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Fresh Eyes: Experiencing New Media For the First Time

(Podcast version: https://swarthynerd.com/the-benefits-of-fresh-eyes-ep-119)

Recently, I’ve been watching gameplay streams of Fire Emblem: Genealogy of the Holy War and Fire Emblem: Thracia 776 by new players.  As a fan of both games, it was interesting seeing their first experience as they reminded me of when I had first gotten into the Fire Emblem series nearly fifteen years ago. Admittedly, I was quite jealous of their fresh experience; something I’ll never have again.   

At the same time, I decided to watch a few classic films that I’ve never seen.  These films were Full Metal Jacket, The Big Lebowski, Sixteen Candles, Beverley Hills Cop, Ferris Buller’s Day Off, and The Breakfast Club to name a few.  All greats that millions already seen, however, I’ve just now discovering them.  Hell, there are countless popular media pieces I’ve yet to experience that everyone praises.  I have a few reasons for that.

For video games, I simply didn’t have the funds to buy new consoles (and if I did, I decided to use the money to travel).  For movies and TV shows: either they didn’t draw my interests, or I didn’t care.  When it came to anime, it was a nightmare to access a series before streaming services like Crunchyroll existed.  You could go to hell if you wanted me to buy a volume of an anime series that only contained three episodes on a disc for $100+ back in the day. 

(Thank God for torrents services dedicated to anime)

The undefeated champion for broke anime fans in the 2000s

As I grew older, branched away from my media comfort zone (anime), and became more involve with the Swarthy Nerd Podcast, and this blog, I’m starting to go back and view movies that I never watched in the past.

As my podcast co-host The TV Guru always tell me, I do have a few golden advantages that comes with not watching these old movies before:

  1. Because I’m watching these movies years after they were release, I am not blinded by the bias of nostalgia that most fans have who can’t let go of the past.
  2. Most of my takes on the media I’ve never seen prior are fresh and different from most others. I bring something special unlike most others.   
  3. Veteran fans will be interested in what I have to say as a newcomer (until I start to completely tear apart their favorite film)

That said, this brings us to the topic of this post: Fresh Eyes: Experiencing New Media For the First Time.  We’ll discuss how and why being new to a piece of media years after its release can have its benefits in terms of fan discussions.  However, as a counter, we’ll also go over how there are flaws of waiting too long to consume older media.

PART 1: THE BENEFITS  OF FRESH EYES

As a newcomer to older media, you have a few advantages that seasoned fans don’t have.  The obvious one is being that you’re having that new, first-time experience that long-time fans will never have again – no matter how many times they try with their select favorite.  While they’ve been spoiled, you haven’t.  Therefore, you can make remarks on certain unfolding events, create predictions, and give personal first-timers insight during your journey.  It’s fun to be either proven right or wrong about your predictions and have people react to them.

For example, when I was watching The Breakfast Club, I made a rather wild prediction that Claire/The Princess was going discover Alison/The Basket Case hanging herself from a stall in the girls’ bathroom given Alison looked mental. 

Can you blame me?  I mean, look at Alison! She appears as if she’s one of those weirdo, possibly autistic white girls with no friends who smells like boiled hotdog water and flaming hot corn chips (she clearly don’t take care of her hair). Hell, maybe she got bullied by some popular girls and that made her withdraw from the school’s society.  Dudes ask her out, but it’s either as a joke or they wanna brag about how they were able to rail the weird girl. Therefore, Alison winds up hating herself even more to the point of offing herself (in my head, of course).

Seriously, she looks deranged and mental. Can’t blame me for thinking she was gonna top herself.

Obviously, I was wrong about my predictions about Alison wanting to off herself.  It was Brian/The Brain who wanted to end it all.  All because he got a bad grade once and doesn’t have the balls to tell his parents that they can’t project their views they have about how he should be as a man onto him.

(But hey! At least I was kinda right about one of the kids wanting to kill themselves!)


A second benefit of having fresh eyes towards older media is that you may discover things that the vets may had not catch or will never catch without your input.  This can come from you injecting your own past experiences dealing with media you’ve already consumed or from education.   From this, you could teach others something new or give them an original insight that they would never have before.

You may understand how framing works as well as why directors place characters in a certain position in the frame in film.   From there, you can educate those who don’t know the power of character position in frames and what the director is trying to tell the viewer.  If you’re musically incline and have knowledge within music theory, you can give insights on why the music composer wrote the movie’s theme song in a certain key signature. You can even joke a bit by saying something like “The key signature of  Axel F (the theme song of Beverly Hills Cop) is in the key of F Minor as a play on his name!” (funny enough, the key of F Minor is describe as a key to describe death and loss.

Remember: Axel F’s went to California to solve the mystery of his friend’s murder).  For those gifted in the visual arts, you can explain how characters wearing certain colors give hints on their personality or how colors are used to give insight on the scene.  Your gift can help those appreciate their favorites a lot more. 

Finally, the last benefit of being new to a form of old media is that you can invoke feelings of nostalgia within older fans as you discuss your fresh experience.   As you discuss your viewpoints and impressions, there’s a chance you’ll encounter a fan commenting on their own experiences, how it made them feel years or even decades ago and show their appreciation that something they loved has a new fan.

Going back to my statements of watching newcomers play older Fire Emblem games, people in the comment were talking about how certain scenes, story-beats, and reveals  made them feel on their first playthrough.  The streamer would leave his or her remarks with the viwers responding back.    

You often see this reaction with older people when young people review older media on social media.  If a 20-something is watching an older film from the 80s or 90s, you’ll see those who grew up in those decades reflect on how simple life was back in the day.  You might have a person comment how they remember watching said 80s or 90s film at the theater with their girlfriend who later became their wife.  

There are many benefits with having fresh eyes towards older media ranging from invoking nostalgic feelings when talking about it with older fans to bringing new views to the table that others may not have. 

However, what happen if you’re trying to enter a fandom of an older media piece way too late?  What if you try to get into something old only to find countless spoilers online?  Let’s answer those questions!

PART 2: The Flaws of Fresh Eyes

One of the most fatal flaws of  having fresh eyes when consuming older media late in the game is that you could wind up entering a dead or dying fandom.  There are media that are evergreen; thus, they’re blessed with being timeless.  However, some media don’t have those blessings – especially within the anime fandom with seasonal viewership having the possibility of killing an anime fanbase.

Let’s take the When They Cry franchise as an example.  Before it had its recent renaissance and revival thanks to Higurashi Sotsu/Gou, the Umineko on Stream and Ciconia no Naku Koro Ni, the When They Cry fandom was dead (or at the very least, inactive) Sure, we had some minor Higurashi and Umineko material and news from 07th Expansion for the hardcore fans to enjoy, but nothing major that would generate new interest or fans.  If the renaissance didn’t happen, the When They Cry fanbase would have died out.

With the nonsense discourse Higurashi Gou/Sotsu brought the fandom perhaps the franchise should had indeed died.

Second, when it comes to consuming older media, you do risk being spoiled; either by accident or by some cornball asshole on purpose who think you should had consumed it when it first came out (regardless of accessibility and level of obscurity).   While some iconic spoilers can’t be avoided and have entered the mainstream conscious, your best bet to avoid spoilers for older media is to – and I know it’s hard for most of you guys – stay the hell off the internet or avoid searching for that media online.

Finally, the last flaw of coming into a media late in the game is that you’re too late.  Meaning, everyone has covered every topic in terms of analysis, and discussion. People moved on to other things.  Nobody cares about it anymore.   Your input won’t mean shit.   It’s over. Therefore, it is always good to strike while the iron’s hot.  Be the master of timing in that regard. 

You have to move on to something new, Firefly fans.

This show is more boring and bland and overrated than your little sister’s OnlyFans page.

CONCLUSION

Does it matter the time of  when you consume media in any point of your life?  Well, I say if you’re doing it for yourself and your own personal enjoyment, no it doesn’t.  You can partake in indulging in something within the arts whenever you feel like it.   It’s better late than never as they say.  Some may joke and dog on your for being late.  However, even if you’re late to the party, some may chat and pick your brains about the media you saw. 

When it comes to timeless classics, there will always be people talking about them, so don’t dread about not seeing it sooner.  Now, that said, some media is best consumed while the iron is hot: meaning you should do your best to participate while it’s still popular (don’t be one of these cornball hipsters who only mess with art when it’s no longer popular). 

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A Black nerd empowerment podcast where Black nerds (well, all nerds, but Black first and foremost) can get together and talk freely about nerd culture while also acknowledging systematic white supremacy and racism in the nerd and Eastern otaku fandoms. Every Tuesday join @superlostfan108 and @weebtrashyuki the founders of http://www.swarthynerd.com for there very informative podcast talking about all things nerdy. No desperate boot licking self hating negus who were never accepted by Black norimes for being too weird for  their love of anime and comic books by the Black community allowed. Go drink bleach.

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Nerd Culture 2

Spoilers Don’t Mean S**t!

(Warning: Major spoilers for Fire Emblem 4: Genealogy of the Holy War and Doki Doki Literature Club. I’m not dealin’ with ya weebaboos and ya hurt feelings.)

I can fondly remember when my homeboy (at the time) “spoiled” the fact that Hotaru was Sailor Saturn (Sailor Moon S) in grade school.  I had just finished watching my first episode of Sailor Moon (episode 117: Higher, Stronger! Cheers by Usagi) the previous day and was hooked.  I expressed my love for the Hotaru character and her awesomeness. Unlike Usagi and Chibi-Usa (who had to transform in order to gain their powers), Hotaru didn’t need to transform for her powers.  My dude smiled and said “You know Hotaru is actually a Sailor Scout, right?  She’s Sailor Saturn.  That’s why she has powers. In fact, not only is she a Sailor Saturn, she’s being controlled by somebody else.”

“Ahh!” I replied.  “No wonder she could do those things like blasting a monster across a track field.”  The spoilers about Hotaru’s truth identify didn’t ruin her character for me.  In fact, it made me more excited to watch more Sailor Moon S. I wanted to see Hotaru’s journey as a sickly, lonely girl to the Soldier of Destruction (who ironically, would save the world from destruction).

 

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Same.

 
Spoilers don’t mean shit.  Being spoiled about an event in the media we consume never ruin the emotional experience. In fact, it makes it better.  Some may say “But spoiling something will make you disappointed or change your mind about a character.” Okay, so what? Your views of a character are going to change regardless of you got spoiled on their actions or not. Why try to avoid the inevitable when it’s going to hit you sooner or later?

Let me change your mind about spoilers. I know I can.

 

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Spoilers: Don’t click the first search result for “Aeris Dies” at your job.

 

Spoilers neither ruins nor replace the emotional experience that you’d otherwise witness.  Spoilers are just words. They don’t provide the gut hitting visuals of seeing your favorite character die.  Spoilers don’t give you the sense of anger of seeing a “trustworthy” ally betraying his best friend on screen. “But Ben!  What about twists and surprises!?”  Oh well.  Once you consumed media for nearly 25 years you tend to get bored with surprises and twists.

Recently, I’ve been playing the popular Western visual novel, Doki Doki Literature Club/DDLC (not to be confused with the obscure PC98 visual novel Doki Doki Vacation).  Through my adventures (of playing the game), people were trying (failing) to convince me not to read spoilers.  They told me that it’s better to experience the game blind so I could “truly appreciate” the game for what it is.

 

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DDLC Girls(left-to-right): Knife-Chan the Pervert, Princess of Daddy Issues, Tears of a Clown, and Machiavelli. 

First off, I had to laugh at those who believed I should play DDLC by their standards. Second, telling me to avoid spoilers won’t work – it’ll just make me read them. Through reading spoilers, I discovered that Monika was the true villain of DDLC. Monika was a manipulative, angry, jealous, and lonely girl who wanted someone to love her and grant her freedom (from her digital prison and self-awareness powers).  Did those spoilers impacted and change my views on Monika? Of course, but in turn, it made more interested in her character (given that I enjoy manipulative/Machiavellian-type characters).

 

Here’s where I still felt the emotional impact of Monika’s cruel deeds despite being “spoiled”.

As Monika brags about killing Natsuki, Yuri, and Sayori, your character is forced to sit across from her in the Literature Club (now the Room of Eternity).  The distorted music, dark orange tint filling the room, and Monika staring at your eye gave me a sense of unease.  I felt anger as Monika casually – yet coldly – discussed how she murdered her friends.  Now, do you see how spoilers don’t replace those emotions?  Again, they don’t give you that visual treat.

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Reading those spoilers didn’t provide me with those emotions – but playing the game did. The spoilers just enhanced my journey, which brings me to my next point.

Around 2005, I started playing Fire Emblem 4: Genealogy of the Holy War.  I “foolishly” spoiled the game’s ultimate plow twist – Arvis murdering the main character, Sigurd. Furthermore, Arvis manipulated the nobles of  Grandbell to wage war against a few nations:  just so he could have the nobles kill each other. Arvis’s schemes prove successful.

 

Rather than being mad at myself (for “ruining” the plot), I became curious about Arvis’s “terrible” deeds and did research.  I discovered the game development notes of Shouzou Kaga (creator of Fire Emblem); gaining information on Arvis (that changed my mind about him). Arvis was angry at the nobles of Grandbell who abused their power – subjecting their citizens to levels of extreme poverty (while the nobles spent their riches on themselves).

Arvis – in his head – thought himself as a liberating hero for the common man.

The spoilers didn’t ruin the plot for me.  In reality, not only did it made me want to play the game, it made me respect Kaga’s complex writing of Arvis’s character.  Kaga’s notes help me understood the tragic (anti) villain archetype of media.  It was the kick that I needed to see the game all the way to the end – to see how the events unfold through Kaga’s craftsmanship.

See how spoilers can work in your favor?

Spoilers do not mean shit. This was a fact that I discovered back in my childhood with Hotaru/Sailor Saturn, one of my favorite characters of all time. Being spoilers on certain characters might change my views on them.  That’s okay: it was going to change either way.  Reading spoilers helped me understand why villains such as Arvis and Monika had to do the things they did – and I still got emotional when I reached their villain reveals in their respected games. The spoilers got me in the head of the creator and made me felt what they felt.  To me, that’s the ultimate sign of respect for a creator: understanding their works.

Spoilers don’t ruin the story.  They enhance it.

 

SOURCES:

Spoiler Alert: Spoilers Make You Enjoy Stories More by Adny Murdock
https://www.universityofcalifornia.edu/news/spoiler-alert-spoilers-make-you-enjoy-stories-more

Spoilers Don’t Spoil Anything by Jonah Lehrer:
https://www.wired.com/2011/08/spoilers-dont-spoil-anything/

Spoiler Alert: Spoilers Don’t Ruin Stories by Melissa Dahl
https://www.nbcnews.com/health/body-odd/spoiler-alert-spoilers-dont-ruin-stories-after-all-flna1C6437232

Shouzou Kaga’s Comments/Designer Notes on Fire Emblem 4
https://serenesforest.net/general/designers-notes/holy-war/shouzou-kagas-comments/
https://serenesforest.net/general/designers-notes/holy-war/fire-emblem-treasure/
https://serenesforest.net/general/designers-notes/holy-war/playing-guide/

(Yuki’s notes: Arvis did nothing wrong as he fought for the greater good of the people.  Monika was wrong because she was a selfish simp.)

 

Anime community 2

Your Nerd Hobbies Didn’t Get You Rejected: It Was You

You gotta love bitter nerds.  Ever since the emergence of nerd culture in mainstream culture, pathetic, dusty nerds have come out with their sob stories on women rejecting them (for being nerdy).    You may have come across such stores like “Anime was the reason why women never like me” or “Now that comic books are popular ya wanna join the hype train but ya weren’t down with me back in high school!” If these sob stories describe your experience with women, then you need to hear the truth.  You weren’t rejected because you like anime or video games.  You got rejected because of you and you alone. Blaming your nerd hobbies only mean that you don’t have the courage to admit that you suck.

Let me explain why – because you losers need a wakeup call.

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I know it’s hard to admit fault (for your rejection), but hear me out.  The rejections happened because of your flaws.  You’re a boring ass person lacking charisma.  The girl you wanted like men who can wow her with their confidence and social skills – which you clearly lacked.  Who wants a relationship with a man whose personality is that of the mundane Yuki Nagato off The Melancholy Haruhi Suzumiya combined with the unbearable stoic Obi-Wan from Star Wars Episode 1.

 

 

Next, your horrid appearance landed you that denial. You fucking stink. You smell like pure unwashed swamp ass. The last time you took a bath or put on deodorant was when Half-Life 3 came out.  Your crusty dry lips are begging you to apply Carmex on them.  You’re out here sporting disastrous, greasy unkempt hair. That doesn’t make you look cute. It makes you look like the three-way fusion of Post Malone, Digibro, and Mick Foley/Mankind.  And that’s pretty nasty my man (no disrespect to the greats Digibro and Mick Foley).  And your fashion sense boy!  Did you really think rockin’ a fedora, a button down Dragon Ball Z shirt, and New Balance shoes was gonna get you some women?

How dense are you?

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Enough your shit tier looks.  Let’s talk your blame game.  That shit’s weak. Yes, people are shallow and won’t date you over hobbies.  That’s okay.  I doubt you would date a normie girl with normie interests. With that said,  wasting your life playing video games, jackin’ off to ero anime, and reading slice-of-life manga all day long as hobbies are turn-offs to some. Honestly, that’s boring. Nobody wants to hang around with a boring person like you.  Find other things to enjoy, like watching live-action television, going out to the movies, reading things that aren’t manga.

Liking nerdy interests alone doesn’t make you special: It makes you uninteresting.

Gotta love bitter nerds.  I mean, really.  You can’t help but laugh at them for blaming their hobbies and others for their shortcomings.   Are you amazed at how they can’t see their own faults and improve on them? Because I am. Look, if you are a nerd who does these things, you need to work on yourself and stop playing the blame game.  Take a shower.  Have confidence in yourself.  Go update your fashion game.  Indulge in cool shit other than nerdy shit.

Just stop crying.

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Anime community 2

The State and Culture of Anime Conventions in Five Years

Note: This is merely my prediction of the convention scene based on my seven or so odd years of experience a member of the anime and sci-fi convention scene.  As such, these predictions may not hold weight.  Please do not hold it against me if my theories or predictions aren’t right in  2022.

Browsing through the East Coast convention group “Casual Uncensored Congoers Kindred Society”, I encountered an interesting question asked by the administrator of the group.  He asked how do we see the convention scene changing within the next five years. He then followed up with if we think American voice actors will still remain as the dominate guests, if cosplay remain a money generating commodity, and if there will be new content featured at conventions based on upcoming new ideas and trends.

 

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The Facebook group “Casual Uncensored Congoers Kindred Society”

 

Replying with my thoughts, I stated that I don’t care if people make money off cosplaying/cosfame (while realizing that bubble will burst). I also predicted that the type of guests that we will see a shift from voice actors to social media personalities, cosplay guests, etc.  As I typed, I started to deeply think about the future. Things will change in five years; I have no doubt about it. Personally, I believe we are starting to see this new change of the future today.  With social media growing each day, it’s easier than ever before to communicate with fellow fans – as well as the ability for content creators to showcase their talents and gain attention.

Admin_QuestionMy_Anwser

Cosplaying and attending conventions are both niche hobbies.  As niches, it’s natural for the two to evolve and change overtime.  What changes do I personally think hold for the future of these hobbies?  Well, let’s talk about it!

 

PART 1: The Current Scene

anime_expo.jpg

We cannot discuss the future without addressing the present, and how it’ll shape the upcoming years. From what I’ve noticed, the current state of the convention scene is run by four major elements: Social media (the umbrella for both cosplay and personality fame), money (such as businesses and corporations), the mainstream (such as the “nerdy is cool” trend” and the general convention public and corporate influences.  As stated earlier, I could care less if people attempt to make money through social media and cosplay.  You should take advantage of both cosplay and  social media – as it’s a useful tool to fill your bank account (if you’re smart and work smart – not hard)

If you have to do a lewd cosplay version of Reimu from the Touhou series to get a stack, go for it.  If you have to perform goofy acts as Deadpool at a convention for your social media platforms, go for it.  Money and fame attract people.  Attention follows the money.  The Money pays attention.  I’m sure you heard the story of the Japanese cosplayer who claimed that she made over $100,000 in a course of two days during the Japanese anime convention Comiket a few years back.  I bet you that many are attempting to emulate her success once that report came out.

The fastest route for some (mainly female cosplayers, blessed with great generics) to make big bucks is through lewd cosplayers: a rather controversial career path within the cosplay community.  If done right, a lewd cosplayer could easily make $10,000~$13,000 a month through Pateron, sales, etc. Sex sells and people are buying.  There are some (mostly jealous, insecure women and beta male virgins) who believe that lewd cosplayers are ruining the community.  They think that the focus should be on cosplayers who have craftsmanship skills – not tits and ass.   Non-lewd cosplayers are vocal about their hatred for sexy cosplayers. It doesn’t help that most of these sexy cosplayers are involved with some form of controversy – which will slowly ruin the image of this trend if not taken care of.

Assuming if these controversial lewd cosplayers and cosfame people continue to generate controversy (and if people stay in their jealous, hating feelings), then I can see this trend’s bubble bursting.  Too many people will enter this bubble in hopes to make it big.  While sex sells and attention pays out, you still need a great (and marketable) personality and brand.  Jessica Nigir, whom some consider to be one of the founders of the lewd cosplay trend in the West, still makes money – despite she doesn’t do lewd cosplays as often as she used to; Thanks to her brand.

 

With the “nerdy is cool” trend, there’s an increase of attendance from those who may not be true nerds.  With nerd culture and hobbies becoming more acceptable each day, people are hopping on the bandwagon to take advantage of it.  More people (may they be real nerd or not can be ignored here) means more money for conventions – especially for conventions who’re profit.  Corporations are taking notice; therefore, they want in through sponsorships.  This leads to conventions becoming corporate.  This isn’t necessary evil, but one must understand that few may not accept the idea of larger conventions going corporate.

From my personal research and experiences, the general convention and cosplay public community is divided on the upcoming changes.  There are some who view the corporate changes, the (lewd) cosplayers who cosplay for money, and conventions going corporate as great things for the scene.  Opposite, the old-school nerds are fighting against these changes in hopes that it won’t ruin and “corrupt”   the traditional, imitate homely feel of conventions they’re used to (and thus, will be driven out). They refuse to accept the fact that things change.  Will the corporatization of conventions become a problem within the next five years?  We must wait and  see then.

Discussing the future is impossible without addressing the present.  Lewd cosplays and social media personalities are cosplaiyng for the money.  Nerd culture is slowly becoming accepted in the mainstream.  Fans fear that the convention spirit will be lost overtime, while some see this as a great idea. Or there may not be any changes. Only time will tell us in the future.

 

Part 2: The Future of the Scene.

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The trends of today will influence the trends of tomorrow.. We’re seeing the seeds of the future planted today.  With the advent of  easier access to information on anime series , fans can research creators and artists of their favorite series effortlessly (thanks to the Sakuga community providing comprehensive information on these creators). Because of this, I predict that these creators will become the main guests for conventions. Now note that larger conventions such as Anime Central and Anime Expo were ahead with this, but mid-size conventions will follow suite once they increase their budget to emulate this.

Social media has impacted this new era. Like it or not, social media personalities/”celebs” are becoming more known – so much that they’re too are becoming guest of honor.  Digibro – the prolific (and infamous) anime vlogger was a guest at Anime Expo 2017.  Veteran Dragon Ball historian YouTuber  Geekdom 101 is hosting his own convention (KamehaCon).   Social Media is the superior choice for content creators in this community to become known. The more you’re known (because of your content), the more likely one could become a guest at conventions.

Social media has also created the lewd and non-lewd cosplay money boom.  As with any major boom, this bubble will burst Once that happens, I imagine the following scenarios:

1. The majority will be out of work and money.  They’ll be too scared to make a move  and give up.

  1. The minority will take advantage of the bubble burst (as well as a few others). They will work harder and smarter to stay relevant and make money during this time. Think Amazon during the Dot Com bubble burst and how they survived it through smarter tactics.

It will be a hard time for the cosfame people to recover and find work during this burst.  But the smart ones will rise.  Besides, sex sells.  People love seeing their waifus being lewd up by a sexy woman.  The bubble will recover and the trend will start anew.

Larger conventions will become corporate.  They will increase prices on badges and will become stricter to appeal to a boarder consumer.   The possibility of these conventions losing their homely, fan feel is high.  But do not dread! If there’s a positive to this then it’s the fact that these corporate conventions will have more money to bring in bigger names from the industry. Not every convention will go with the corporate flow.   Smaller cons will still have their welcoming, personal home-like vibe and will refuse to do this.

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Finally,  we will see the end of the norimes who are bandwagon “nerds”.  I see them out once either nerd culture becomes a part of everyday culture.  They will stop caring after this.   You already know that this will make the gatekeeping elitist nerds happy: seeing the normies whom once bullied them for liking anime out of their nerd club.  Do I think this will bring us back to the old, golden days of the conventions?  Possibly not.

Trends come and they go.  The cosfame trend bubble will burst. We’re seeing upcoming social media personalities as big guests. Trust me: Do not sleep on them – social media is the new television.  Conventions will become cooperate, and some will lose their classic fan feel. And the norimes who were on that fake nerd shit?  They will go away.

 

Hopefully…

Part 3: What Will Remain?

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Drinking while cosplaying is timeless.

 

 

Tupac famously said that “some things will never change”.

We can say this about the convention community.  Despite this community changing every day, (for better or for worse), there are some accepts that will never change. Humans are social creatures who thrive to connect with others.  Conventions will always be a place for fellow nerds to come together. With that said, this also brings in drama.  Drama will never end.  People will always start shit and bring their beef to the conventions.  Smaller and mid-size conventions will refuse to grow big and corporate.  Those conventions will remind fan run.  There will always be those who want to cosplay because they love to: not because they want money or fame.  Opposite to that, cosfame and lewd cosplay will be hot; given that sex sells and people love money  and will seek to gain it by any means in this capitalistic society.

Finally, what will remain are the various guests of the industry ranging from voice actors, online personalities, artists, creators, and so forth.  We appreciate the people who gave life to our favorite characters through their vocal talents.  We give much respect to the personalities who sit in front of a camera and passionately analyze their favorite series.  We will continue to celebrate our favorite creators whom dedicated their lives and time to create such marvelous creations. Our love for these creators will never change.

Our love for this hobby is forever.

It’s interesting to speak about the future of the convention scene as we’re seeing the changes of the present impacting the unseen future.  Currently, the cosfame appears to be a dominating force with the prize of money behind it.   Larger conventions becoming corporate seem unavoidable, but some already saw this coming and accepted this. The unseen future reveals that social media stars of nerd culture could become major guests; as they’re growing ever popular.    Change can be either scary or great – some will embrace it and work with it.,  Others will attempt to fight against the change and either become successful, or lose.

YouTuber’s illacertus’s states this about change in his animation summary of  Robert Green’s book The 48 Laws of Power, and this is my closing statement:

Don’t fight change.  When you catch yourself in the futile attempt to resists a new order, remind yourself that did you not only missed the opportunity to predict it, but to adapt to it in time.

You have to be anti-fragile.

 

 

Image Sources:
Cover image:
http://www.animegator.com/article/best-anime-convention-cosplay

http://www.latimes.com/entertainment/herocomplex/la-et-hc-anime-expo-20160701-snap-story.html

http://www.hxchector.com/crunchyroll-expo-2017/