I write about why you should have a greater appreciation for wacky Japanese cartoons and the otaku culture revolving around it.
I also co-host a Black Nerd Empowerment podcast with my friend The TV Guru over at http://swarthynerd.libsyn.com/ and create off-color memes about crap tier anime over at https://www.facebook.com/yukithesnowman/
September fascinates me as an anime fan. September 2009 was a turning point for my love for anime, as well as the the roots for me analyzing anime, and convention trips. In September 2009, I was introduced to three anime series in college that would mold me as an full pledge otaku: The Melancholy of Haruhi Suzumiya, Elfen Lied, and Higurashi no Naku Koro ni. While I’ve been an anime fan for years prior, I was watching anime as just an entertainment tool alone – not as a source for learning and understanding how character development and theatrical themes works for story telling.
I still fondly remember back in September 2009 how anime message boards and blogs were abuzz at Haruhi and Higurashi – praising both series for their deep character development, storytelling, and themes. Fans of Haruhi formed their own cult church – “The Church of Haruhi Suzumiya”; Praising their goddess Haruhi – their Lord and Savior.
People couldn’t stop talking how fucked up Higurashi was with the show’s gore, carnage, and “killer lolis” while entry level weebs blindly celebrated Elfen Lied for its combination of violence and tragic narrative (it’s okay I was blinded by its bullshit back then as well.)
I wanted in. The appeal of these three shows were unlike the anime I was used to watching on [adult swim] and Cartoon Network. Haruhi, Higurashi, and Elfen Lied weren’t shows for the mainstream entry level fans who were comfortable watching anime on television. They were too otaku for them. The average American fan wouldn’t expand to what I labeled anime like the three as “Internet Otaku Anime”.
And that was okay.
Haruhi and Higurahi both had their charms that drew me into those series. Haruhi was weird, yet campy. Higurashi was brutal, yet mysterious. Nobody outside the hardcore otaku circles weren’t watching these shows. Nobody who wasn’t an otaku or watched anime online were talking about Haruhi and Higurashi, which made my somewhat elitist ass happy. I finally discovered shows that I could keep to myself and only talk about among the real otaku. No more mainstream anime for me!
Everyday after school I head straight home to Haruhi, Higurashi, and Elfen Lied one after another. I would go online express my love for both shows with fellow fans and applaud how amazing they were. They were special to us. Yea, not everyone understood why we love Haruhi and Higurashi, but we didn’t care. To us, Haruhi and Higurashi were love letters to the otaku community who wanted something better than was was being offered on T.V.
With all of that said I will be dedicating this month to Higurashi, Haruhi, and maybe some Elfen Lied in celebration of September 2009 and the turning point of my otaku lifestyle.
On August 11th, 2017, YouTube anime vlogger Digibro uploaded Where Should We Watch Anime?, a video where he explores four seperate anime streaming services: Crunchyroll, Amazon Strike, Netflix, and the infamous illegal site “KissAnime”. Digibro states that while he does use Crunchhyroll to view anime and support the industry, he also uses KissAnime, but only as a last resort (if there’s no legal alternate to view an anime, if the legal services offers a worse product than the illegal websites, etc.)
Despite his statement (and because anime fans lack comprehension skills), the anime community misinterpreted his words; believing he was promoting the illegal sites. This resulted in his his follow up video Utter Morons ForneverWorld & Half of Anitwitter Totally Miss the Point Of My Streaming Video where he states once again, that he only uses the illegal streaming services if the legal ones are offering a worse product than the legal websites or if he can not find a legal alternate to view an anime.
Both backlash and support for Digibro’s views followed. Many were furious at him for “suggesting” the usage of illegal websites. Others praised and understood Digibro’s stance. Those who supported his views brought up that the anime industry doesn’t make enough money off Blu-Ray and DVDs sales, that the industry’s main profits come from secondary sources of income (which he also states in the follow up video) as well as bringing brought up how major studios take most of the profits from the different income sources and not paying their artists a fair, livable wage. The anime fans opposing piracy rebuttal; to them, every dollar counts in supporting the the industry.
These videos breathed new life into an age old controversial topic within the community: Does pirating anime hurt the industry?
As someone who keeps it real, it’s my duty to tell you how I feel about this subject it is without holding back. From researching the topic, reading articles, and watching anime vloggers of both sides of the argument, I don’t think pirating hurts the industry. I do get where opposing fans are coming from with their anti-piracy stance, but again, I don’t feel that piracy does harm to the industry.
From my research, I discovered how the anime industry create captial in the modern era outside of Blu-Ray and DVD sales. Aninews’ video The Data Behind Digibro’s Stance on Anime Streaming: Legal vs. Illegal, breaks down how legal streaming services fund the industry through bidding for the rights to stream an anime on their services (the link to the video is listed in the cited source section).
When a streaming company wins the rights to a show, they’ll have to pay the licensing company (such as Aniplex) the cost of each episode, royalties, and licensing fees. Once paid, the licensing company takes their cut of the the money and split the rest up with everyone involved in the production of the anime. This meansthat regardless if you use an illegal streaming services or not, the animation companies have already received their money for the shows the provided to the streaming services.
At worst, the streaming companies will operate on a lost from ad revenue due to not breaking even or beyond from piracy. Therefore, the company will have to operate at a loss – forcing them to reduce the number of series to buy off the licensing company for the upcoming season.
Another way anime studios make money is through product placement. Some industries in Japan (such as the automotive and food industries) will reach out to animation studios and offer to pay thousands or millions of dollars for the show to promote their product or brand. For example: Sunrise 2006’s anime Code Geass, famously promoted the pizza brand Pizza Hut in many episodes due to a deal between both companies. This provided Sunrise extra capital for their pockets. Misty Chroenexia’s video Piracy is NOT Killing The Anime Industry explains this further in depth (the URL to the video is listed below in the source section).
Finally, companies make extra capital from merchandising such as toys, video games, figurines, body pillows, drama CDs, and music soundtracks. Bigger companies such, as A-1 Pictures, are linked to major companies: giving them access to extra funds. Miki Sim’s article How The Anime Industry Earns Money further explains this:
‘A few larger anime studios, such as A-1 Picture, actually sits within a larger entertainment ecosystem. They are linked to record companies, such as Sony Music Entertainment Japan. With the popularity of anime OPs drive the sales of anisong singles and albums. That is another reason why the anisong industry is becoming larger than J-Pop too.’
In short: Some studios are large enough to use high amounts of capital thanks to a connection with a thanks in part of another major company or brand.
What does all of this means for me? Well, if companies are making profits through other sources of income, have already received money from streaming websites such as Netflix and Amazon , and have connections to larger companies such as Sony (who have diverse income thanks to their products and investments) for extra cash, then me pirating their shows does not hurt them at all.
Admittedly, I do have an active Crunchy Roll subscription to support the industry. Crunchy Roll is wonderful and they provided me with good services. If Crunchy Roll has a show I want to watch then I will view it on there as oppose to say KissAnime. Now, if they do not have a show I want to see and there is no legal alternate available (that I like), then I’ll use an illegal streaming site.
This brings me to my next point.
I’m going to keep this all the way real: It’s the fault of the Japanese animation studios for not releasing their new shows outside of Japan (where there is a market for those show, niche or otherwise) to a legal service in North America (or any other international regions). Consequently, this forces fans to pirate shows that they cannot access legally because the Japanese businesses do not want to adapt to the current trend of anime viewership globally. In my opinion, this is bad business. Anime is a global market. You have to carter to fans around the world.
You have fans who’re willing to watch new shows legally. They want to show their support with the money, but these companies aren’t listening. If they do release a show, it’s usually a season or two later.
Example: Netflix recently acquired the rights to Kakegurui, one of the most popular anime series of the Summer 2017 season. Netflix will air Kakegurui in Winter 2018 – two seasons after its original Japanese broadcast run. This means if you want to watch it legally, you will have to wait five months (at the time of this writing) to support it legall. The only way to watch Kakegurui and stay current with it is through an illegal streaming service.
Now, if you can’t afford to pay Netflix that $10/month plus tax because you have other paid streaming services you’re subscribed, to and you want to support it legally, well, you’re out of luck. This is another case of bad business practice. You have three streaming services fighting each other to win the rights for a show. And if the winning company is Netflix, you may have to wait a few months to view the show.
Now that I think about it, this is goofy.
Once a company wins the rights for a show, they have that show exclusively. No other streaming company can have it, just that one company. Let’s say Amazon Strike wins the rights to the show The Misadventures of an Alcoholic Magical Girl (this is not a real show). Since Amazon is the only North American company to stream that show, you cannot get it off your Crunchy Roll and/or Netflix account(s). You really want to watch and support the show, but can you afford an Amazon Prime account along with the cost of $4.99/month with Strike and $6.95/month with your CR account?
So, what you’re going to do? Spend that extra cash? Cancel your CR account to save some money? You can do that, but now you have to wait a week to watch the newest episodes of a currently airring show. If you really want to watch it, then you have to pirate it. Which is not that bad if you bare in mind the animation studio has already earn the money from Amazon.
Let’s take this a step further.
Netflix and Amazon are notorious for not understanding their anime fanbase demographic. Netflix has been under fire for uploading anime shows with false “HD” and horrible subs quality. Amazon Strike requires you to have an Amazon Prime account along with paying $4.99/month for Strike. Doing the math $8.99+$4.99 = $13.98/month. Then you have your Crunchy Roll account, which is $6.95/month. So $13.98+$6.95=$20.93/month. THEN, if you want to watch an anime that’s only on Netflix, you’ll going to wind up dropping $10/month plus tax. So $20.93+$10.00=$30.93/month plus tax. Finally, if there is a show that you desperately want to see that is not available legally on all three legal platforms, you’re out of luck.
Unless you pirate of course.
Pirate sites host anime with true 1080p or 720 HD (both native and upscale). They have fansubs in excellent quality. They offer a massive selection of anime that you can stream and download for free without worrying about hundreds of dollars on. There are shows on these websites that may never get a re-release. Viewing them on these sites is the only way to experience those shows. If you want to explore the history of anime at its fullest, you may have to use KissAnime or 9anime.
This begs the question: Why pay and support a service to companies that doesn’t care about their anime demographic, rip them off by offering them “HD” quality that is not HD at all, and provide low quality subtitles? At least CrunchyRoll understands their given that company is fun by anime fans. They need our money and support. But Netflix and Amazon? Screw them. Screw them and their bad business practices If Amazon Strike and Netflix’s anime streaming services belly-up due to piracy, oh well. They’re large companies with other sources of income to keep them afloat. I doubt Amazon and Netflix would suffer that much.
The whole business model is stupid. Japan not expanding further and adapting to the current trend for their anime demographic is ass backwards. I honestly don’t feel bad for pirating their stuff. They’re providing poor-to-bad services because of it. If you’re giving the customer a bad experience due to your shitty practices and you can’t help with their needs, you don’t desire to make money.
At this point, you may be asking “Ben! So what about the little guys? Yeah, cooperate assholes may make a lot of money, but the artists and creative team only make little to no money a month! They need your support!” Well, that brings me to my next point – a good point Digibro brought up in his video that I like: A donation button.
Artists put in countless hours of hard work into their craft; providing us with amazing shows that we all love and enjoy. Because they work hard and passionately, they deserve our money. However, while there is a lot of capital flowing in the industry, the top people will get the largest payout while the smaller ranking dudes will get less. Way less. The average animator in japan makes about $300-$500 a month. The “lucky” ones make $1000 month. Still, that’s criminally wrong. Even if I do view anime legally through Crunchyroll, the animators are being screwed by their employees regardless.
This is why I like the idea of studios of exploring alternate ways to make money through donation service websites such as Pateron or Go Fund Me. Let’s say at the end of an episode or season, you can click on the donation button and give whatever amount you feel that episode or series was worth. If you feel a series was excellent, then you can drop $80-$100 on it. If the series was horrible, then you give it little-to-no money. This allows fans and the studios to cut out the middle man and have a direct connection with one another payment wise. Most anime fans stream anime nowdays and Blu-Rays and DVDs are pricy (although not as pricy as they were ten years ago), and enjoy the convenience of watching a show on-demand, so this could work out in the future.
Studio TRIGGER is rumored to have experiment with the idea of using Pateron to crowd fund future projects, but efforts have been slow to pick up due to Japan’s conservative, old-school ways of performing business. Animator Jun Sugawara has opened an animator dormitory in Japan funded by Generosity. This dormitory is open for animators across Japan who don’t want deal with the bullshit of the current industry standard, as well as work in a fair, almost stress-free environment I think these are great ideas and I hope it catches on within the industry.
I would rather pay the creative staff behind my favorite shows my money to support them, rather to give them to Crunchy Roll. As much as I respect Crunchy Roll and support them, the money I give to them supports shows and studios I don’t like – not just the ones I enjoy.
This means that shows I hate such as In Another World With My Smartphone and Sword Art Online are being funded. I don’t want those horrible shows being supported off my hard earn money. A1 Studios is also getting a cut of my money. I can’t support that company after the fact their strict, brutal practices caused an animator to commit suicide in 2014 due to being overworked. I can not support that company ethically. I don’t feel right about that.
Let’s hope that more teams and studios get on board with this new donation and crowd funding model. Japan really needs to adapt to the new era and stop being stuck in traditional about their old-school way of handling business within the anime industry.
It’s clearly taking a toll.
While I am not bothered by piracy, I do understand why people are against it. Pirating shows take away extra profits off Blu-ray and DVDs sales. Mother’s Basement’s video How Much Money do the Biggest Anime Pirates Make states that the pirates of KissAnime earn an estimated $18,000,000 USD a year from ad revenue – much more money than the animators in the industry. KissAnime also has a history of stealing subs from official streaming services and fansub groups and reuploading the files to their website.
According to GoBoiano’s article How Much Money You Cost the Anime Industry When You Illegally Stream illegal streaming services and torrents has cost the anime industry an estimated $33,009,636 to $132,038,554 in 2016. In 2015, animation studio Manglobe (famous for Gangsta and Samurai Champloo) filed for bankruptcy due to an estimated debt of $4.43 million USD. Fans have theorized that the lost profits from piracy resulted in the company’s demise, but this is just a theory without any solid proof backing these claims.
In July 2014, the Japanese government founded the “Manga-Anime Guardians Project” to combat against online piracy of anime and manga, monitoring illegal websites for uploads, and as well as help fans find legal alternates to stream and watch anime.
With pirates making multi-million dollar profits from stealing official subs, the industry losing millions from it, the Japanese government having to step in and protect the work of artists, and a company bankrupted due to possible piracy, I can see why opponents of piracy want to end it. Animators are losing jobs and money from illegal activities. You can easily assume the reason why animators are underpaid is because of piracy and the companies have to operate at a loss. A loss of money means less pay and fewer jobs on the market.
To conclude, I do not see the big issue about pirating, but I still want to support the industry. With companies making money through other sources of capital such as promotion, legal streaming, and maketing, I don’t feel that pirating doesn’t hurt the industry at all. Even if stream anime legally, the major players of a company will take the majority of the profits, leaving the creative forces with less than livable wages. The industry and businesses need a new model to operate on. People aren’t buying blurays or DVDs anymore. Fans would rather stream their shows.
The idea of studios and animators using crowd funding for anime is a fantastic idea which we as a community need to get behind. Animators deserve a living wage for the hard work they put into their craft. While this won’t completely stop piracy overall, it does give fans a chance to support their favorite companies without a middle man.
I am just one person who believes piracy isn’t harmful but there are many who believe it is and they have good reasons to think as such. Illegal streaming services cost the industry millions is lost capital. That’s not right. The animators earned that money – not the pirates.
And finally, if you believe that these legal streaming services are giving you a worse product and service, stop using them! Don’t give them your money because it’s the moral and right thing to do. You know what’s not moral and right? Ripping off people with a shit product.
Hey guys! I’m going to be busy working on my Higurashi no Naku Koro Ni analysis as well as other work for the few days, so I won’t be on here. I am pretty active on my social media accounts so if you want to keep up with what I’m doing and check on my progress for my projects, then followed me on these social media platforms:
My Facebook page for the blog. The most active of my social media pages. I share lots of memes, fun anime related facts, fanart, and misc. shit here. I am also rather blunt and unfiltered here. Ignore that 1-star rating I was super drunk when I wrote that against myself.
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@weebtrashyuki
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August 10th, 2017 marked the 15th anniversary of the hit visual novel series “Higurashi no Naku Koro ni”. Higurashi no Naku Koro ni was adapted into a successful animated series by Studio Deen in 2006 – setting the standard for horror anime which many series have tried and failed to emulate since. In reflection and celebration of the series 15th anniversary, I will be providing my raw, unedited thoughts of the anime throughout the month of August. I hope you’ll enjoy!
Ya know, I don’t blame Shion for wanting to kill Teppei for abusing Satoko. Satoko is like a little sister to her and loves her as so. Their bond is so strong that Satoko calls Shion her “Nee-Nee”(lit. “big sister”) during the events of the answer arc of Kai. Knowing how much hardship Satoko has gone through in her young life, Shion is willing to protect Satoko by any means necessary.
Shion’s a little tad crazy when it comes to people she loves and cares about. Remember: this is the very same Shion that kinda sorta stabbed Satoko (who was pretending to be Jesus nailed to the cross) a few times on accident (no big deal the knife slipped), beat her grandma to death, and threw her sister into a pit leaving her to die – all because she wanted Satoshi’s dick.
The Passion of the Christ(2004)
When Shion (and the rest of the Club) discovered that Teppei was abusing Satoko, she lost it. While the Club was thinking saving their friend without violence and dealing with legal issues, Shion was like “Nah fuck that! Let’s kill this man right now!” Keiichi objects Shion’s plan to go full out violent against Teppei, trying to convince the insane nutcase twin to not do anything she would regret. Shion was like “Nah”, grabbed a chair and smash it over Keiichi’s head – threatening to kill him if it meant getting to kill Teppei and saving Satoko.
She was going to honor Satoshi’s wish of watching over Satoko.
Even as a protagonist, Shion is still about that killer life.
I can understand Shion’s feelings of wanting to kill Teppei to in order to save Satoko. I can’t describe it, but there’s a feeling of pure rage when you you hear that somebody you care for has been hurt and abused by someone – especially if it’s a child. Your emotions clouds the logical accepts of your mind. Therefore, you do not think with rational but rather, with vengeance and rage. You hate to see them hurt and you want them out of that abusive situation by any means.
Even if it means through violence.
Am I saying to go out and kill abusive people? Well, no (although there have be cases where people have kill abusive people before). Now if it’s a life-or-death situation where the outcome may end with a victim dying, and the odds for a peaceful resolution are at their lowest, then I’m all for people killing abusive assholes. I’m not an expert on the legalese or ethics of killing abusive people in a heated situation, so take what I just said with a grain of salt.
Ultimately, to end this quick little raw thought, I can see where Shion was coming from with her wanting to kill Teppei in order to save Satoko. No child should go through abuse and suffering. Those who harm others need to be dealt with, may it be legally or taking matters by your own hands.
AFTERWORD: Just got my hands on some Higurashi episodes. Rewatching a few episodes in preparation for a new analytical article! Stay tune!
August 17th, 2017 marked the 10th anniversary of the hit visual novel series “Umineko no Naku Koro ni”. Umineko no Naku Koro ni was adapted into a terrible, low rating animated series by Studio Deen in 2009. The manga adaption and the fighting game spin off are better. Seriously, don’t watch the anime. In reflection and celebration of the series 10th anniversary, I will be providing my raw, unedited thoughts of the anime throughout the month of August. I hope you’ll enjoy!
WARNING: Violent, gory images below. Umineko spoilers below. If you do not like gory imagery or want to be spoiled, then please turn back now. Check out my other Umineko related content on my website such as my utter hatred for Kinzo Ushiromiya and my shame for enjoying the anime adaption of Umineko.
If you’re still here then that means you’re okay with being spoiled and you’re comfortable with viewing gory imagery.
How I got into Umineko is funny. Weird, but funny. I had just powered through Higurashi no Naku Koro ni Kai and Rei around mid November 2009. I was addicted. I needed more When They Cry and Higurashi in my life. A manga. A new anime series. A torrent link (don’t pirate kids) to the VN so I could experience this beautiful and deep story in it’s original, ham fisted characters design and terrible free licence music form.
I don’t know how anyone can play the VNs with the original sprites and music.
I just needed a new When They Cry in my life!
Desperate, I searched through /jp/ (4chan’s otaku board) for any information on new and upcoming When They Cry material. The degenerate weebs of /jp/ were discussing a new entry to the series: Umineko no Naku koro ni (lit. When Seagulls Cry) and its anime adaption by Studio Deen. They had some rather…not-so-nice opinions on the anime, and were encouraging everyone to stay far away from it.
Yet, I could care less for their opinions! It was a new entry to this excellent saga!
Umineko’s anime promotional art. One of only three good things about the anime.
I hit up YouTube to see if any episodes of Umineko were uploaded. To my excitement, there were some episodes up! Just that they were only in Japanese, as the subs weren’t up on YouTube at the time. I was never smart enough to download a torrent for the subs, so I gave up. (again kids don’t pirate).
Disappointed, I turned to the image-board Danbooru. I figured that I could get some minor information on the characters through fanart and fan comics. A quick search of the title lead me to some interesting fanart and 4koma four panel by the artist Rifyu.
I randomly selected one of his artwork; a crossover of the Umineko and Higurashi cast. The art was crude and simple, but it wasn’t too bad (and it was a hella better than Ryukishi’s art for the Higurashi visual novel). Based on this art, I assumed that that the characters of Higurashi might appear in Umineko, or at the very least Umineko was an expansion to Higurashi’s story.
I continue to scroll through his comics when I came across a 4koma of a gothic lolita cat-like girl who I presumed was Higurashi’s Rika, and a redhead schoolgirl at a bowling alley. The redhead made a successful strike and is at all cheers. Interesting, the word “strike” was in red. The gothic lolita doesn’t seem too impressed. Not by the efforts of her “friend” (ha ha ha), but by her usage of “red text”.
“Why is ‘strike’ is in red and why is Rika upset about her using this ‘red text’?” I questioned. I was confused by this “red text”. Was it something special for those two or anything?
Oh well.
The third panel focused on Gothic Lolita Rika throwing her ball in what I guessed was an attempt to one-up the redhead girl. Gothic Lolita Rika not only earned herself a strike, she also destroyed the bowling alley, and possibly killed a few people in panel 4.
Ange: “Yes! STRIKE!” Bernkastel:”Didn’t I tell you not to use the red text?”
“So I guess Rika is a jealous bitch in Umineko who feels the need to outshine people.” I assumed. I went on to read another 4koma, this time featuring a blue hair girl name Erika – a girl with bad fashion taste.
Erika Furudo
“Erika, huh? Is she like another Rika because of their names?” I questioned, thinking there were a connection between the two.
From reading the Erika centered 4koma, I took a wild guess that she had a hardcore crush on Ange’s brother, Battler. I mean yea, having a cute little crush is cool, but Erika was taking her crush way too far. Creepy-stalker-with-a-crush levels of too far. She will sexually harass you too far. Erika is totally the type of girl you put a restraining order on because she doesn’t know what personal space means. And she might kill you in your sleep.
“Ya know, maybe this is why Ange is overprotected and super close with Battler in some of the 4komas. The women who are attracted to him are crazy.”
Not only was she a bit too protective of Battler in these comics, she might have been like him a bit wee too close as siblings. There were two other 4komas of Battler chilling with different women: Beatrice and Gertrude. In these comics, Battle is on a date with either woman but suddenly Ange burst in and blocks any attempt of the Beatrice/Gerrude growing close with Battler.
“So, does Ange has a brother complex like she Lachesis off Fire Emblem 4? Is she one of them fujoshi wotaku nerds that take their otaku hobbies and fantasies too far and want to get with her brother like some weird anime character? Ange got some issues.”
(Man, she has issues indeed but I won’t go over them in this post.)
I spent the entire night reading through Riyfu’s comics of Umineko. They were funny as fuck and gave me a nice insight of the series and characters.
“Man, Umineko is nothing like Higurashi! I hope the anime is light-heart and funny as these comics!” I foolishly told myself.
Man.
My.
Black.
Ass.
Was.
Wrong.
AFTERWORD: My bad for waiting until two days after the anniversary to post this work was kicking my ass and I didn’t have the energy or drive to work on this freewrite Thursday. I am working on Part 3 of my Higurashi raw thoughts if you’re looking forward to that!
August 10th, 2017 marked the 15th anniversary of the hit visual novel series “Higurashi no Naku Koro ni”. Higurashi no Naku Koro ni was adapted into a successful animated series by Studio Deen in 2006 – setting the standard for horror anime which many series have tried and failed to emulate since. In reflection and celebration of the series 15th anniversary, I will be providing my raw, unedited thoughts of the anime throughout the month of August. I hope you’ll enjoy!
WARNING: Before I start I want to make it clear that this raw freewrite touch upon sensitive subjects such as child abuse and molestation. There are also manga/comics scans below with gore and abuse. If you’re not comfortable with those things then please, turn back now. Check out some other contents on my website instead!
If you’re still here then that means you’re okay with reading about such topics and seeing the scans below.
During my first run through of the Higurashi anime and manga back in 2009 I realized this: Higurashi was (and still is) that real shit. I mean yea, it has that moe bullshit and slice of life elements to it, but when you analyze and dissect how the series play with those elements, it works well for the themes of Higurashi and it characters. Themes such as child abuse, mental health, and (childhood) trauma.
Let’s take say Satoko for example. Satoko is the typical (annoying) moe little sister type character in anime, right? She’s a bit of a brat, a prankster, and an overall energetic child who seems happy to everyone who knows her.
Satoko and her smugness.
Yet, she has an incredibly fucked up life; resulted from a series of tragic events that no child should experience.
Deranged (from the Hinamizawa Syndrome), she pushed her parents to their deaths from an observation deck. She was abused (both physically and possibly sexually as it was hinted in the Nintendo DS remakes of the VNs) by her uncle Teppei who downright hates her. Her family were the subject of hatred from the villagers of Hinamizawa (due to her late parents supporting the government’s attempts of flooding the village). Her beloved brother, Satoshi, disappeared, leaving her without any supporting and loving family members.
Fuck Teppei.
The horrific events of her life would eventually take its toll on her mental health. Overtime, Satoko withdrew herself from her friends and club activities – believing she’s a burden on everyone. In one incident, Satoko had a meltdown during class. Keiichi’s seemly innocent gesture of patting Satoko on her the head to cheer her up triggered a flashback of Satoshi doing the same. Satoko violently shoved Keiichi across the classroom, blanks out, and starts to vomit. After that, she tells everyone “I’m sorry” repeatedly while crying.
Nobody (sans her best friend Rika I’m assuming) knew she was struggling mentality (as far as I know). Everyone thought she was doing (somewhat) okay with her cheerful, playful attitude that she showing everyone in school. No one forreal knew she was suffering hardcore, she was stressed out, that her happiness was just a mask for her pain.
‘Now if there’s a smile on my face It’s only there trying to fool the public’ ‘Now if I appear to be carefree It’s only to camouflage my sadness’
Since I’m on the topic of playful blonde characters who’re lowkey insane, Miyo Takano is another Higurashi character who appears they’re okay but deep down, she just as fucked up in the head like Satoko if not worse. Like Satoko, Miyo lost her parents at a young age (from a train accident, and she witnessed her father bloodied and dying in the ER), leaving her orphaned. She was adopted by a government sponsored orphanage where she experienced extreme abuse from the so called “care-givers.
Miyoko taken aghast at her dying father’s injuries.
Miyoko abused by her caregiver.
She was constantly beaten, saw children her age die from abused, forced to watch her friend’s remains consumed by chicken, and was forced to clean the bottom of an outhouse with her mouth.
The physical and psychological abuse she suffered would be one of two causes of her insanity which in turn would lead to one of the biggest tragic events later on in the series.
The second cause came after she was rescued from the orphanage by her dad’s mentor, Hifumi. Hifumi wanted to become God-like through his research of the Hinamizawa Syndrome. One day, Hifumi presented his research, findings theories to fellow doctors and researchers – whom all mocked his work. Miyo watched as Hifumi’s peers mocking him, pissing her off. She believed in her beloved “grandfather” findings, watch him pour his soul into countless, sleepless hours of hard work, and not only encouraged him to continue despite the criticism, but she pushed herself to study as well.
Hifumi’s humiliation.
Miyo’s determination
After Hifumi passed away, Miyo continue where her grandfather left off. in hopes of not only proving his theories correct, but also to prove themselves as gods.
Miyo’s God complex, in combination of her insanity from being abused as a child, led to Great Hinamizawa Disaster – the massacre of 2,000 plus innocent people. Miyo led a military force in slaughtering the Hinimizawa villagers, with six of the villagers were people she executed herself. Six people she personally knew and befriended.
All of this, just because she wanted people to respect her and her grandfather. Just because she wanted to become a God.
‘I can tell you why people go insane’ -“Shadow of the Sun” by Chris Cornell and Audioslave
AFTERWORD: The Umineko 10th Anniversary is coming soon. May tie in Pt. 3 of my raw thoughts on Higurashi with that series. Also I lied this wasn’t completely raw and unedited I had to change some things about Miyo given it wasn’t consistent with what I saw in the anime and manga.
After defeating Obuni of Universe 10 (as well as being the direct cause of that universe’s erasure/death) Gohan examines a pedant on the arena floor left behind by him. Inside, there’s a picture of Obuni, his wife, and infant child. The shot switches back to Gohan – his facial expression and silence tells the tone and emotion of his actions. Gohan not only just kill a family man like himself, but an entire universe. An universe full of innocent people caught in the “crossfire” of this tournament.
This sets in hard for Gohan (and the audience) once the pedant itself is erased from existence.
Gohan isn’t someone with a malice heart, nor is he a person who enjoys harming others for pleasure. He is a very emphatic man who deeply cares about the well-being of others. We can assume that he did not want to defeat Obuni and wipe out/kill his universe; but Gohan had to do whatever it took to ensure the survival of his own family, friends, and universe. Even still – no matter how you want to twist it – Gohan is responsible for the loss of countless lives with his action.
Meanwhile, as Gohan is reflecting on his actions, Universe 10’s angel Cus is visibly upset at the destruction of her universe and warriors. I’d even go as far to say that she might have been on the verge of crying. It’s clear that Cus treated Gowasu and Rumsshi with respect and kindness; given her positive interactions with them. Cus enjoyed the presence of her warriors as we saw her cheerfully dancing with them for a Gowasu’s GodTube’s channel and taking pictures with each warrior.
To her, those warriors and Gods weren’t just pawns she was using in order to win. Those were people whom she viewed as friends. People she cared for.
This brings me to the title of this post. “Winning or Losing Doesn’t Benefit Anyone” is taken from a line from the full version of Dragon Ball ED 7 “An Evil Angel and Rightous Devil”. The verse from the line itself reads as follow:
‘Angels and devils: even if the devils were really angels,
Righteousness and evil would still hold no meaning.
Winning or losing doesn’t benefit anyone –
Everyone is simply hurt, crying in the end.’
The Tournament of Power was created in order to balance out good and evil in the multiverse. The eight universe in combat each have horrible mortal ratings (some worse than others) and thus, in order to ensure this balance, the losing universes must be wiped out.
However…
As the lyrics state, what benefit does winning or losing bring to others? What benefits are gained for the sake of of the greater good if innocent lives are lost in the process – Lives whom which weren’t fighting in this tournament? Lives treated as expendable.
We saw this with Cus, who I believe was about to cry as she witnessed her friends’ existence being erased. We saw this with Gohan reflecting on him (unwilling) killing Universe 10. Hell, Universe 10 was Gowasu’s universe. Gowasu was Goku, Vegeta, and Trunks’s ally during the Zamasu incident. While Goku is an idiot with selfish desires, he does care about his friends. Imagine how Goku will feel about Gowasu’s existence being wiped out.
In fact, let’s take any positive outcome out and create a dark, depressing ending.
Let’s say the Super Plot Balls aren’t able to bring back all the universes that were erased, or that the Zenos won’t bring them back for their own selfish reasons. Then what? How Goku going to feel about people he respect from different universes (such as Hit and Caulifia) not being revived – all because he wanted a fight.
The more emphatic victors of the tournament are going to feel like utter shit for causing the loss of countless innocent lives. The angels who have a wonderful (or at the very least good) relationship with their Gods and warriors gonna be sadden. I wouldn’t be shock if Cus or any other angel with a good heart will revolt against their father (the Grand Priest) and the Zenos.
Yea, all the universes with the low moral rating and evilness are gone. But if people are going to question if their actions and you got Angels who’re upset that their universes are gone, then what benefit does that bring to anyone?
‘You know who suffers then? The people.’ -Levin (Fire Emblem 4: Genealogy of the Holy War)
August 10th, 2017 marks the 15th anniversary of the hit visual novel series “Higurashi no Naku Koro ni”. Higurashi no Naku Koro ni was adapted into a successful animated series by Studio Deen in 2006 – setting the standard for horror anime which many series have tried and failed to emulate since. In reflection and celebration of the series 15th anniversary, I will be providing my raw, unedited thoughts of the anime throughout the month of August. I hope you’ll enjoy!
It was about ten years ago during my senior year of high school. I was at my computer in business class, browsing Google for anime wallpapers. While aimlessly browsing the images, I came across a wallpaper that stood out to me. The wallpaper featured a young teenager with a baseball bat, blood splatter, and film frames with the young boy the frames At the bottom there was layered text that read “Please uncover the truth. This is my only wish.”
I didn’t think much of who was the character, what anime he was from, or the text in the image. I just saw this wallpaper as a cool and edgy anime background for my computer. Yet, there was something about this it that made me drawn to it. Overtime, I became curious about the character on my screen and the meaning of his words.
“Please uncover the truth. This is my only wish.”
“What does that mean, ‘uncover the truth’?” I questioned. Beyond that, I thought of nothing else. My dumbass wasn’t smart enough to google that line at the time, so that mystery wasn’t going to be solved , at least during high school that is.
Little did I know back then that the image would mark the prelude of one of my most beloved series of all time: Higurashi no Naku Koro Ni (lit. When The Cicadas Cry). So, when and how did I discovered the series? Well, let’s fast forward to my sophomore year of college in Fall 2009. A friend recommended that I watch Elfen Lied so I could learn the OP “Lilium” on the violin after class. Once I was completed with classes for the day, I hurried home, pull up the YouTube app on my Wii, looked up Elfen Lied, found the first episode and enjoy it. Upon completion of the first episode, another anime appeared on the suggestion playlist.
“Higurashi no Naku Koro ni? What is this?” I asked myself. Curious, I clicked the thumbnail and laid back on my couch.
“This better be as good as that crazy ass Elfen Lied anime.”
The video starts to play. The show opens with a young teen boy violently smashing the bodies of two lifeless, bloodied girls with a metal baseball bat. Immediately, my eyes widen as I continued watching this dude beat these two girls to death. The young boy dropped his bat as the camera focused on his carnage. Finally, the focus was on the kid’s face as he panted, his eyes widened and blood on his face.
“Holy shit. ” I said to my self quietly. “What is this show?”
I’ve never been much of a horror media guy. I find them boring and cheesy (due to American films) and thoughtless gore fest. Most of them are just the bad guy slicing and dicing up their stupid victims, lacking focus on true fear – psychological fear . But the first 30 seconds of Higurashi felt different. This feeling was solidly in the OP animation and music.
The distance, distorted haunting vocals, the fast-paced arpeggio bass-line, the visual contrast of of a bloodied Rena walking on glass barefoot, Satoko alone in a flower fields crying, and Shion surrounded in red with her face twisted in rage. Each character’s expression and the color usage of their introduction told me that this anime was not like any horror media I’ve seen prior. Just off the OP, I could understand their feeling of sadness, confusion, rage, etc. Emotion plays a huge role in the show I assumed; based off the OP.
This sold me to watching Higurashi.
So, I watched. I watched in confusion at Keiichi waking up in the morning and chilling with Rena and Mion – the two girls he had killed earlier. Was that a dream? A vision he had? I did not know but I stay glued to my seat, wanting answers. Yet, the more I watched, the more questions I started asking.
“What’s with this Himizawa muders and are those girls behind it? “ and “Are they pretending to be happy and carefree to lure Keiichi into a trap?”
As I progressed the first few episodes, I started to figure things out about Higurashi , how the time-loop work, how each arc featured a character just one misstep away from snapping and killing everyone or themselves. And it wasn’t just for say edginess like Elfen Lied, these characters legit have psychological reasons behind their actions.
Rena was bullied and almost raped by two male peers. She (justifying) snapped and beat the two boys with a baseball bat. Keep in mind this: she was already emotionally wrecked by her mom cheating on her dad and splitting the family up, so the bullies attacking her was her breaking point. Shion was treated as a black sheep by her family, and was further disowned by them when she fell in love with Satoshi (a boy who is hated by her family). Satoko (Satoshi’s sister) is a completely wreck mentality due to her the murders of her parents, the disappearance of Satoshi, and her uncle physically abusing her. Rika’s parents were murdered as well and suffers from hopelessness from living thorugh 100 of years of timeloops ending in the same result – death.
Hell, even the series final villain Miyo had issues that lead her into becoming the bad guy; She was left orphaned after the death of her parents. She was taken in by a government run orphanage which was abusing and torturing the children in it. She was no exception to the abuse. Thankfully, she was taken in by her dad’s mentor who treated and loved her like his own granddaughter, but the damage done to her by her abusers at the orphanage took it toll. Stack that with her witnessing her “grandfather” being belittled by his peers for his research, fueling her revenge against everyone that did him (and her) wrong and you got Miyo’s desires to become a God – desires that resulted in the massacred of 2,000+ innocent people a couple of years later.
You just feel so sorry for these characters and understood why they’re behave the way they did throughout the series, ya know?
Anyway I’m going to end this raw freewrite thoughts here but don’t fret! To celebrate the 15th anniversary of the Higurashi VN, I will be dropping more raw freewrites on my love for the series and possibly an analysis article .
Stay tune!
Also sorry for the bad grammar I have to get to my gig ASAP
You only get one shot. If the first episode of an anime doesn’t impress me, it’s getting dropped.
Did In Another Generic Otaku Harem Fantasy World impressed me on its first episode? Well, if I’m making fun of the title and its originality, then no. It did not impress me at all.
In Another World With My Smartphone is disappointing. I’m talking “shut-in, black sheep in the family who watches anime all day, cosplays at anime cons, and doesn’t play sports like your father wanted you to; thus he disowns you” disappointing (kinda like some of you weeaboos out there reading this).
I was optimistic that this’ll be a good show based on its premise: Our hero, Touya Mochizuki, is resurrected and sent to a new fantasy-like world of his choosing by God (who accidently killed him by throwing down lighting towards the Earth, striking him). In this new world, Touya can still use his smartphone as it’s powered by magic. In addition, his phone is still linked to his former world, allowing him to receive information and news from it.
It’s an interesting concept that I haven’t seen in any other form of media. Seeing modern day technology powered by magic as it technology itself adapts to the fantasy world. It’s such a great idea and you think the writers of the show can do some amazing ideas with that, right?
Nah. All they give us is yet another cookie cutter otaku fantasy anime with world harem undertones, with some decent and cool ideas to help keep it little original. Outside of the original ideas however, this anime failed to impress me in reasons which I will go over.
The anime opens with the recently decreased Touya chilling in heaven alongside God (who looks like a regular lookin’ grandfather; with his glasses, normal clothes, and all). God explains to Touya that his death was accidental to His own carelessness, and begs for Touya’s forgiveness. Touya’s rather chill about the whole mishap and forgives God, understanding that people make mistakes and you must forgive them for it. I mean, yeah, he did died at such a young age and he didn’t fully experienced life, but at least he doesn’t have to live on Earth with all its awful people and problems. And God’s seems like a very chill, mellow, and sincere dude.
You gotta think positive sometimes, ya know?
Impressed by Touya’s forgiving heart, God makes up for his (literally) fatal mistake by reviving him into any world of his choosing (a fantasy world as mentioned earlier), as well as making his smartphone operate in this new world and gives him His number.
Following that, the OP animation starts to play. It starts out normally – upbeat music plays, there’s panning of forest landscape, Touya’s face’s appearing in the foreground, and annoying singing by some J-Pop idol girls, and holy hell it’s so annoying. Many red flags are going off in my head like I’m a Commie.
Things went from “this show won’t be bad at all!” to “this is going to be yet another annoying, generic otaku harem fantasy world anime ain’t it?” To start with my disappointment towards this aniem, Touya transforms into Kirito Clone #314 with a white pallet swap of Kirito’s school shooter trench coat. That alone should had made me drop this anime as soon as saw that, but I decided to curb my anger just for this review.
What’s with light/web novel characters having trench coats
What’s with light/web novel characters having trench coats
And why they have the same facial features?
nd why they have the same facial features?
(Seriously, I’m not anime racist but, what’s with these light/web novel characters looking alike?)
Alas, my anger would soon dominate my chill and zen mind as the weeaboo-like OP music increased its awfulness. Like forreal, the music makes me want to choke out its producer. I’m willing to stack up and piss away $3500+ for a trip to Japan, just so I can personally strangle the anime’s music producer in hopes he or she will never make awful trash like this ever again.
That, or just master the song on the violin and make money off tips at anime cons from fans of this show. Hustle off these weeb kids and adults because they pay good money to hear violin covers of their favorite weeb song but I digress.
As for the OP animation, it’s what you expect from a Generic Otaku Harem Fantasy World Anime: The first phase of the OP is character introductions. First, we have two girls roaming the countryside. We can assume that they’re twin sisters due to their similar hair and eyes color, facial structure, and clothing. Any clues of their personalities and how different they are aren’t presented as their introduction but if I can take a guess, one is an introverted shy twin and the other is more extroverted, open, and brash.
This is the look of a girl who’ve seen some things.
Next, we’re introduced to some samurai girl who looks like the love child of that girl with owl off Samurai Showdown and Reimu off Touhou. She appears to be just like any other average and plain samurai girl in anime of this type so let’s move forward.
Reimu (Thouhou)
Owl Girl (Samurai Showdown)
Samurai Girl
Following, is the obvious upbeat Himedere princess. I’m basing this sterotype off the fact of her position in this shot, the color coding of her dress, facial expression, and how her arms are up and spread like she’s a decision maker in her country.
She is followed by who I can assume to be another princess, perhaps a rival princess from another country. I can take a wild guess that she somebody close to her is either dead or missing based how she’s staring outside her window and the depressing look on her face. That, or her weedman whom she called two hours ago is on drug dealer time and is wondering why it’s taking him so long to come through.
We move forward with a below average gothic lolita reading in her dark and gloomy room filled with creepy stuffed animals. Then, we have some random minor character introductions. After that, is a quick ascending shot focusing on a floating island which is followed up by shot of a MILF and her daughter, maybe? Her student? Some kid she kidnapped? I dunno the connection between the two other than they have the same weird purple and white hair clips. Speaking of connections, is there a connection to the floating island and these two, given they had their introducing shots back-to-back with the same quick ascending panning.
Creepy looking gothic lolita
Next, the OP focus back on that Himdere Princesss and she just look annoying with her overly happy childish Genki anime girl expression and animal mascot sidekick. She looks annoying and I hope her animal sidekick bites into her neck and drags her across the ground violently like Mantecore the White Tiger did Roy Horn. Just snatch all her shit up and maul her to death.
This is the most punchable moe’ face I’ve seen in a while
Then, we’re introduced to a secondary male character. He’s totally gonna be Touya’s rival or something with how he is position in the middle, there’s that speed lines pointing directing at him, and there’s a close up of his smug face. He has white hair, so he probably has a tragic past or something that will make the fangirls feel bad for him or something. Or “he” might be a cross-dressing girl with masculine features thus making everyone question their sexuality because it’s a harem show and we need to carter to every type of niche of animu girl archtype here – even reverse traps.
The OP transition to battle showcases and boy, are they boring. Every battle that is shown here lack any sense of direction towards urgency, excitement, or high stakes in terms of life or death. The brawler twin just curb stomps some dragon as she slams her fists into its body while her mage sister cast magic against….invisible enemies? Oh and we don’t know what kinda spell she just cast. I guess an explosion spell maybe? I dunno.
Reimu and Owl Girl’s love child fighting style example is one of the worse of this phase and here’s why: So Samurai Girl runs up on one lizard man) and lizard man puts up his shield to protect himself, right? But it looks like either Samurai Girl slice the shield or stomach of the lizard man but it’s hard to tell based off the camera angle and the awkwardness of the animation. Then she charges into two other lizardmen.
We can tell she’s charging into them based off the animation speed lines, but that animation just fades as she slices the first Lizardman’s shield, runs (with the speedlines re-appearing), the camera moving awkwardly behind her as the speedlines disappear and she attacks two more lizardmen. Just like with the first lizardman, we can’t tell if she hit them or not due to how weird the animation appears.
(Refer to the OP video link above as my GIF creation program wouldn’t work at the time of posting this review)
The scene quickly transition to the second princess firing a magic bow towards a group of some damn dirty apes who were just minding their own business. Not much to go on here, so let’s tear apart Touya’s battle.
Touya fights against some old dude in an empty arena for no reason. The fight choreography is lazy as there is no effort and direction with the sword fighting. The sword swings has no force or power behind them as they side step to the right. There’s small sparks at each clash of their blades but it’s not anything grand. In short, this is the worse battle of this phase due to the animator not caring or pressed for time and completion.
The OP finally ends with Generic Otaku Harem Fantasy MC (I’m not calling him by his real name anymore) and the girls standing in front of an unknown mansion. Will this be his personal penthouse for him and his harem where they all live in harmony? Are they going to do some The Great Gatsby type partying here? Is it some random dude’s house they just rented out the front lawn for this shot alone? Oh well, it doesn’t really matter.
At this point, my gut was telling me “Hey Benjamin, drop this now! It’s not worth your blood pressure rising due to your anger.” I ignored my gut’s warning.
“Nah, let’s see how laughably terrible this anime will get!” I rebuttal as I aggressively tapped my left index finger against the side of my laptop while punching the wall with my right hand in anger from witnessing such a generic show of a OP. I mean, this anime isn’t that utterly horrible. I can see why some folks may like it, but its’ not my cup of tea. And yet, I swear if I kept watching this entry level moe’ harem filth, I’d commit mass murder against all lonely otaku who love to project their harem otaku fantanties on main characters like this Touya..
I need to listen to my gut more often.
Once the awful OP ends, we see Generic Otaku Harem Fantasy MC lying in a field unconscious. He awakens, sees that he’s okay, and heads to town. As he questions how he’ll survive in this new world, Generic MC receives a call from God. After confirming that Generic MC is okay he informs him that he upgraded his phone to help him get through the new town with ease such as installing a map program detailing the area.
Once receiving the map updates, Generic MC heads to town, but is stopped by some weird, overly excited, possibly gay tailor; He begs the MC to sell his “bizarre” school clothes to him in exchange for some gold pieces and clothing to help blend in. The scene cuts away to an eye-catch of a recycled image of the MC checking his phone and annoying MMORPG-like music jingle.
“They’re gonna use this often, aren’t they? I hope not this is annoying.” I asked myself. “Eh, probably not, it’s just a one-time thing, right?”
Oh Ben, you’re so full of hope.
After receiving his new clothes (and being creped out by the tailor sniffing his old outfit), Generic Otaku Harem Fantasy World MC wanders around town, seeking the Silver Moon Inn as mentioned to him by the tailor. He needs a place to lounge in and settle in the new world. While searching for the inn, he encounters the set of twins from the OP being harassed by some thugs in an alley. The girls sold the thugs a damaged glass antler piece and believe they should not pay full price for it. They demand the girls to lower the price, which they refuse.
Touya decides to step in and help the girls. And once again, a red flag pops up in my head.
“Let me guess: Dude’s gonna play hero, somehow overpower the two thugs who’re in better shape than he is, and the two girls will sworn over him and befriend him, despite being ignorant of his origins.”
My theory will be soon proven right.
The thugs try to attack the kid but he takes them out with ease. During the strife, we’re treated to a sample of his powers bestow upon him by God. As the smaller thug charges towards the MC with a knife, he dodges the blade. He notices that he is moving so fast that the world feels like it’s in slow motion. Taking advantage of this, he smashed his elbow into the spine of the attacker, knocking him out cold. The anime doesn’t show what happens to the other thug.
Guess he saw his homeboy getting that ass whoop and was like “Nah bruh, I’m good. I didn’t even want that glass piece anyways.” and dipped off screen.
So Touya, or Generic Otaku Harem Fantasy MC. This kid’s a Gary Sue – blessed by God who enhanced his natural abilities. He managed to whoop one thug’s ass so badly that his homeboy ran off on him like he just ripped off the plug. In under ten minutes we’ve encounter awful OP music, a harem set up, a generic fantasy otaku dream world, and now a Gary Sue MC who’ve just impressed a set of twin girls with his powers.
Awesome.
The cynical me was yearning for the kid to act all cool and cocky against the thugs, only to have his skull caved in by them. Kinda like Subaru (Re:Zero) was put in his place for playing hero by the two thugs harassing Emila. Granted, In Another World With My Smartphone is a campy “stuck-in-a-fantasy-world”anime compared to Re:Zero, and the kid did died at such a young age. He earned the right to live out this fantasy life of being overly powered and have girls fall of him day one. But still, this lazy writing and train wreck anime makes wanna drink. I need to get drunk tolerant this trash.
Sigh.
Touya and the twins (Elze; a headstrong brawler and Linze; the quiet mage) are quickly acquainted. After revealing some information about his background, he tells the girls that he’s searching for the Silver Moon Inn. To the surprise of nobody who understand lazy writing and are knowledgeable in classic RPG troopes/clichés, the twins are staying in that exact inn and agree to let him join their adventure.
There’s another cut away shot with some awful guitar music playing while the voice actresses of the twins are humming along to the melody (off beat mind you). They sound bored; as if they just wanna get their paycheck and forget the fact that they worked on this show. I don’t blame them.
[Skipping several unimportant scenes ahead]
Later that night, we see Touya lying in bed checking his cell phone. The phone is still connected to his old world, so he still receives news updates from it as we see him reading an entertainment article on a popular band from his world breaking up. I personally like this, as it shows that life in his old world has move on after his death. This makes me wish that I wasn’t dropping this anime, because I want to see the writers play with the idea of Touya checking his phone for news updates in his old world.
The next morning, Touya, Elze, and Linze scan a bulletin board searching for quests to earn money. After the twins get Touya hip on how the guild system work, the three apply to hunt down and kill five horned wolves, collecting their horns as proof of killing the beasts. Before heading out, Touya arms himself with a sword – furthering the point home that he’s a generic action-fantasy web/light novel hero
Toyua tears through and flawlessly kill two wolves as expected (because you know, can’t have the Gary Sue MC get torn apart and slaughtered by wild beasts ass in mere seconds), one of the wolves being an extra kill just because. After the battle, he mentions that he wants to learn how to read and write in the language of the world he’s living in, given he lacks the knowledge of knowing how to. Furthermore, he wants to learn magic as he was inspired by Linze’s spell casting.
Let’s break this down: he gets to live in a world that he’s happy in (fair enough due to reasons mentioned earlier), he takes down thugs flawlessly, links up with twins, kills two monsters with ease (one which was an extra kill), and now he wants to learn magic. As a Gary Sue kid with an unprecedented natural learning rate and talent, he’ll master magic with ease of course.
Joy.
As they’re chilling back at the Inn, the twins tell Touya that in order to learn and master magic, he must have been born with strong aptitudes. Linze (born with strong aptitude) showcases her magic spells to Touya through elemental stones. Linze shows Touya a weak water magic spell, filling a small tea cup up with water. She passes the stone to Touya, who on his first try almost floods the table. The twins are shocked and even impress by this and suggest that they go outside to have him practice with the othert stones before he destories the inn.
Of course, Touya shows impressive display of skills of each stone’s magic. He has no hassle in using their powers a few steps above the average. It’s like he’s of the Master Knight class from the stagery RPG Fire Emblem 4: Genealogy of the Holy War – he can use all magic and weaponry. Expert unlike say Lachesis of Leaf (two Master Knights) who had to work their asses off to get that class, this kid would start off as a Master Knight right from the gate.
After seeing the kid showcasing how much of a Gary Stu he is, I decided to drop the episode right there and then. I had enough of it.
In Another World With My Smartphone isn’t too terrible, but it’s not great either. For what it’s worth, this show works well for its target audience and demographic. It’s a campy, fun show that doesn’t take itself or clichés seriously. I can see it as a show for somebody who just wants to relax on an easy day with a beer (or juice for the younger folks) and chill out after a long day of work or school. As for people like me outside it’s demographic, I can’t recommend it.
I was really hopeful that this anime would have been different with using modern technology in a fantasy world that still work due ot magic. That is an amazing concept that I wanan see more in anime, because it’s something I’ve never seen before. While I did drop the episode, I did manage to peep at the scene where Touya is explaining how to create ice cream with magic thanks in part with his cell phone. I thought that was cool him showing the resident of his new world how the technology of his former world works.
I must also appreciate the RPG like aesthetics of this show. It made me felt like I was watching a campy RPG come to life and I personally wouldn’t mind playing a RPG game like this. The music itself has that classic smartphone RPG vibe with it light orchestral soundtrack playing the scenes. Granted, I will say it got annoying at certain points.
Sadly, the predictable overpowerness of Touya and him learning magic and weaponery with ease is a huge turn off. I get that he was blessed by God to have his natural abiblities increased ten folds, but it comes off as cheap and lazy. However, it seems like Touya will struggle with reading and writing overtime so I guess that’s a fair trade off.
In short, just skip In Another World With MY Smartphone if you dislike OP’d Gary Stu characters and overly capmy RPG troopes. It’s not worth wsting your time watching. If you don’t mind it and just want a warm, upbeat show to watch then I say watch it.
Score: 6/10
I would give this show a 4.5/10, but it’s that modern day technology in a fantasy world idea is great and I think if done right, it could be sometime exciting to see in future anime series. Plus
AFTERWORD
I’m tempted to give this show a second chance just based off how relaxing of a show this is. Also I just saw how the other thug was defeated after writing this. Dude was knock out by the brawler twin but I’m too lazy to edit that in lol.
Higurashi in the only power of friendship anime I respect.
In life, we experience pain. Betrayal. Abuse. Hopelessness. Lost. Suffering. Depression. Anxiety. Whatever. The point being is this: life is brutal. However – the support of (true) family and friends can helps ebb our pain. With their help, we can push forward and grow better day-by-day.
07th Expansion and Studio Deen’s Higurashi no Naku Koro ni show us how the power of friendship can pull us up through our darkest Moments. Moments that make us believe we’re hopeless. Movements that makes feel that there’s nobody who can understand what we are going through.
This is where the beauty of Higurashi comes in.
The main cast (Rena, Shion, Mion, Satoko, Rika, and Keiichi) are suffering from various degrees of pain. Rena suffered from trauma of bullying and her mother cheating on her father. Shion is the Sonozaki family’s blacksheep, thus straining her relationship with her love ones. Satoko…poor Satoko. Keiichi suffers from the guilt of his past sins. And Rika with despair and hopelessness. They all believe that nobody understand htier pain and suffering, until they reached out to their friends at one point in the series.
Example: Keiichi reaches out to Rena whom was suffering from paranoia. She believed that nobody understood her pain and took it out on her friends. Keiichi opened his heart to her, allowing her to express her pain to him. Keep in mind that in a different world of Higurashi (long story), Keiichi murdered Rena – whom he believed was trying to kill him. Rena in reality was literally reaching out to him, knowing that he was going through the same paranoia that she experienced years prior.
“Believe…in me.”
“The Power of Friendship” of anime is so cheesy and Higurashi is one only anime that I’ve personally experienced the troope executed right with realistic themes such as child abuse and mental health. Higurashi teaches us that we have a support system and that we must never allow ourselves to think that we are suffering alone and that people do not understand what wer’re going through.
With that said, I hope you enjoy this very raw, unedited, poor grammar freewrite. Tell me in the ocmments if you too are a fan of Higurashi and appericate its usage of the power of friendship as a narrative.
In Another World With My Smartphone is disappointing. I’m talking “shut-in otaku, black sheep in the family who watches anime all day, and doesn’t play sports like your father wanted you to, thus he disowns you” disappointing (kinda like some of you weebs out there). I had so much hope for this anime when I first heard about it. The idea of the main character using modern day technology in a fantasy world, and said technology is powered through magic. That’s sound amazing! It’s something I’ve never seen in anime before (or in any type of media), and I was curious on how that will play out in the series.
Sadly, my hopes were crushed when I realized within the first two or three minutes of the episode that this anime was, yet another , cookie cutter otaku fantasy harem series. You know, we’ve seen time-after-time before; Thanks due the popularity of Sword Art Online. Plus, I should had know this show would had been garbage from the jump given it’s a light novel series cratered to lonely otaku who yearn to live out some weird harem fantasy that they know deep down will never happen.
I mean they can’t talk to a single women, let another collect multiple women to add into an harem.
Stay tune in the future for my more in-depth review on episode one of In Another Generic Otaku Harem Fantasy World in the near future.
‘I think it’s time we blow this scene. Get everybody and the stuff together. OK. 3 2 1. Let’s jam.’
I’m going to make this bold ass statement: If series such as Dragon Ball Z, Sailor Moon, and Pokemon jump started the Western anime craze of the 1990s, then Cowboy Bebop snatched that craze and carried it to unimaginable heights during the early 2000s – thus shaping how anime is viewed in the eyes of mainstream America today. If Cowboy Bebop never made it to the States or became such an overnight hit, then (maybe) mainstream interest in anime here in would had die out. Don’t get me wrong: those shows did well here in the States, but Cowboy Bebop was a game changer. I (personally) believed that the show helped changed the stereotype that anime is childish in America.
Putting my major (and fact-less) bias aside, Cowboy Bebop is Sunrise Studio’s 1998 legendary anime series produced by the equally legendary team up of director Shinchiro Watanabe, writer Keiko Nobumoto, character designer Toshiro Kawamoto, and composer Yoko Kanno. The series revolves around the adventures of a ragtag crew of bounty hunters attempting to make ends meet day-by-day.
The crew consist of the zen, free-spirited Spike, his best friend; the wise and mature Jet, the provocative opportunist; Faye, and finally, the quirky teenage super-genius; Ed. What’s unique about these characters is their connection to their (tragic) pasts, and how it crafts their present-day lives and personalities.
Spike declares himself “dead”, due to his past with the Red Dragons crime family, as well as feeling guilt towards Julia – the only person he truly cared for. This results in his “Whatever happens, happens” mantra in combination of his carefree spirit. Jet’s struggles with his past is rooted in the betray of his friend; whom ambushed and shot him – resulting the loss of his arm. Faye perhaps has the most unstable, complex connection to the past (next to Spike) of the main cast. She lacks knowledge of her own past due 50+ years of deep cryogenic sleep. Further in the series, she learns about it through an old, homemade Betamax recording of her younger self. It’s revealed that she was an once a hopeful, shy, kindhearted, innocent kid full of wild dreams. Those dreams were ruined after her family were slaughtered by space pirates, leaving her the lone survivor. The injuries she suffered from the attack forced doctors to put her in deep sleep, which resulted in her memory lost and personality change.
Oh well, whatever happens, happens.
What makes Cowboy Bebop my highest rated series is how it was such a game changer for me as a teenager. Prior to my encounter with it, I was used to shows such as Sailor Moon, Dragon Ball Z, Pokemon, and Outlaw Star to name a few. Great shows mind you with good stories, but they weren’t really deep or thought provoking (Outlaw Star and Sailor Moon S did made me think a little bit with their themes, but it wasn’t like Cowboy Bebop level deep). Cowboy Bebop had this more adult branding to it; it made me feel in love with the series. You had jazz music playing in some of the major fights, characters drinking, smoking (both weed and tobacco on screens), poppin’ pills and trippin’ off shrooms. There were beautiful, kickass female characters who were treated not just as eye-candy, but humans. Cow or Bebop showcased characters that had legit issues that you could relate to such as debt, struggling with the past, burdens etc. No longer was I limited to anime that had your typical fuckin’ bullshit “defeat the monster-of-the-day” or “I wanna be the strongest in the world” fantasy shit.
Cowboy Bebop was the real shit because it was real.
‘Once upon a time, in New York City in 1941… at this club open to all comers to play, night after night, at a club named “Minston’s Play House” in Harlem, they play jazz sessions competing with each other. Young jazz men with a new sense are gathering. At last they created a new genre itself.
They are sick and tired of the conventional fixed style jazz.
They’re eager to play jazz more freely as they wish then… in 2071 in the universe… The bounty hunters, who are gathering in the spaceship “BEBOP”, will play freely without fear of risky things. They must create new dreams and films by breaking traditional styles. The work, which becomes a new genre itself, will be called… COWBOY BEBOP’
-Cowboy Bebop’s tagline pitch
AFTERWORD
29 days down, just one more. Day 30 – Your Favorite Anime.
This…will be fun.
While you’re waiting for that, please check out these amazing video by Digibro on Cowboy Bebop:
With episodes four and five’s plot of Mary and Yumeko teaming up to regain their humanity and lives, I figured that now is a great time to drop a theory I have on two possible narrative theme elements of Kaegurui; The theme of power and freedom. Both episodes (including manga spoilers) and the ED provided me with more than enough evidence and clues to support these claims. Hell, I’ll throw in some theories I have about Yumeko’s personality because why not.
The first phase of the ED opens with separate, close focus shots of Yumeko’s ass and bouncing breasts; branding Kakegurui as a series of near hyper sexuality. Next, we see Yumeko walking in the rain unprotected. She doesn’t appear to mind the rain, or the problems it brings. This tells us that Yumeko is carefree: She loves taking risks and finds comfort in being reckless. In short, she marches to the rhythm of her own beat.
Sakaya reflecting on Yumeko’s carefree spirit.
Sakaya reflecting on Yumeko’s carefree spirit.
Sakaya reflecting on Yumeko’s carefree spirit.
In the background, there is a peony flower – the Japanese symbol of daring bravery and wealth. People with bravery and wealth are powerful. Yumeko is a brave girl; she’s not bothered by high risk stakes or manipulation by outside sources. In fact, she enjoys it. To say she gains pleasure from it is a statement not far from the truth. Hyakkaou itself is rich in wealth, bravery, and power. Seeing the peony flowers in various Kakegurui manga covers and promotional materials is no coincidence in that sense.
The peony cycles through four colors: red, green, yellow-green, and purple.
In color theory, red is use for power. Now, what are the Hyakkaou students gambling for? Status and power above all. But, before you get the power, you must get the money. This leads us to the next color – green.
Green – most associated with money – and greed. Money makes the world go round. Money never sleeps like Wall Street. If gambling is the backbone of the school than money is the lifeblood. The student body is made up of the children of some of the richest and most powerful connected families of Japan.
Power is everything. Money rules all.
‘You gotta get the money first. Then when get the money, you get the power.’ -Tony Monata, Scarface (1983 American film)
‘All my life I want money and power.’ -Kendrick Lamar, Backseat (2012 American hip-hop single)
Next is yellow-green. We already analyze green, so let’s focus on yellow. Yellow represents logic, analysis, and brain stimulation. Gambling itself is a mental game; As you much analyze and read your opponent’s moves. Logic can greatly dictate the flow of a gambling match (if you’re extremely smart and/or know how to play the system that is). Yellow can also represent joy and happiness – something Yumeko tend to indulge herself in a lot through gambling.
Finally the color purple. Purple represents royalty, power, luxury, and nobility – four things in which the upper-class students either have obtained or inherited. The lower-class/livestock yearns for these four things they lack. Purple is also a mysterious, yet beautiful color. This works with Yumeko, as we do not know neither her origins, nor background. She’s also rather beautiful as her male peers were captivated by her beauty at first sight (and it’s implied Ryota has a crush on her based on her beauty).
This phase of the ED continues for a few bars of music, which builds up as the vocalist and instruments are layered in the melody.
There are quick, close focus shots of Yumeko’s chest, skirt, opened shirt, and finally, her lips. The animation of her lips sync with the vocalist singing “tagitte shimau wa!, or, “I’m overflowing!” in English.
Now, we’ve heard Yumeko say this line before in episode 2; as she gets aroused through gambling. Gambling excites Yumeko profoundly. Perhaps a bit too much however.
From episode 2. Yumeko has issues. Not Midari level issues. But issues.
The ED transitions into phase two. The peony flower has exploded into red pedals. The pedals start to rotate around Yumeko. Now, remember that red means power. Who has the power in Hyakkaou? The student government has the power of course. Now, could that possibly mean that Yumeko will break up the student council’s power game, and have them wrapped around her fingers as the series progress?
These lyrics of the ending theme seem to suggest so:
‘So have your way with their souls.
Make them dance in the palm of your hand!’
Then again, this could also be a reference to how the student council control the lower class; removing their humanity, treating them as livestock, and dictating their lives through the Life Schedule Plan (more on that later).
After that, Yumeko tosses her blazer aside carelessly; her dress shirt open, revealing her cleavage and pink bra. Her arms are spread slightly. She walks with fluidity as she sways her hips back and forth, still soaked by the rain. Liberated from her “restrains” (the blazer and buttoned shirts), she wears a wide smile; As if she’s happy that she can be free. Perhaps this symbolize that in the future, she’ll finally be happy that she can be her true self – a fearless, limitless gambler.
There’s a bar of rest in the music, followed by an upskirt shot from the ground up. The downbeat directs us to the final phase. Yumeko’s arms and hair are raised high above her head. She walks with more confidence in each step. Multiple lights sync with the percussion, alternating between blue and pink at each bar. Five or six peony flowers appear in the background, each rotating like roulette wheels while the pedals of the original peony still dance around Yumeko.
The imagery increases with intensity, working in synergy with the music’s crescendo. The animation transitions to a set of poker chips ascending; This might hint that Yumeko will raise above the ranks of Hyakkou and the student government.
Finally, the ED ends with a focus shot of the Yumeko’s face. It’s blushed, her lips are parted, and her hair a mess. She appears she just been pleasured sexually for some odd reason (sex sells I guess). Also, note how her hair are red – just like the peony pedals. Perhaps she gains power and triumph over the student government overtime. Maybe I’m thinking way too deep into the shot, but whatever.
By analyzing the ED, I’ve theorized two the possible themes of Kakegurui are freedom and power.
Freedom plays a large role in the series. Students yearning to free themselves from their “pet” and “livestock” statues, as well as debts they owe to others. We first see this through Ryota and Mary’s game from the first episode. Of course, Ryota lost to Mary and became her pet as a result.
Later, after her defeat against Yumeko, Mary is force to surrender her life, and live the life that the student council crafted for her: the Life Schedule Plan (getting married to a senator, baring his children, etc.).
She enters a debt forgiveness gambling match with Yumeko (also suffering the same fate as Mary). The two join forces to lower their debt, thus one step closer in retaining their humanity and freedom. During this match, we’re introduced to Nanami, a young girl reduced to livestock status. She’s forced to partner up with minor villain Kiwatari. After realizing that she was coerced (as well as emotionally and mentally abused) into working for Kiwatari, Yumeko convinces Nanami to grow a backbone, fight for herself, and free herself from Kiwatari. Despite losing the match (coming in second place) and still having debt, Nanami gains a sense of freedom and confidence for herself.
As for the theme of power, it’s quite obvious. From episode 1 to the recent episode 5 (and the manga of course), power and status is played heavily in the series. Mary has power over Ryota for a time. Yumeko displays her power through extreme wit and intelligence. Students with status and money have power over the pets. The student government (made up of high ranking gamblers and students with political and financial connections) rule the school through their power. We see the fincinal status and connection with Itsuki (as her dad is the CEO of a toy company) and the political pull and ruling of the current ruthless Kirari Momobami.
Power is everything in Hyakkaou.
‘No one man should have all that power.’
–Kanye West, Power (2010 hip-hop single)
How did you like my analysis and theories? Think I’m spot on or am I’m just overthinking an ED and the music? I’m excited how things will play out in both the manga nad anime, as things are starting to get wild in episode 5. I’ve yet to read the manga but I heard from a friend that it’s nuts. Let me know what you think in the comments!
Mother’s Basement analysis of the OP of Kakegurui. Although this further inspired me to do this ED analysis, I wasn’t initially inspired by the video. I was more inspired by Anime Live Reaction analysis of Dragon Ball Super ED 7 to analyze anime lyrics and ED.
NOTE: If you’re wondering why I haven’t done days 29 and 30 of the “30 Day of Anime Challenge”, it’s because I’ve been too heavily focus on other major projects right now. They will return soon.
Now, that’s something I’d say back in 2007. Today, both shows are back on the air: with Dragon Ball with Dragon Ball Super and Sailor Moon with Sailor Moon Crystal.
Go me and reliving my carefree childhood!
To be real with you guys;there aren’t any anime that I wished never ended. Yea I mean, it suck that some shows ended abruptly(say Elfen Lied) or due to studio carelessness and lack of interest (think Studio DEEN with their terrible adaption of Umineko no Naku Koro ni). If an anime ended, it just means that. Just gotta deal with it. Move on and watch new shows to enjoy.
Okay maybe the Umineko anime being a failure wasn’t a bad thing.
If the finished (or canceled) anime you enjoy has an currently running manga, or other form of media (gaming, visual novel, etc.), then give the different media a try. Join an online forum full with fans of the series you enjoy and talk to them about how much joy it brought you.
To end, are there any shows that I wish never ended? Nah. Not really. Sometimes, some series get rebooted or continued through a new entry. Some might end forever. Others may continue on through other media, or the source material is still active. And finally, you just simply have to move on to other anime.
(…okay so I kinda wish The Melancholy of Haruhi Suzumiya kept going.)
You only get one shot. If the first episode of an anime doesn’t impress me, it’s getting dropped.
So, did Hajimete no Gal impressed me on its first episode? Absolutely not!
I had to straight dropped this disrespectful-to-the-source-material trash in under eight minutes. It’s that horrible. However, I figure I’d watch the episode in full. I wanted to thoroughly explain why I don’t like this anime. Plus, I need to confirm my theory that it’ll be garbage overtime.
First off, the opening scene is a panty shot. No warnings, explanations, or buildup leading us to why we’re seeing Yukana’s crotch on the screen. Nope. Just straight up panty shot. To me, that’s just NAZ saying that they’re lacking confidence in the success of their adaption. If using a panty shot as the opening scene is a way to hook the viewers in, then your anime is going to suck.
The manga didn’t open up with a panty shot. The first pages were just Junichi groveling on the ground at the feet of Yukana, with his head lowered in shame. There was a panty shot towards the end of the chapter, but it was directed so that it made sense that. Junichi caught a peep of her panties from the angle of his position. The opening shot of the anime didn’t give that information or sense of direction. That’s why it was off putting.
The opening page.
Notice the lack of panty shots?
Next is the gosh darn annoying opening animation song and animation. The song, “The First Season”, sounds like some generic, entry level weeaboo J-Pop music that you’d normally hear on some weird Japanese-only rhythm game. For example, that Project Diva game that lonely spaz ass weebs play at anime cons. It’s easily forgettable, and could be passed off as a theme song for any other generic romantic-comedy anime.
The OP animation gives off the impression that series might be directed as a harem, as three others girls are introduced: A bubbly, cute, yet graceless chubby girl, a tanned gyaru (who may be the Yukana’s best friend or something), and a graceful, modest girl (whom we can assume is either popular, or has high status, given she’s surrounded by many peers).
Excellent. Not only did that unnecessary panty shot didn’t help anyone who may be skeptical about Hajimete no Gal, the OP is an extra strike for anyone (myself included) who hates harem, or overly perverted material in anime with no substance or reason.
(Admittedly, I’m on chapter 5 of the manga, and I’ve yet to encountered the other girls besides Yukana. Junichi and Yukana are already dating, and Yukana likes him. I don’t know what’s with other girls; if they’re further in the manga or what, but I digress.)
While I’m on the subject, the girl’s design looks plain and lazy. Uninspiring even – lacking depth and clues about their personalities. Also, why does each girl (sans the modest looking chick) have large breasts? Not every female character needs large tits my dude. Sigh. The opening animation pisses me off. The opening shot pisses me off. This episode pisses me off. If I were to watch this entire anime, I’ll lose my temper.
With that said, lets examine the rest of episode.
The anime begins similar to the manga; Junichi frets entering the new school year as a kiss-less virgin. His friends, a group of outcast nerds (Shinpei, Keigo, and Minoru) are in the same boat. Together, they make a pact to lose their virginity. Or at the least obtain new girlfriends before the end of the school year.
While Jun will achieve in getting a girlfriend (he’s the main character, he gets the girl first), his crew talks that good game about getting with a chick to smash and date. Mostly smash. Heck any chick is great for them. White chicks. Black chicks. Asian Chicks. Tsundere Chicks. Dandere. Yandere chicks. They’re all free game – even if the chick looks clearly like a loli.
And here is where things goes from bad to just utterly wrong.
I respect the fact that animators and writers must create filler scenes for manga-to-anime adaption. If you directly apadate the manga panel-by-panel without filler, you’re going to have a very short anime. With that said; when did Jun’s crew became a bunch of pedophiles, trying to smash a girl who’s clearly in middle or grade school? In the manga, they were some petty haters; mad at Jun because he got with Yukana. Cool. They’re still assholes in the anime. That ain’t changed.
But lusting after a little girl? Fam, what the hell? Like, after Nene is introduced (way too early mind you), Minoru starts asking and making some rather suspect questions and statements about Nene. I’ll let these screenshots speak for themselves:
Moving forward, The Virgin Brigade (sans Jun) make an unanimous decision to look at porn magazines in class. They drool over the models’ physical attributes, making rather lewd comments about them. Jun is pressured into reading one. He refuses, but gives up and reluctantly accepts one. While reading it, Junichi is startled by Yukana’s disgust towards the group. Junichi clumsily throws the book behind his back, landing at her feet. Jun hurries to recover it, stumbles, and falls near her. She glares downwards towards him and calls him disgusting. Needless to say, Junichi is utterly embarrassed at what has just transpired.
How I feel about this adaptation.
After school, Junichi confronts his friends about the incident. They tell him to chill and to take advantage of the recent situation. Next, they explain to him how easy(going) gyaru are; suggesting to him that he should pursue Yukana. Once again, he is pressured by his friends into another unwanted situation. In fact, his crew wrote a confession letter addressed to Yukana from Junichi’s point of view. He’s understandably pissed but he catches himself and calms down. He fantasizes about smashing Yukana, inspired after gaining a peep at her panties earlier. He figures that if he confesses and luck out, he’ll get to see more than just her panties, and loses his virginity. They slip the letter into Yukana’s locker and wait.
Hey, dude’s thinking positive with both heads.
Later, Yukana receives the letter and meets with Junichi after reading it. They two meet up , and Junichi “confesses” – by getting on his knees, lowering his head, and begs her for a date. Yukana is disgusted once again, but starts to laugh and tease him, questions him if the only reason why he wants to date her is so that he could to lose his virginity. Dude starts to (over)think that he screwed up, but regains his confidence as Yukana tells him that she finds him cute and wants to get him know him better. She decides that she wants to go out with him, much to his disbelief.
The episode ends with Junichi shouting in victory at his success. Same as the manga.
To conclude, let me explain why I’m dropping this trash adaption. The extra scenes with Yui (the popular and modest girl) and Nene felt unnecessary. It made me assumed that the series was going to stray far from its manga roots; with Junichi attempting to get with every girl (as opposed to the manga where Junichi only had eyes for Yukana). If I had lacked prior knowledge of the manga. and watched the anime fully blind, seeing that possible harem set-up would had made me drop the show off the OP alone.
I’m that strict.
Then, we have Junichi’s crew. His friends are haters in both the manga and anime. They’re a group of young dudes interested in girls and sex, which is normal. What’s not normal is these dudes wanting to have sex with Nene just because she’s a loli.
That’s creepy.
Despite my overal harsh criticism, I will say that I appreciate that the animation team accurately animated panels from the manga shot-by-shot such as the guys looking at porn in the classroom, Junichi’s sexual fantasies, and his confession to Yukana.
As for the animation itself, it’s not too terrible. However, it’s not amazing either. There doesn’t seem to be any inconsistent, off models shots (from what I’ve noticed) or anything that would be jarring. Yet, there’s much more to be desired from the visuals, as many shots lack details, as many parts weren’t “animated” (example – the scene were the students are being lovely-dovely should have had arm moves, kissing, etc like Jun’s fantasy with Yukana were she’s slowly undresses herself, lick her lips, teases Jun, etc.)
Overall, Hajimete no Gal isn’t a completely terrible anime, but it’s not great either. Hell, it’s not even good. It feels like an sub-par romantic-comedy anime that could had have a lot going for it; given how amazing the source material is.
Sadly, the adaption falls flat on its ass due to its overused of fanservice, lack of detailed animation, and uninteresting premises that sway far from its source material. Maybe things will get better as the series carries along in the summer season, but from what I’ve been infromed by die hards fans who’ve read further into the manga than I and watched episodes 2 and 3, I shouldn’t have any hopes that the anime will do the manga justice.
Score 5.5/10.
On the bright side at least this review and score isn’t as brutal as on my Facebook page:
Please note this was written out of pure rage and disappointment.
EDIT: Strong language removed so I can run this post as an ad for Facebook lol
Yuki The Snowman 