of Fire Emblem: Shadow Dragon and the Blade of Light. In their pointless, uneducated opinion, because we live in the a world of advanced technology where smartphones can play the Famicom version of Shadow Dragon and the Blade of Light or the remake of FE1 through the way of Mystery of the Emblem or the re-remake of FE1 through the way of NEW Shadow Dragon and Sword of Light via emulation.
I will say to you that is yes, little Sammy Smartass, people could (keyword: could) play FE1 through emulation. Hell, we can even go as far as to say that they can buy a physical copy of Fire Emblem: New Shadow Dragon with a DS or 3DS console. However, there are a few issues with your “counterpoint”, Sammy Smartass.
First, the average consumer may not be into playing a game through an emulator on a computer, phone, or console separate from the game’s original console. Sure, you have some outlier normies who may know how to download and operate an emulator and a rom file of any Nintendo Entertainment System or Famicom game on their phone or computer without destroying their device (because they know a safe rom and emulator hosting website).
But again, that’s an outlier.
Now, I know what you’re going to say next, Sammy Smartass. “Yuki! Emulating a Famicom console is much easier than say emulating a Nintendo 64 console. A five year old can put a Famicom console emulator on his iPhone in less than 3 minutes.”
But again, the five year old ain’t the average consumer. And emulating Fire Emblem: Shadow Dragon and Blade of Light isn’t an average task when you consider having to find a stable, complete (perfectly translated) English patch to even enjoy the game (as FE1 is text heavy).
Following that, you have people and their legality fears. Keep in mind that downloading roms of official Nintendo games is still illegal unless you own a copy of said game physically.
While the Nintendo Ninjas aren’t going to go to every person house that download roms of their games and slit their throats in front of their children or parents, some consumers are going to have that fear in the back of their minds. Because of that fear, they won’t mess around with emulation.
Speaking of fear, some rom and emulation websites are littered with viruses, spyware, adware, Fire Emblem hentai porn, whatever. If you don’t know what you’re doing, you can easily run into one of these shady rom websites with those things on said website and destroy your computer/smartphone.
Best case situation you just get flooded with hentai ads and your computer and/or smartphone will be safe. However, nobody wants to explain to their boss or parent why Marianne off Three Houses is giving her favorite horse Dorte a handjob in a hentai website ad on a rom website because they wanted to play Genealogy of the Holy War that badly on the work or family computer.
“But Yuki! If they are scared of viruses and their boss walking on them looking at a hentai ad of Marianne jerking off Dorte and making her face a baby horse daycare center on a rom website, why don’t they just buy an original copy of FE1 and a Famicom console? Better yet, they could either buy a copy of FE1’s two remakes, Fire Emblem: New Shadow Dragon on the Nintendo DS AND a (3)DS or buy a copy of Fire Emblem: Mystery of the Emblem on the Super Famicom with a Super Famicom console. The remakes are clearly superior!”
Sammy Smartass, please listen; because you’re have become more retarded than your friend Ricardo the Ritardo.
Nobody, unless they are a hardcore collector, a hardcore Fire Emblem fan, or a gaming historian, is going to go out and buy an original Famicom – an obsolete console from the 80s, an original copy of Fire Emblem: Shadow Dragon and Sword of Light that came out in 1990. Nor will they go out and buy a copy of the 1993 video game Fire Emblem: Mystery of the Emblem for another obsolete console, the Super Famicom.
Now, you may have an argument with New Shadow Dragon on the DS as the Nintendo 3DS, despite Nintendo stopping production of that console as of 2020 (the year of this blog post), is readily available at online and brick-and-mortar retail stores.
However, let’s do some math and logical thinking:
A brand new New Nintendo 3DS XL runs at average about S145.99 on Amazon. Fire Emblem: New Shadow Dragon ranges from S21.99 for the game alone to about $120 if you want the game new and sealed. $145.00 + $120.00 = $165.00 before shipping and taxes. For an extra $50.99 or so, you can buy Nintendo’s current console, Nintendo Switch Lite (a modern console that still being supported) and Shadow Dragon and Blade of Light as opposed to a remake of the first game and an console that has been discontinued and won’t have any games made for it again.
You can apply the same logic with buying a Famicom or Super Famicom alongside FE1 and FE3.
Therefore, with all of that stated, the average consumer who isn’t your outlier normie co-worker or 5 year old cousin is going to want ease of access to FE1; even if it means paying $5.99 on the Nintendo eShop. They would rather pay the money for an official localization copy of FE1 than go through unnecessary extra steps to enjoy a simple old Famicom game from 1990 that nobody besides weeaboos who enjoy their little precious weeaboo chess game with RPG elements.
Also, it’s natural for people to look at the origins of the things they love. Just like with new Spider-Man fans want to read Amazing Fantasy #15 to see the origins of Peter Parker’s alter ego, people are going to want to play the game where Marth first came from.
Humans are curious after all.
ON COLELCTOR EDITION SCAPLERS AND SPECUCLATORS
With a fantastic collector’s edition package for Fire Emblem: Shadow Dragon and the Blade of Light, nobody in their right mind should be shocked that collectors and speculators are drawn to this product. Like with all things in the realm of limited edition video game collectables, Nintendo limited run practice with the latest re-release of Shadow Dragon has drawn criticism from not only the Fire Emblem community (who may not know how capitalism works), but form the general gaming community as well.
Limited produce copies/pseudo scarcity means speculators and scalpers are going to purchase as many copies of the special collector’s edition as they can and re-sell said copies online for a profit. Naturally, this causes fans that may not be lucky enough to get the collector’s edition to become piss off at these online hustlers re-selling the package at a premium price.
I must say to you guys is that don’t hate the hustle. Hate Nintendo for their bullshit practices.
If you do plan on flipping the special edition package of Shadow Dragon and the Blade of Light on Switch, you must study the market, think logically and realistically, and plan your flip out on paper. Go on ebay and see how often and daily pervious Fire Emblem special edition packages have been sold. Check the average prices that reseller are charging for each special edition. This will tell you if there’s a market out there for those who are willing to buy a special edition package of Fire Emblem.
With thinking logically and being a realistic about flipping the Fire Emblem: Shadow Dragon and the Blade of Light special edition, you must ask yourself a few questions:
Is it possible that Nintendo will come out with a reprint of the special edition package months after the March 31st 2021 cutoff date; therefore, lowering the value of my sealed copy of said game?
How long am I willing to hold on to my copy to make a profit?
Is there a cut-off date for me to use the digital code that comes with the special edition?
Who can I realistic sell this to?
What can I realistically get for this game in terms of making a quick profit?
Why do I want to re-sell this special edition copy of Shadow Dragon for profit?
What will I do with the money once I sell at a profit?
Will this collector’s edition increase or decrease in value over the next 2-5 years?
If you can answer each of these questions truthfully and remove all emotions, you will do well in re-flipping the special edition. Now, if you’re one of these Sammy Smartasses from earlier who think holding on to the special edition version of Shadow Dragon for the long term (15+ years) as a viable investment, please do not waste space in your closet through the way of 5 copies of the special edition package.
WHAT THIS COULD MEAN FOR OTHER JAPANESE ONLY FIRE EMBLEM/NINTENDO GAMES?
If the official English localization of Fire Emblem: Shadow Dragon and the Blade of Light is a success, this will open doors for other Japanese-only Fire Emblem games to be officially translated by Nintendo with major quality of life changes. Just imagine if Western Fire Emblem fans could finally experience Shozou Kaga’s masterpiece Fire Emblem: Genealogy of the Holy War with Nintendo providing quality of life changes as well as fix all the issues that Genealogy of the Holy War is plagued with. If Nintendo sees that fans want this, there will be more releases in the manner of Shadow Dragon. We could get an official English localization of Famicom Tantei Club: a Nintendo visual novel on the Famicom Disk System. Mother 3 may get an official translation. Hell, Nintendo did it before with Earthbound Zero/Mother 1.
Who knows? There’s so many possibility to think with these Nintendo Japanese-only English re-releases. So, let us hope that Fire Emblem: Shadow Dragon and the Blade of the Light have that much success.
Just please Nintendo, stop with these Limited Run release shit.
If you’re involved with the Fire Emblem fan community in any fashion, then you may be aware of the recent controversy that has plagued the community for a week dealing with a major Fire Emblem streamer accused of allegedly grooming minors and sexually assault a woman at an anime convention.
As such, there has been various blog/social media posts and YouTube video on the controversy from members of the F.E. community: ranging from fans within community expressing their concerns of the incident, revealing their own ill encounters with the accused, and calls to improve the community to make fans feel safe. In fact, there has been a lot of posts and videos of people talking about wanting to improve the community and welcoming new content creators into the fandom.
That is all fine and dandy. There’s nothing wrong with wanting to see your (fnadom) community better itself after such an event. However, (and this is no disrespect towards anyone who have spoken on the subject) I have yet to find anyone talking about how to use the controversy for the better of the community content creation wise. There’s talk about welcoming in new faces to this scene, but there’s nothing about how to go about it (in terms of networking with other Fire Emblem content creators, putting your work out in the community, promotion your work, etc.)
It’s not to say there not out there, but I feel that as someone who has been in this community for 15 years, and as someone who has been on this Earth for 30 years and seen his share of controversy in many nerd communities, I want to use my information and knowledge to inspire those who may want to create their own Fire Emblem content as well as be a service for the community (or for any other fan community for that matter).
So, here are my ways that you can use to make yourself known as a Fire Emblem content creator.
FULFIL/FIND A CREATIVE NICHE WITHIN THE FANDOM
Before entering the Fire Emblem’s creative community, ask yourself this question: “What do I do and bring to the table that is both unique and beneficial to this fandom that will make people want to pay attention and support me and my content?”
Do you have an (actually funny and not tryhard edgelord) dark sense of humor will make people laugh at a disturbing situation in a Fire Emblem game that they normally wouldn’t laugh at while other Fire Emblem content creators tip-toe around it? Can you use your bright, yet laid back personality to attract new viewers with no knowledge of who you are? Can you offer a service such as Fire Emblem fanart for another content creator for their YouTube channel, podcast, etc.?
How can you use your knowledge of one unrelated subject matter that nobody would have thought of to create content and make it not only interesting, but in relation to a Fire Emblem subject? Can you fulfill a niche that has yet to been targeted?
Example: Let’s say you’re into and have a passion for etymology, or the study of word origins and history. Combine that passion with Fire Emblem and create a Fire Emblem YouTube channel solely dedicated to breaking down the name origins of Fire Emblem characters, nations, weaponry, and so forth.
If you know that Sothis’s name originates from the Greek translation of the ancient Egyptian/Kemet goddess of fertility named Sopdet, then you can create a YouTube video breaking down Sothis’s name and who was Sopdet in ancient Egyptian/Kemet mythology. You can do the same for any Fire Emblem character and game that you please. And who knows? Your knowledge on etymology – a subject seemly different from Fire Emblem – could inspire a young Fire Emblem fan to get into etymology.
For my fellow musically gifted/inclined Fire Emblem fans: you can take the beaten path of covering songs from the series on your instrument of choice for people to listen. Everyone loves musical covers (for the most part). However, if you’re truly talented, you could go one step further and create a remix or new arrangement of a classic Fire Emblem song.
A classically trained jazz musician could take Divine Dragon from Mystery of the Emblem and turn into a Miles Davis inspired jazz track and post it on the fan-ran video game music arrangement website OC ReMiX. Someone versed in sampling songs could easily take a song like As Fierce as Fire from Three Houses and make it into a bass heavy trap beat. Take something already established and make it new again.
Finally, we’ve come to what is perhaps one of the largest creative circles in the Fire Emblem community: the fan visual artists. The fan visual artists have it best when it comes to creative scene of this fandom, thanks to how many artists there are in the community. People are willing to pay artists to bring their wild Fire Emblem fan-art fantasies to life.
Wild fantasies such as fanart of Edelgard as a cheating alcoholic housewife regretting her marriage to Byleth because Byleth has a cocaine addiction. We would love to see someone create a fan comic of Anna laundering drug money and running a prostitution ring with Tiki and Ceada. Someone out there in this great, big, wide world wants fan animation of Flayn having a nice, fun little visit to the abortion clinic because Flayn almost ruined her life by wanting to do more than just hug Ferdinand.
If you can use your artistic talents to bring those ideas to life, people will love you for it.
(And by “we”, “someone”, and “people”, I mean me, of course.)
If you can fulfill a niche within this community and put yourself out there, eventually, people will come to you. Look at what the community lacks in terms of (original) content, take advantage of that lack of, and build upon it. However, the only way to achieve this is through networking with other F.E. fans and promoting yourself online.
Look, the internet isn’t just for you sick nerds out there that enjoy downloading a ludicrous amount of L’arachel hentai because you have a thing for holy women doing unholy things and/or having unholy things done to them. Social media isn’t just a place where you can troll all day because you think trolling others to make them feel bad about themselves will cure your crippling depression (it won’t).
Use the internet and social media to your advantage by networking with fellow Fire Emblem fans and content creators. Follow a couple of artists online and talk to them. Share and comment on their art. Chat it up with fans on Fire Emblem Facebook groups or message boards. If you’re into the cosplaying and traveling to conventions, share Fire Emblem meetup cosplay events at major conventions as a way to find people who also love to dress up as fictional characters to escape your lowly reality.
Commutate! There’s no other way to find fellow Fire Emblem fans to talk to, learn game and information from, and share you creation with other than commination. Plus, if you want people to support and share your works, you got to let them know who you are. If they see you putting in work – solid work, mind you – into the F.E. community while building your brand up, then the people will grow to trust you.
Another benefit of networking with fellow F.E. fans is collaborations. As you build your brand and continue to network with others, fellow content creators will take notice. If they enjoy your content and work, they might offer to do a collab with you for their channel, podcast, or art project.
By collaborating with other F.E. content creators, you’ll create a new network of creative types whom you can bounce ideas off of, exchange news relating to the series, and capture their audience and fanbase; adding them to your own.
Never neglect the advantage of networking and commutation. They’ll always be key in doing business, forging bonds, and personal growth. Nobody will do watch and support a content creator who is unknown, which leads to my final point:
PROMOTE YOUR WORK!
You must promote yourself and your work in order to gain followers, fans, and traction. If you believe that your works should be viewed by others, then put it out there.
So, how do you promote?
It’s simple. You go wherever Fire Emblem fans hang out: may it be on Serenes Forest, GameFAQ, Twitter, Facebook, YouTube, whatever. Post your works there, ask for feedback, subs if they like your work, and engagements. When somebody comment on your video, fanart, Podcast, or whatever, reply back to them.
Thank them for viewing your work and listening to your content. Keep it at and eventually people will promote and share your works for you on their page, groups, etc; organically growing your brand through word of mouth.
In order to gain what you want from this community, you must spread your name, content, brand, and products. Spread ‘em like how Manuela used to spread her legs on the casting couch for creepy, shady, corrupt stage producers for Opera roles in her prime.
Now, there is one thing you must know when you’re promoting yourself: Not everyone will rock with you and your brand. There will be those who will be turned off by what you’re offering, saying, or producing.
Let’s take me for example. I know I just lost readers and listeners with my low-brow comments on Manuela being a ho-for-a-role nature (even through it’s the truth why you think she sleep around with young men so easily and often). If Manuela is their favorite and they lack a sense of humor, or they take virtual world people seriously because nobody in the real world take them seriously, they’ve already left the blog or my channel. They’re not fans of low-brow humor and commentary.
And that’s alright because there’s going to be people who appreciate someone who can approach Fire Emblem characters with low brow commentary. You have to be like that with you works and say to yourself “I know there will always be those who will never rock with me or my style. That’s cool: there are countless others who will regardless.”
Focus on netting those who you know will like your style of showing love to Fire Emblem (or anything else you do in life). Don’t waste your time on those who will never get with you.
The Fire Emblem community needs more people to create content around this wonderful and amazing series. We need more folks to show their love and respect to Fire Emblem by the way of the arts, dialogue, romhacks, whatever! Hell, myself included, as I’m planning to create Fire Emblem content on my YouTube channel in the near future. I hope this video/blog post inspired you to do the same if you’re a fan.
Until next time, take care
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The Swarthy Nerd Podcast
A Black nerd empowerment podcast where Black nerds (well, all nerds, but Black first and foremost) can get together and talk freely about nerd culture while also acknowledging systematic white supremacy and racism in the nerd and Eastern otaku fandoms. Every Tuesday join @superlostfan108 and @weebtrashyuki the founders of http://www.swarthynerd.com for there very informative podcast talking about all things nerdy. No desperate boot licking self hating negus who were never accepted by Black norimes for being too weird for their love of anime and comic books by the Black community allowed. Go drink bleach.
Check out our first impressions on Fire Emblem: Three Houses here.
In celebration of the 30th anniversary of the Fire Emblem series (with the release of the first game of the series, “Fire Emblem: Dark Dragon and Sword of Light released on April 20th, 1990), I will be doing a bit of a low-brow, personal “retrospective” of the games I played from the series. Join me as I talk about my first experience with the series through my first and second favorite Fire Emblem game: “Genealogy of the Holy War”.
[Warning: Foul language, low-brow commentary, and crude remarks on the characters of Fire Emblem. Go watch some boring elitist cornballs with no real talent who think talking about video games on YouTube is a real, viable job on YouTube if you want a serious retrospective on the series]
As with many of my peers who grew up playing video games throughout the 90s, I played such classics from that era such as Super Mario World., Street Fighter II, Sonic, Gran Turismo, Final Fantasy, and Pokemon to name a few. It was thanks to the 1996 capsule monster catching RPG that I would find love within the RPG genre. As my first RPG, I loved the idea of capturing and raising monsters to dominate the world of PokemonBlue. Later, around the early 2000s, I was introduced to two of my top favorite RPGs of all time: Paper Mario and the original Final Fantasy 3 on the Famicom; which happened to be my first Final Fantasy game.
(For those wondering how and why Final Fantasy3 was my first FF game: grew up in Nintendo dominate household and my Pentecostal mother thought RPGs were the devil because Christians, especially Black old-school Baby Boomer Christians, live in fear of thinking for themselves and questing religion; so emulation was the way for me.)
I loved the idea of taking a traditional 2D-platformer Mario game and reimagine it as a turned- based RPG spanning across the Mushroom Kingdom as Mario, once again, must save Princess Peach from the clutches of Bowser. As for FF3, the 8-bit charm of four young orphaned youths being the chosen ones of legend to save the world from darkness. While both games’ story could be consider “basic” to some (which, to a degree, they’re sort of right especially on FF3’s front), I enjoyed and loved them.
I would continue my RPG journey as the early 2000s progressed with classics such as Chrono Trigger, Shin Megami Tensei II, Final Fantasy IV, V, VI, and finally VII (mostly 16-bit emulation because, again, scared Pentecostal Christian mother). They told such amazing stories of their worlds. Time travel. Nuclear holocaust. Tales of hope, life, and death. Yet, despite all of that, there was something missing from those games. Something that I could say in confidence would impact me for life.
Don’t get me wrong: it was a shock to see teen pregnancy used as a narrative theme in Final Fantasy VI with realism as Katarin struggles with the fact of becoming a teen mother in an world of ruin. Katarin, along with her lover and baby’s fathers Duane, the oldest member of the destroyed village of Mobliz in the World of Ruin. Chrono Trigger made me thought about my own existence in the universe as I watched Crono and crew ponder about how the universe and its inhibitors became to be during the campfire scene.
Yet – those things didn’t fulfill a certain need of true, down-to-earth realism. I needed something more grounded. Something that would make such sense to me as a young man. Something that I could relate to with absolute:
Super Smash Bros. Melee. for the Nintendo GameCube!
Through a summer school event, I managed to get my hands on a copy of a Nintendo GameCube demo disc for the PC. Featured on the disc were video demos of upcoming launch titles for the GameCube: including Luigi Mansion, Star Fox Adventures, NBA Courtside 2002, and of course, Super Smash Bros. Melee. Super Smash Bros. 64, the game prior to Melee, felt dwarfed compared to the raw graphical power and scale of Melee. I was aware of and hyped for Melee being created by Nintendo through elementary schoolyard conversations and magazines. Seeing a demo of the preceded flawless game’s action and mass scale drove my desire to get a GameCube and Super Smash Bros. Melee for the 2001 holidays season.
So, did I eventually get Super Smash Bros. Melee for the Nintendo GameCube and the GameCube for Christmas of 2001 like every other good little boy and good little girl?
Of course fucking not! My parents went bankrupt after buying a new house, having to bury my mother’s parents who both died a month apart from each other, and finally — said new house’s kitchen catching on fire; thus, causing us to living in a downtown hotel then a temporary luxury apartment because we all have shit lungs (asthma). I was lucky to get a DVD/VCR combo for Christmas with a few DVDs.
For three years, I had to live the Melee (and by proxy, the early 2000s gaming) life vicariously. One day, while working on a paper on the history of video games in 8th grade (2004), I discovered the MIDI (Musical Insturmental Digital Interface) video game vgmusic.com. Musically inclined fans could upload their recreation, remixes, and close-to-the-original MIDI files for the nerdy gaming massive to indulge in. Being curious about how the music of Melee sounded, I led myself to the Super Smash Bros. Melee section which had an impressed library of fan made songs from the game.
Scrolling through, there was one track that caught my eye: Hyrule Temple: Fire Emblem. “I don’t remember a Fire Emblem in Majora’s Mask, OOT, nor Zelda II. Maybe I missed something like a secret item named ‘Fire Emblem’ when I had played those games.” I ponder to myself.
Curious, I clicked the link to the song.
Four taps on the artificial hi-hats rang out followed by Latin-like horns, a heavy bassline, and drawn out bass strings and horns building up to the meat of the song.
“Okay, did Link went to Mexico and fight Zorro in a Zelda game because this song sounds super Mexican as hell.”. Rather than do the incredibly smart and not racist thing and Google search Fire Emblem (because I was too busy googling Princess Daisy, Terra Branford , Ayeka Jurai, and Sailor Pluto hentai images and doujins) I just assumed that it was some a weird Zelda thing.
Months later, after my parents recovered from their bankruptcy, they gifted me a Nintendo GameCube for Christmas (they couldn’t find Melee in any store sadly). No worries. I was given a Blockbuster gift card by a family member for Christmas, so I decided to rent Melee the day after Christmas. Wanting to know how to unlock everything, I went online for answers when I came across two Nintendo characters whom which I’ve never heard of: Roy and Marth.
Again, rather than doing the smart thing and Google search “Roy and Marth” (I was googling how to torrent anime illegally this time instead), I decided to play Melee for my answers. After defeating the original 13 fighters, I was alerted with the “Challenger Approach” alarm. A shadowy figured appeared with a male wielding a sword. We’re transported to Kirby’s stage with me wondering who I was going to face off against.
Then, that familiar Mexican sounding melody starts to play.
“Okay, this song sounds ever more Mexican than before now I’m hearing it how it meant to be heard. Why is this white boy speaking Japanese to some Mexican sword fighting music? Is this Zorro’s cousin? Kirby’s friend?”
After defeating Zorro’s half Japanese/Half Mexican cousin from Kirby (I assumed) I’m greeted with the following message:
“Direct from Fire Emblem, it’s Marth, the swordsman supreme!”
“Okay, what’s Fire Emblem, who’s this Marth dude, and why he’s a white boy speaking Japanese to Mexican music?”
Upon unlocking Marth, I ran him through his Classic Mode route to unlock Roy. Fought Roy. Figured out why I thought Fire Emblem was Zelda related after a year (you fight Roy in Hyrule’s Ruins because I guess Roy was sleeping with Zelda behind Link’s back after she slept with Gannondorf). Whoop Roy’s ass and got Marth’s trophy. Wanting to learn more about Marth, I deiced to check out his trophy.
The betrayed prince of the Kingdom of Altea, the blood of the hero Anri flows in Marth’s veins. He was forced into exile when the kingdom of Dolua invaded Altea. Then, wielding his divine Falchion, he led a revolt and defeated the dark dragon Medeus. Afterwards, Altea was annihilated by King Hardin of Akanea.
“Wait, he saved his kingdom only to have it annihilated by another king? So, a Nintendo hero failed at saving the day for once? That’s interesting.” Reading Marth’s bio deepened my curiosity towards Fire Emblem. “Why was Marth forced into exile? Who betrayed him? How did he escape it? Who’s Medeus and Hardin and how did they manage to destroy his kingdom?”
There was only one way to find out: download Fire Emblem through emulation. But, which one? Visiting my preferred emulation site at the time, Emuparadise, I sought answers through the form of three Fire Emblem games: Mystery of the Crest (FE3), Genealogy of the Holy War (FE4), and Thrica 776 (FE5).
First Try: Mystery of the Emblem
The game boots up with a shield with five circular groves and a flame crested embedded in the middle while a trumpet and French horn fanfare plays for a few seconds. Next, I’m treated to a tapestry with scrambled text. However, the imagery of men burned alive by dragons, sages praying to the heavens, a god armed with a mighty sword and shield descending to earth from the heavens to slay a dragon, and humans giving praise to their savior to a medieval musical motif told the tale for me.
Following, the intro ends with three strikes of lighting; causing the screen to flash. A known fanfare plays as the words “FIRE EMBLEM: MYSTERY OF THE EMBLEM” fades into the foreground as the Falchion pieces through the text. Finally, I’m introduced to the playable classes and their stats through the game’s attract mode.
Due to the state of the game’s translation, the pre-chapter’s screens were an unreadable mess (a most common issue of Fire Emblem early fan translations days). For all I could had known, this could had been Roy’s game, which I would had been cool with, but I wanted to know Marth’s story.
Skipping past the mess of the “translation”, the game starts.
Axe-men swarming a lone island: pilaving and killing. A young woman on a Pegasus flies away from the carnage to a castle. It is here I’m introduced to Fire Emblem’s first ever characters: Jeigan/Jagan, Ceada/Shiida, and the poster boy of the series: The legendary Prince Mars!
“Yo, who the FUCK is Mars? Where’s Marth?” I asked myself in confusion. I mean, he had blue hair like Marth. Wears a tiara like Marth. Look like a chick like Marth. But, he was clearly Mars. Not Marth. Disappointed (and utterly unaware that Mars is Marth and the translator took the Marusu name too literal), I stopped playing I FE3 and booted up FE4.
Second Try: FE4 (or, my true first Fire Emblem experience)
Immediately, I’m blown away by audio/visual presentation. While the opening text aren’t a jumbled mess unlike the “translation patch” of Mystery of the Emblem, they were in Japanese; a language which (at the time), I lacked understanding of. Regardless, I could understand the story though the art and sound.
Dreadful music plays as the red and black hellfire serves as the background while mighty warriors and fearsome dragons engage each other in brutal combat. Twelve flames, representing the twelve holy gods of Jugdral surrounding a lone tower. As the music reaches a peak and fades out, A dragon of darkness and a dragon of light entangled in a fierce battle and the screen goes black. Silence. Then, a golden wheel fades in with slow strings building up. The wheel is surrounded by glistering weapons in a celestial blue shade before flying off.
Finally, this specular ends with the Japanese Fire Emblem logo proudly appearing as the theme of the series plays in vigorous pride: as if it was an anthem for a militaristic nation.
Even if this wasn’t Marth’s game and even if I lacked the knowledge to understand the Japanese language, the ominous scene displayed for me alongside with the introduction of the actors and players of the world of FE4, I wanted to dive deep into the blood soaked tale of Jugdral.
After the marvelous introduction, I created a new file, got hip to the story of Jugdral thus far, and proceeded to play.
“Finally! That’s Mart- no, who’s the hell is Sigurd and why does he looks like he could be Marth’s older cousin? If that’s Marth’s cousin maybe Marth will show up in this game.” I proceed to play FE4; impressed by the scale of the map compared to FE3’s Book 1 first’s map. FE4’s first map felt like a long-standing war was about to take place while FE3’s first book seemed like a meek, short skirmish. In a way, this set the tone of the overarching theme of FE4’s maps: large armies clashing with one another non-stop.
Needless to say, this was going to be a long, uphill battle –and I was going to love it. By that detail alone at was then that I knew that not only Genealogy of the Holy War was going to be something special for me, but the Fire Emblem series in general.
Three turns passed. The blue hair axe dude, Lex, wasn’t Marth. The other blue hair guy, Finn, wasn’t Marth neither. At this point, I realized two things:
1. I’m racist against blue hair mid-90s anime-inspired fantasy characters.
2. This wasn’t Marth’s game.
In any case, the first few minutes of gameplay impressed me. How should I move my units? Which weapon is best against the enemy’s? Should I keep Arden guarding the castle or should I be bold and reckless by leaving the castle defenseless? Midir wasn’t a girl? Azel have a thing for cute young nuns and so do I.
Hooked, I spent an entire weekend getting through the first three chapters of the game (Birth of the Holy Knight, Maiden of the Spirit Forest¸ and Disturbance in Augstira). By the time I reached Chapter 2, I realized something: I suck. Ethlyn (Sigurd’s sister) got wounded, so these left the game alongside her husband, Quan: causing me to lose two units at once.
I accidently killed Ayra with Alec and my dumbass saved my game after the fact. I also got Jamke killed because Adean, the priestess whom was supposed to talk to him so he could join your cause, was at the other side of the map. I made Azel kill him. But, it didn’t matter. All it matter was that I was having fun with the game and I kept at it.
Well first, I simply fell in love with the game’s story. Who would had known that Sigurd recusing his friend Aidean from the savages of Verdane was actually a part of a much more diabolical plot orchestrated by the underground cult, The Loptr Church and their leader, Manfory to control the world.
Manfory was the man running the show behind the scenes in an attempt to find the last two surviving decedents of a twisted, dark, demonic dragon god (Lopotsu) in order to revive said dark dragon to plunge the world into disarray, death, destruction, and darkness. Using his pull and promise of power to politicians throughout the land, Manfory was able to install his plan of bringing the world into darkness.
Second, as a teenager, I wasn’t one for politics. It was a topic that bored me to no end. Yet, Genealogy of the Holy War opened my eyes to how brutal and ruthless politics can be. No. Inferior words such as brutal and ruthless are understatements. Cutthroat fits better. I was filled with disgust with Chagall killing his own father, King Imuka, to gain power in Agustria. I took note at how one set of dukes and lords of Agustira bid their time as Sigurd cross blade against the other dukes and lords of their land. Levin’s uncle was willing to kill him and his mother if it meant controlling their nation.
(As Leptor told Sigurd: “Politics is all about power!)
Now, let it be known that politics alone wasn’t the sole reason why I fell in love with Genealogy of the Holy War despite it being the driving force behind why I loved the game. The countless tragedies after tragedies that transpired throughout Sigurd’s tale got me as well. To understand where I’m coming from, let’s go deeper into what I mean by this.
Towards the end of Chapter 1 (Maiden of the Spirit Forest) we’re treated with a touch of “love at first sight” story narrative. Upon conquering Marpha Castle, Sigurd encounters the beautiful and alluring maiden, Deidre, being harassed by a brigand. After running the thug off, Sigurd and Deidre exchange a few words; with Sigurd being shocked that Deidre knows his name (through Aiden) and admitting that he’s everything she imagine him to be. Sigurd ask for her name, which Deidre asks for his pardon for not revealing it before running off loves struck.
Curious about her (and not being able to shake off the feelings of love) , Sigurd asks a local elder about her. The elder informs Sigurd of Deidre’s name, background, and warns Sigurd not to engage in any sort of relationship with Deidre; least disaster shall befall upon the world if she left the forest and found love. Not wanting to believe in such superstitions, Sigurd sets out to find Deidre. They encounter one another and admit that they had fallen for each other…
…And like any good woman and man who fall for each other upon a chance, first meeting, they both fucked later that night. This isn’t me being lowbrow (for once): that scene is in the official Fire Emblem 4 manga written and drawn by Mitsuki Oosawa. Deidre totally fucks on the first date (must be due to of all those years of living a sheltered life).
Anyway, after conquering the Kingdom and Verdane, Sigurd and Deidre got married. From their marriage, Sigurd started to change. His sister, Ethlyn, notes how much Sigurd changed thanks to Deidre. He’s no longer a slob. His hot-headed attitude has all but disappeared. He became more upbeat. From their love and marriage came their first and only son, Celice, whom they both loved dearly.
Sigurd was happy.
Deirdre was happy.
And then, Chapter 3 hits – hard.
After receiving news of Sigurd subduing Madino Castle, Deidre decides to leave their army’s home castle to check on her husband. Despite pleas from Shanan (Prince of Issac, his backstory on why he’s in Sigurd’s army is a tad long for this post for me to explain) to ensure that Deidre do not leave the castle as per Sigurd’s request, Deidre leaves; assuring Shanan that she’ll only be but just a second. As Deidre walks outside, she is attacked by Manfory, brainwashed, and taken away by the dastardly villain.
(Keep in mind: Sigurd is prepping to engage in combat against his own best friend, Eldigan)
After subduing Evans Castle, Sigurd is alerted by Shanan that Deidre went missing (in the manga version, Shanan engage in combat against Manfory and fails to rescue Deidre). Sigurd, still stressed out due to discovering the beheaded body of Eldigan in Silvali Castle, sets out to find Deidre.
To worsen matters, Sigurd hears that he and his father Vylon are accused of murdering Prince Kurth of Grannvale (in truth, Vylon’s rivals, Lombard and Leptor, murdered the prince as an attempt to frame Vylon and take Castle Chaply from him).
Sigurd and company are forced to flee to the faraway frigid mountain lands of Silesse. Despite his justified anger/desires to storm Grannvale and expose Lombard and Leptor for their crimes, Sigurd is forced to resolve the civil conflict of Sileese while living as a refugee.
Once the civil conflict in Sileese subsides, Sigurd sets off to Granvale to combat against Leptor and Lombard. He revives his family heirloom, the Holy Tyfring from his father, who has been morality wounded by Lombard’s squad. Sigurd is helpless as his dad dies in his arms and promises to rain wrath and revenge upon Lombard and Reptor for their crimes against the Chaply family and the land of Grannvall. Keeping to his promise, Sigurd successfully slew Lombard and set his sights against Reptor and his unit.
During this time, Quan and his Ethlyn, along with Leonster Lance units, are to aid Sigurd and his army. However, King Tribant (introduced in Chapter 3) ambushes their squad: killing them and leaving behind no survivors sans Cuan and his Ethlyn’s 3 year old child, Altena. Sigurd hears of this news and is devastated by yet another tragic event in his life.
Following, Sigurd eventually take the battle to Leptor, effortlessly defeating him with the help of his army. Sigurd is greeted by Arvis’ aide, Aida, who tells him that Arvis and Kurth’s father knew Sigurd and his father weren’t involved in Prince Kurth’s death. This relives Sigurd, a man who for the past two years dealt with soul-crushing pain. For once, Sigurd is able to take a break and repay his allies for their work.
Yet, all isn’t what they may seem.
While Sigurd and company are welcomed to Belhalla by Arvis in a faux celebration party, Arvis reveals to Sigurd that everything that has transpired within the past three years of Arvis’s doing. He doesn’t pardon neither nor his father for crimes to conspiracy to usurp the Grannvall throne by murdering Prince Kurth. Sigurd is sentence to death. Sigurd, now in absolute disbelief and believing that Arvis is joking, asks if this is a cruel joke, to which Arvis replies that he is not. Before killing Sigurd, Arvis reveals something that Sigurd has been looking for the past year:
Deidre – now recognized as the wife of Arvis.
Arvis insists that Sigurd must be confronted by the daughter of his victim. Deidre, lacking any sort of recollections of her (true) marriage with Sigurd, questions if Sigurd murdered her father. The man snaps, yelling at his wife that he’s married to him, not Arvis, and that he did not do such a horrible thing to his wife who, he loves dearly by killing her father. Deidre is confused. She ponders why Sigurd, the man who supposedly murdered her father, is speaking to her as if he was her familiar. She requests to Arvis that she is given more time to speak with Sigurd to clear things, only to have that requet deny by her new husband.
As Deidre is courted away by Arvis’s royal guards, Arvis believes that Sigurd has said more than enough and orders the execution of Sigurd and his army.
My jaw dropped as I helplessly watched the army whom I raised and the characters I grew to love lives come to a brutal end.
“Nintendo a company for kids and family…Did they just really let one of their main characters die so violently like that?” My teenage mind couldn’t compheren that Nintendo allowed the death of a main character (among many other controversial things) in one of their games.
Continued in Part II.
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The Swarthy Nerd Podcast
A Black nerd empowerment podcast where Black nerds (well, all nerds, but Black first and foremost) can get together and talk freely about nerd culture while also acknowledging systematic white supremacy and racism in the nerd and Eastern otaku fandoms. Every Tuesday join @superlostfan108 and @weebtrashyuki the founders of http://www.swarthynerd.com for there very informative podcast talking about all things nerdy. No desperate boot licking self hating negus who were never accepted by Black norimes for being too weird for their love of anime and comic books by the Black community allowed. Go drink bleach.
I’m not one to fanboy. Okay, let me take that back. I can be bit of a fanboy, but I don’t see myself being a fanatic for anything – except for Fire Emblem. I love Fire Emblem. I truly do. It’s my favorite video game series of all time. Thracia 776is not only my first Fire Emblem game but it’s my favorite game of the series; as well as my second favorite Super Famicom game (my first being Final Fantasy 6). Genealogy of the Holy War is my favorite video game. Nothing can beat it. I could go on and on about how it made me appreciate politics, wanting to create my own linage with my last name, how I love the tone change Chapter 2: Disturbance in Agustria brings to the game, and how I almost got banned from Serenes Forest for “slut shaming” Lachesis: the Incestuous Slutty Half-Sister Wonder back in the late 2000s.
Mind you, there’s nothing wrong with Nintendo’s other franchises; I love Smash Bros, I think Zelda is a great adventure series. Pokemon, a childhood favorite, is still going 24 years later. F-Zero is dead. And Star Fox is a dead series for sexually confused furries in denial. But, there’s something magical about Fire Emblem that draws me into more than any other Nintendo series.
I’m glad to have witness the rapid growth, reinvention, and renaissance of the Fire Emblem series this past decade. Awakening saved the series (and yes, to you spaz ass emotional ass FE super fanboys who gatekeep the series because you’ll never create anything original worth gatekeeping in your lifetime; I know their marketing campaign saved the series). Echoes proved that the younger fans can appreciate unforgiving brutality of the classic Fire Emblem game’s mechanics. FE: Heroes is gacha garbage. If Cowmila was a real girl, I’d pay her to give me a lapdance along with Tharja while Azura sings over an Dirty South trap remix of Lost im Thoughts on my birthday because Azura and Camilla are the only good things about Fates besides Lost in Thoughts All Alone being a remix of this song. Finally, Three Houses has not only dominated the strategy genre, but proven itself to be a mainstream Triple A juggernaut of a game.
It is an understatement to say this is the best time to be a Fire Emblem fan. Words cannot describe the fact of how happy I am to be a Fire Emblem fan today. There is none. With that said, you will be surprise to learn that this wasn’t always the case. In fact, during the start of the Fire Emblem renaissance, I was a bitter, angry, gatekeeping old school fan that hated the reinvention of the series and the fans. And by old-school, I was one of those annoying, assholish Shouzou Kaga dick riding FE fanboys who thought he was superior for playing the older games (who am I kidding I’m still am an assholish Kaga fanboy).
Let’s go back to April of 2013.
Fire Emblem: Awakening made it to the states after a year after the Japanese release. The American Fire Emblem community was at abuzz. We were all excited to get our hands on the new game. Well, not me actually. My money management at the time was foolhardy at best; so I didn’t save up for both a 3DS and the game. Nevertheless, my excitedment couldn’t be contained for long, so I decided to check online for news surrounding the game over here in America.
I was met with the following:
“This is a fucking waifu simulator!” “This pissed on Kaga’s legacy!” “Fire Emblem should have stayed dead!” “Not only is Lucina’s a Mary Sue, she made me realized that at least I’m not AS flat chested and flat ass like her!” “The fanbase is stupid and refuse to play the older games!”
I was shocked. The beloved series that I loved since high school became a weeaboo waifu simulator pandering to new gen anime fans. The new fans are talking reckless about the older games. Worse: classic FE fans stated that Awakening was a cheesy anime game than a tactical game about warfare, life, death, and the horrors of war. Overtime, I became angry at the fandom – bitter even. How could a weeaboo trash entry of Fire Emblem outshine the rest of the games in the series ?
How dare this so called Fire Emblem game became the one to save the series from death!?
I wanted to talk about the other games prior to Fire Emblem (sans the Wii and Nintendo DS garbage FE games), but the newer fans only wanted to play Awakening. Some had the nerve to call Thracia 776 and Genealogy of the Holy War archaic…which is kinda true but man, that hurt. Nevertheless, I wanted nothing to do with Awakening besides bully the Thraja fanboys for being fans of an abusive woman and bully Lucina fans for thinking a Mary Sue character is a good one.
But, like the Grinch, something in my heart changed.
As time passed, it dawned on me: If it was not for the popularity of Awakening, nobody would be talking about the Fire Emblem series – because the series would had died. Because of Awakening, interest towards Fire Emblem began anew – especially the older games – and especially Genealogy of the Holy War. Awakening used the paring and generation mechanics of FE4 (where in the first half of the game, you must pair a male and female unit together in order for them to have a child unit to fight in the second half.) The newer fans started to get curious about the origin of Awakening parent/children system. Naturally, a few of them started playing Genealogy of the Holy War along with the older games.
Rather than gate-keep and bully them (as I saw a few older fans did), I welcomed the newcomers to the series and gave tips for Genealogy and Thracia. Some complained about the massive maps of FE4 and difficulty of FE5, but I appreciated the fact that they at least tried the older games. Some stayed with those two games while others went on to play the GBA era FE games.
Fire Emblem’s popularity was starting to rise again.
And my bitterness towards it began to wane.
While I was walking back to my hotel after hanging out with one of my Umineko no Naku Koro ni cosplay buddies at the convention center, I spotted a girl who couldn’t be no older than 16 cosplaying as Celice/Seliph: the second generation Lord of Fire Emblem 4. I was shocked. Normally, anyone who was cosplaying from the series were only cosplaying as the newer characters — not the older characters. I wanted to take her picture of the Celice cosplayer and tell her how I appreciated that she was cosplaying a character from my favorite video game, but by the time I had turned back around to get off the escalator, she was gone. Oh well. I was just happy to see the next generation of Fire Emblem fans taking appreciation of both the new and older games.
To see that somebody as young as her cosplaying as the classic Fire Emblem characters made me realize that the newer generation of fire emblem fans do have an appreciation for the older games. Plus, it made me fully aware how foolish I was to be angry at something as superficial as the popularity of Awakening. The anger temporary blinded me from seeing the bigger picture:
Fire Emblem – my favorite video game series – was receiving love and appreciation again.
Touhou Emblem 4: Emblem of the East is my rebalance patch of the hacking group FE4 Binary’s original Fire Emblem 4 Remodel hack “Touhou Emblem: Genealogy of the East”. Touhou Emblem Emblem of the East features classic characters of the PC doujin game Team Shanghai Alice such as Reimu Hakurei, Fujiwara no Mokou Remilia Scarlet, and Yukari Takeba in the world Fire Emblem 4!
This patch aims to fix the balancing issues found in Touhou Emblem 4 (such as overpowered unit and classes, limiting holy blood, nerfing and buffing certain weapons, etc.)
Plan Release Date: April 20th, 2018 (27th anniversary of the Fire Emblem series)
So the other day I created a thread on a Facebook group entitled “Who Is Your Favorite Gym Leader from Pokemon.” I chosen Sabrina (Natsume for you Nippon-go speaking hardcore/weeaboo fans) from the first generation series (Red/Blue/Yellow)
Sabrina is pretty damn interesting. I love that she has some cool ass psychic powers; a trait that set her apart from the rest of the gym leaders. She was also pretty out there with her emotionless state, up until a suicide bombin’ Haunter made her laugh her ass off.
I imagine she loves fucked up black humor comedy. She seems like the type.
As I’m hunting down fan art of the psychic Pokemon leader (and a few NSFW fan art) , in addition of fanart of the Hex Maniac trainer class (who happens to be my favorite trainer class in the series), it dawned on me: I like weird characters. Not only that, a lot of my fictional crushes/waifus over the years are of the weird and creepy archetype.
Let’s break it down:
You guys know I’m a huge Hotaru/Sailor Saturn fanboy. She was one of my very first fictional crushes as a kid (or waifu. Whatever sad weird otaku shit we be callin’ this shit now). I thought her weirdness and creepiness was amazing, something that made her different from the rest of the cast.
When the first Teen Titan cartoon dropped years ago, my two favorite female characters were Raven and Jinx. I wasn’t a huge fan of neither Starfire or Terra. Raven and Jinx were superior compare to the two mentioned. Again, these two were weird, creepy ass girls who I was attractive to because of their character design.
When I was getting into the GBA Fire Emblem games, I invested a lot of time, items and in-game money (as well as stats changing cheat codes lol) into the dark mage Sophia to make her my most powerful magic user. Fuck whatever the elitist FE fanboys said about her being garbage! I’m was going to make Sophia the best on my file! Plus she was shy, quiet, and had purple aesthetes, so added bonuses! I am very biased.
Further down in my weebish otaku adult life, I would fall in love and fanboy over characters such as Stocking from Panty and Stocking With Garterbelt, Tharja from Fire Emblem Awakening, and Tae from Persona 5. The characters I named have this errie, dark gothic and alternate aesthesis to their design nature.
Hell, now that I think about it, I’m attractive to weird women. It is natural given I’m a part of the nerd subculture and nerds in general are weird. Fuck, I weird myself. I write blogs about anime culture. I’m writing about crushing on fictional cartoon and video games characters who will never exist. That’s goddamn weird as hell.
But really, I honest to god think me liking weird, alternate women may parallel to my fictional crushes over the year. I am also charmed by nerdy women as well but that goes hand-and-glove with weird woman. If I were to go into details why however, I would be just repeating myself but with nerdy girls replacing weird ones. Same shit. Different toilet.