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Uzaki-Chan and Fake Otaku Outrage [VIDEO]

Fake Otaku Outrage: Artificial, baseless  outrage generated by those of the anime community to stir up and create conflict, “controversy”, and complaints over and from petty superficial topics and subject matter.  Certain otaku will find the most minor thing to complain about as a way to create  gossip and discourse that do not lead to anything tangible overtime.

Why is there fake otaku outrage towards Uzaki-Chan and how do you prevent yourself from being swept up by fake otaku outrage?

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How Being Gameless Can Cost You With Rent-A-Girlfriend [VIDEO]

Join me as I break down how being gameless and having a lack of self-awareness can cost you big in this world by using the hit romcom Summer 2020 anime “Rent-A-Girlfriend”. What is game?  Why do you need game to better yourself as a person? How do you value yourself as a person?  What could Kazuya could done to better his situation?

The Swarthy Nerd Podcast:
https://swarthynerd.com/

Fandom 0

Fandom: The Ultimate Security Blanket

Note:
The following is a text version from episode 65 of my friend and I podcast,The Swarthy Nerd.  It has been edited for this blog.  You can listen to the episode in full by click the link above.

Please enjoy!

*****

We all need a sense of security: may it be for home defense, personal space, finances, etc. Security allows us to have a sense of safety and the confidence that no harm will come to us.  With security, we won’t be able to subscribe to ill thoughts and of being violated, unprotected, and insecure; as long as our  security doesn’t get compromised. Fandom in nerd culture could be considering a form of security.

Nerds use their fandom to protect themselves from outsiders and anyone else who may try to enter a fandom will ill intent.  Acting as a security device, a nerd’s fandom can serve to help one escape the harsh realities of the world (crime, violence, systematic white supremacy, etc.).  While using fandom to escape and defend you from this world has some benefits, there are faults to relying on it.

To quote the late film critic Robert Ebert in his review of the 2009 film Fanboys,

“Extreme fandom may serve as a security blanket for the socially inept, who use its extreme structure as a substitute for social skills. If you are Luke Skywalker and she is Princess Leia, you already know what to say to each other, which is so much safer than having to ad-lib it. Your fannish obsession is your beard. If you know absolutely all the trivia about your cubbyhole of pop culture, it saves you from having to know anything about anything else. That’s why it’s excruciatingly boring to talk to such people: They’re always asking you questions they know the answer to.”

Harsh, but truthful.

In today’s episode of the Swathy Nerd Podcast, we will break down the security blanket that is fandom, why lonely loser nerds use fandom to escape from reality, and why it’s too easy to use somebody else work to build your own sense of self and security.

PART ONE
HOW FANDOM SERVE  US

Fandom as a security blanket serves us through three means:
1. Creates a culture
2 A sense of self
3. A sense of protection

It’s no secret that most nerds don’t fit into other groups due to their quirky, obsessive nature. They (usually) cannot relate to mainstream topics such as the latest celebrity gossip, sports, pop music, and so forth.  Therefore, they seek to find comradely with like minded peers: building a culture and support system around their love for pop art and culture.  With this, a nerd could use this newfound comradeship to form social circles that otherwise would be “impossible” to obtain outside of using pop culture reference and fan familiarity

Less energy and effort can be exhausted on staying within one’s comfort zone. Why expand your mind and broaden horizons by going out of your way to do something new and meet people outside your normal social circle when you can use your endless supply of The Office quotes with those who too quote form overrated T.V. series? You don’t have to think on the fly like a smooth, charming player if you remind within known topics.

However, there’s one major drawback to relying on that trick: Things will get boring quick.

How long will it take for the other person you’re talking to until they wind up getting tired of your pop culture references?  Why do you refuse to let go of a topic that nobody is interested in other than to stroke your own ego?  People are drawn towards those who know about more than one topic – especially if it’s outside the realm of pop culture.  Not everyone loves and operate on the same level of stableness and security you run on (pop culture).  Eventually, you’ll need to disrupt that sense of security if you want to attach others to you.

Nerds believe that their hobbies, attractions, and interests are small bits of the larger picture of who they are as a person; a sort of sense of self to say.  There’s some truth to this. I do believe that what you’re into have an impact and reflect on your personality and psyche.

Example: A Black nerd may relate to the comic series X-MEN due to the elements of racism within the series.   That black nerd understands to the X-MEN being treated like outsiders because of his racial background. They might collect figurines of characters such as Storm, Gambit, or Wolverine because to that Black Nerd, that’s a form of self-empowerment.

It’s not to say that these nerds couldn’t tap into their spirit for self-empowerment nor do they don’t, BUT, you must admit that it’s goofy for a grown ass man to be empowered by fiction and fiction alone.  Of course, it’s much easier to use somebody else’s work to empower yourself than to get off your ass and work on yourself and your purpose to empower yourself without external influences.

Finally, fandom creates a sort of protection.  Most nerds (who don’t have a pair of balls/ovaries), have been bullied for their interests.  Therefore, they create walls and barriers to protect themselves from outsiders.  Other nerds have struggle with dealing with real world issues, or dealt with hardships in life (child abuse, absent parent, social struggles, etc.), so their fandom is the perfect tool for defense.  It’s all-to-common to hear a female felt empowered by magical girl series such as Sailor Moon and Card Captor Sakura in her troubling youth.

We all heard tales of men (who only watch entry level Shounen anime) whose favorite anime is Dragon Ball Z because somehow, a cartoon show them what an alpha male is supposed to look like.  They may not actually put in the work to be as alpha as the fictional characters they admire (hell, they even hate on anime fans who don’t live vicariously through shounen anime and put in hard work to become greater than their fictional icons).

They rather live through their heroes than to  like them.

 

PART TWO

DISRUPTING SECURITY

Let’s visit an earlier statement from this “essay”: “Not everyone loves and operate on the same level of stableness and security you run on (pop culture).  Eventually, you’ll need to disrupt that sense of security if you want to attach others to you. ” Sooner or later, security will get violated.  It will get disrupted it; causing you to be on edge.

We’ve seen this with COVID-19 forcing pop culture conventions to cancel their events this year.  Stores catering to nerd culture, such as Japan LA and Uncle Hugo’s Science Fiction Bookstore  have been torched by protesters seeking justice for the racial murders of George Floyd, Breonna Taylor, and countless mores.  Nerdy brands have shown solidity with Black Americans (if they’re being sincere or just doing this for money is up for debate).   2020 has proven that you can’t use your fandom as a shield to protect yourself.

You will need to embrace that. Hiding from it not only makes you childish – it makes you weak and a coward.

We don’t even need the onslaught of chaos that 2020 given us so far to destroy your sense of fanboy security.  Remember: a madman in July 2019 decided to burn down Kyoto Animation.  You know, the same anime studio that produces media to help keep otakus and weeaboos globally distracted.

You couldn’t go anywhere online or offline without being reminded that Kyoto Animation was burned down and 35+ of their employees were murdered. This is no means a form of disrespect towards those who lost their lives in such a senseless way, but it’s a grim reminder that your distractions can be taken away from you.

Look, what I’m telling you guy is this: you have to accept the fact your hobbies and passions will never protect you in the long run.  Reality always has a way to rear its ugly head into your fantasy, la-la land (or even in the real world itself). We’ve heard stories of Black nerds going to nerdy conventions thinking they can escape racism for a few days only to experience it by racist white nerds. You always have these racist white nerds who will attack Black nerds for cosplaying outside their race or simply being at a convention.

My fellow black nerds: if you think your geekiness will override your Blackness, you are fucking retarded and deserve a Negro wake up call.

Logging onto Animal Crossing or whatever the latest distraction is won’t fix nor lessen your issues. How the hell you’re more concerned about some fictional tanuki motherfucker breaking your kneecaps if you don’t pay them rent, and yet, you haven’t pay rent to your real landlord?

It’s so wild that we have people out here who have all the courage in the world to solve the problems of fictional characters, but somehow, they can’t be bothered to fix their own.  Guess it’s easier for some socially awkward nerd fuck to solve worse girl Futaba from Persona 5 or worse girl Bernadetta from Fire Emblem: Three Houses social disorder issues than for them to solve their own to better themselves as a person (it’s also easier for fans of those two to smell like corn chips, hot dog water, and ass like those two shut-in losers as well, but that’s for another essay).

In conclusion, I say this: You’re not Linus from Charlie Brown.  Stop relying on such a pathetic security blanket such as your precious little fandom geek shit to guard you from the realities of this world.   You need to grow beyond it so that you can have more friends or whatever.  Learn to embrace that this world is horrible and bad things will happen. It’s not to say that you should be horrible in kind, but you have to deal with it to grow as a better person.

You cannot escape life.

FOLLOW ME ON SOCIAL MEDIA:

The Swarthy Nerd Podcast
A Black nerd empowerment podcast where Black nerds (well, all nerds, but Black first and foremost) can get together and talk freely about nerd culture while also acknowledging systematic white supremacy and racism in the nerd and Eastern otaku fandoms. Every Tuesday join @superlostfan108 and @weebtrashyuki the founders of http://www.swarthynerd.com for there very informative podcast talking about all things nerdy. No desperate boot licking self hating negus who were never accepted by Black norimes for being too weird for  their love of anime and comic books by the Black community allowed. Go drink bleach.

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We All Need A Sayaka Kanamori

sayakabestgirl

Everyone needs a Sayaka Kanamori.  Everyone.  From couples to best friends. From bosses to employees. To businesses both massive and tiny. We all need a Sayaka Kanamori.  Sayaka’s fellow cast mates Midori and Tsubame; the former who’s an anime fanatic and aspiring animator and the latter; a teenage socialite/fashion model who seeks to escape from the limelight through her artistic skills, both need her.

Why you may ask?  It’s the same reason why your grounded friend has to anchor you when you start to daydream or steer away from a placed goal. Sayaka brings guidance to those without guides.  She provides realism to friends who’re (too) fantasy-like in their thoughts.  While everyone else is crying over a difficult situation, she can shut her mind off and tackle the problem head on with laser focus.  We all need somebody who process the ability to focus on the bigger picture without distractions.

She doesn’t allow herself to be emotionally attracted to things easily.  It doesn’t means that she’s callous, cynical, and cold. In fact, she’s quite the opposite.  She truly cares about her friends’ passion for the arts. She wants to see them become successful.  However, due to her high levels of emotional intelligence combined with her cool, calm nature, it only appears that seems callous, cynical, and cold.  And that’s okay; somebody who’s always calm in any situation is always welcome in a group.

Finally, Sayaka pushes her crew to strive for both excellence and self-betterment.  She quickly reprimand Midori and Tsubame after the artist duo were beating themselves up over minor issues (such as Tsubame’s parents forbidding her to join an anime club and Midori believing her art isn’t good enough).  She reminded them both that they had youth on their side and the power to take chances/risks. We all need somebody like that who can bring us back to reality and build us up when we speak lowly about our skills.

Without Sayaka, there wouldn’t be an Eizouken…even if some of her intentions to build Eizouken revolved around gaining money.

sayaka_smell_money

-Until Next Time,

Yuki The Snowman.

FOLLOW ME ON SOCIAL MEDIA:

The Swarthy Nerd Podcast
A Black nerd empowerment podcast where Black nerds (well, all nerds, but Black first and foremost) can get together and talk freely about nerd culture while also acknowledging systematic white supremacy and racism in the nerd and Eastern otaku fandoms. Every Tuesday join @superlostfan108 and @weebtrashyuki the founders of http://www.swarthynerd.com for there very informative podcast talking about all things nerdy. No desperate boot licking self hating negus who were never accepted by Black norimes for being too weird for  their love of anime and comic books by the Black community allowed. Go drink bleach.

Instagram: YukiTheSnowMan314

My Facebook Page:
Yuki The Snowman
https://www.facebook.com/yukithesnowman/

“Personal’” Facebook:
Yuki Benji
https://www.facebook.com/yuki.benji.1?ref=br_rs

Twitter:
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Anime community 2

What Will The 2020s Bring The Otaku Community?

You know, it’s amazing to watch the growth of otaku culture and anime as a medium. I remember nearly twenty-plus years ago when anime  was treated as, as my friend “H.H.E” puts it, an exotic art wonder from this mysterious faraway land called Japan.  If you were a kid during the 1990s, you knew that the only way to view anime was on Kids WB, Fox Kids, Fox Family, Toonami (Cartoon Network), or – if you parents or older sibling had the money – buying an $30+ VHS tape of an anime series at a geek or video store at your local mall.  Commutations between otakus, as well as sources for anime news  and anime conventions were limited. If you wanted to talk with fellow anime fans online, you best knew how to use a BBS (Bulletin Board System) or know about websites such as Geocities/Angelfire or Anime Turnpike.

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Snapshot of Anime Turnpike

The New Millennium brought innovation and advancement in internet technology.  With broadband internet slowly killing the inferior and soon-to-be obsolete 56k dial-up internet, it was easier for anime fans to upload fanart and fan animation based off their favorite series.  One would be pressed not to find a Dragon Ball Z fan Flash animation on a NewGrounds page.  Infamous otaku images boards 2channel and 4chan provided a space for anonymous otakus globally to talk about anime. Although still going strong in the early 2000s, Geocitites and Angelfire would give way to anime related message boards, indie websites, anime internet databases, and blogs.  In the real world, Sci-Fi, Tech TV, and Cartoon Network would air anime geared towards older demographics; exposing a generation of anime fans to more “adult” anime series.

Still, despite the growth of anime in America, anime was still treated as a weird exotic trendy commodity for children, degenerates,  and perverts.

Fast-forward to the mid-2000s.  Further achievements of internet technology gave birth to YouTube and Nico Nico Douga: two websites that allowed users to upload video content.  With this, otaku had near superior space to share their interests and creativity relating to Japanese pop culture. It was common to find teenagers and young adults from both America and Japan to dress as SOS-Brigade performing the Hare Hare Yukai dance from The Melancholy of Haruhi Suzumiya  at schools, a friend’s house, or at an anime convention.  You didn’t have to look hard to find otaku performing and covering songs from otaku driven media.  Social media platforms such as MySpace, Facebook, and Twitter helped created spaces for anime fans to find and connect with one another.  As a much needed bonus, anime slowly became popular with the mainstream; causing the medium to lose  its unfairly earned stigma.

 

The 2010s is what I like to call the “Golden Age of Anime”. Anime massively boomed. No longer did you have to go online to talk and meet up with anime fans: finding an anime fan in your city was a easy as finding a sports fan.  Internet video streaming media companies CrunchyRoll , Hulu, and Netflix made it easier than ever to access anime with their on-demand video services of anime.  Two unlikely companies, Arby’s and Wendy’s, marketed their products to consumers of anime with anime-related ads and social media posts.  Dominos ran a collab ad campaign Vocaloid with Hatsune Miku as the face of the company. Speaking of the cyan hair virtual idol, she infamously appeared on the David Letterman Show (it was awkward for everyone). Established anime conventions saw an unexpected rise of attendees while newer ones spout up nearly every week in major cities.

david_letterman_miku.png

Anime characters and characters from iconic otaku driven media would appear in mainstream news. An image of Suika, the alcoholic oni girl of Touhou Project fame appeared as a drunken camerawoman in an ESPN reporton the infamous Floyd Mayweather and Manny Pacquiao fight. An printed photoshop image of  Zombieland Saga Lily holding a gun threatening feminists  was shown to the U.K Parliament in May of 2019.

me_drunk_on_my_last_day_of_work.jpg
Suika drunk on the job.

 

Memes relating to anime were a driving force during the 2016 elections and could have inspired Donald Trump’s presidential win. At the end of 2019, Taiwanese politician  Lai Pin-yu started cosplaying as Asuka Langley Soryu  hit classic anime series Neon Genesis Evangelion.

It’s safe to say that anime has found its place in the mainstream and lost its unearned stigma.

*****

We are now in the 2020s. It’s a bit early to say what changes, trends, and shifts we will see with anime and otaku culture. Of course, I could comment on how anime fans are using anime characters as memes to cope with the possible start of World War III between America and Iran after American air bombed Baghdad: killing top Iranian general Hossein Salami. Of course, that is to be expected in this era of anime pop culture and memes.

Outside of politics, we’ll see anime shining strong in the mainstream limelight through collaboration with major companies in various fields of entertainment.   Example:  Hatsune  Miku, the virtual idol of Vocaloid fame will be performing at Coachella this Summer 2020.  Something like this could open the door for Japanese virtual idol music producers to collab with Western artists.  Perhaps one day in this decade we will see Miss Hatsune actually performing alongside Big Boi, Killer Mike, and Jeezy at a concert this decade (hip-hop artists  sampling from otaku related media is nothing new of course).

hatsune_miku_coachella.jpg

The mainstream entertainment industry won’t be able to deny the presence and power of otaku culture and fans – especially given the children of the 90s and 2000s anime fandom are entering the entertainment industry itself. Soon, it’ll be consider normal to see anime characters and otaku culture used and seen in mainstream culture.  Yes, there will be bitter soy milk drinking otaku cornballs who believe that Shinji Ikari  and Tatsuhiro Satou are personality types that will be upset that anime has become popular.

I say this: fuck them – let them be bitter while you capitalize on anime’s everlasting growth this decade.

New decades bring forth new trends, ideas, and themes that will define them.  Anime and the culture surrounding it are no different.  What will never be different are the fans of anime willing to see and help this culture grow.  What will always be the same are the fans whom seek to find other fellow anime fans, may it be online or in real life.  Regardless if this is the 2010s, 2020s, 2030s or 3030s, people will always love anime.  People will always be otaku.  People will always be willing to bring forth change to this medium.

Until next time

-YukiTheSnowMan

 

 

 

25 Days of Blogging 2

25 Days of Blogging Day 10: Branching Out

25 Days of Blogging.  It’s like the 25 Days of Christmas, but without the creepy uncle tramazing you during the family’s holiday party. 

Day 9

As per yesterday’s post, I stated that while sticking to one thing is good, and you need to perfect one trade, rather than to tackle multiple trades at once, sooner or later, you will need to branch out to prevent burn out (as well as reinventing yourself: a topic I will cover much much later in the future).  Branching out and reinventing yourself is a great thing for personal growth. I feel that once you have mastery over one field, you should branch out into something else.

I myself have done some branching out lately.  Perhaps one of my best post of the year, The Guts To Be What You Wanna Be is a prime example of me branching out of comfort zone of anime blogging. Rather than sticking with anime for the entirety of the post, I used the iconic restaurant scene from Scarface to describe how you should draw power and courage from being yourself in a world full of cowardly fake men and women (who aren’t honest with who they are).  Of course, anime was later involved (as I mentioned anime series Megalo Box and The Melancholy of Haruhi Suzumiya for the post).

For the past few months, I’ve been slowly getting into live action shows television and films. The other day, I brought a DVD copy of Shaft 2019 after watching the movie on a flight to St. Louis from Atlanta this past November.  I’m also thinking of buying the first two seasons of the hit FX crime drama Snowfall: based around the 1980s cocaine boom of Los Angeles.  I was put on to Snowfall by my friend and podcast partner, The TV Guru 108/Super Lost Fan 108 after recording a podcast episode a few months ago.

The first episode of Snowfall I watched was Cash and Carry of season 3.  If memory serves me right correctly, Franklin was being screwed over by his cocaine plug, Avi, who was trying to use Franklin money for an offshore banking account (for Avi’s money laundry scheme). Avi arranges a trip to Panama Islands for them both in order to put Franklin’s cash in the account. Franklin quickly realizes Avi’s scheme to screw him over. So, Franklin starts putting him in check: forcing  Avi to pay him back, using Avi’s staff members against him, and makes Avi turn over his own private plane for Franklin’s personal usage.

It was that time I realized how powerful storytelling in live action TV could be over anime – perhaps even superior.

franklin_checking_avi.png

 

Now, let’s say I were blog about live action television and films (which I’m planning to do in the future).  By targeting fans of the live action demographic, I’ll have an increased fan base beyond anime and otaku culture.  An increased of topics to talk about means an increase of people.  More people due to having various topic matters of entertainment means more traffic to my blog. More traffic means more money in my pockets.  The more money I have, the more likely  I have freedom from the 9-to-5 rat race; thus, I have more time to talk and blog about television shows and anime.

You don’t necessary have to branch out for money reasons like I’m aiming for (however, I also love talking about anime and TV shows in general). For you, you might want to branch out for personal growth.  You’re tired of being in one place all the time, so you decide to dive into something new to better yourself as a person.  Certain ventures require new skills to be learned.  Having new skills in your arsenal means you’ll have more doors open for you in this world.

It could be for personal growth. You want to add more skill sets.  It could mean more doors opening for you.  An increased of options can be given upon to you if you branch out.  Your net worth and network grows larger.  If you’re tired of being stuck with one thing I highly recommend branching out.  It’s great for your brand and personal life.

Until next time

-Yuki The Snowman

FOLLOW ME ON SOCIAL MEDIA:

The Swarthy Nerd Podcast
A Black nerd empowerment podcast where Black nerds (well, all nerds, but Black first and foremost) can get together and talk freely about nerd culture while also acknowledging systematic white supremacy and racism in the nerd and Eastern otaku fandoms. Every Tuesday join @superlostfan108 and @weebtrashyuki the founders of http://www.swarthynerd.com for there very informative podcast talking about all things nerdy. No desperate boot licking self hating negus who were never accepted by Black norimes for being too weird for  their love of anime and comic books by the Black community allowed. Go drink bleach.

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25 Days of Blogging Day 4: You Can Watch Anime At Any Time

25 Days of Blogging.  It’s like ABC Family’s 25 Days of Christmas, but you won’t shoot your eye out reading my content. 

watamote

 

“Rising of the Shield Hero came out this past Winter! It’s old!  Nobody cares about it anymore. You’re too late!” I laughed as this ashy cornball nerd with a Stevie Wonder styled hairline, draped in clothes he brought from the local Goodwill tried to nerd check/gatekeep one of our administrators of a Black anime nerd group  I help run for not watching  Shield Hero during its original run this past Winter 2019.  I asked the cornball why our admin had to watch it while it was airing, not on his own time, and as well as stating that he’s still a fan regardless of when he watched it.

He didn’t say anything.
So I muted him for a week.

Admin power abuse to the side, I never got this train of “logic” that you need to watch anime while it’s currently airing. According to many anime nerds out there, you’re not a true a fan of an anime if you didn’t catch it while it was airing, or only watch it because of hype.  For most shows, I like to wait until at least a few arcs are completed, or wait until the entire season/show has finished to watch a few episodes a day.

But some nerds don’t like waiting.  You have these people who love bragging about being a part of the anime fandom conversation; because they want to be like everyone else due to their lack of testicular or ovarian fortitude of separating from the weeb pack mentality.  They log into social media to boast about how much they love the last episode of a show to others. It’s so they can generate likes in the virtual world because nobody likes them in the real world.  They want to be in the know for the sense of community and camaraderie

Inherently, there’s nothing wrong with that.  It’s natural to seek out fans of products that you enjoy to build a community around it; it’s why we go to anime conventions, interact with anime fans online, and wear graphic tees featuring our waifus out in public.  It does, however, become wrong when you decide to gatekeep and check somebody for getting into an anime series months or years after the show ended.

I hope I hurt some feelings by saying this: If you only watch a show, regardless if enjoyed it or not, just so you can brag about how many shows you’ve watched a season, you’re not a fan.  You’re just a nerd who’ll never produce anything of high value and quality: so you only exist to consume media for consumption sake.  You’re just mad that you can’t just wait until something is over to watch it,  or don’t have the courage to be your own person in the anime fandom; because you’ll never be shit without it.

Why does it matter that somebody waited until then to become a fan of the show?  Why do people need to watch the show while it’s airing?    I’ll never understand that.

-Until next time,
Yuki The Snowman

FOLLOW ME ON SOCIAL MEDIA:

The Swarthy Nerd Podcast
A Black nerd empowerment podcast where Black nerds (well, all nerds, but Black first and foremost) can get together and talk freely about nerd culture while also acknowledging systematic white supremacy and racism in the nerd and Eastern otaku fandoms. Every Tuesday join @superlostfan108 and @weebtrashyuki the founders of http://www.swarthynerd.com for there very informative podcast talking about all things nerdy. No desperate boot licking self hating negus who were never accepted by Black norimes for being too weird for  their love of anime and comic books by the Black community allowed. Go drink bleach.

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25 Days of Blogging 0

25 Days of Blogging Day 1: The Type of Isekai I Want To See

25 Days of Blogging: It’s like the 25 Days of Christmas, but without the cheesiness, horrible family members,  and holiday depression. 

If you know me, then you know thatI can’t stand isekai anime.  I hate the concept of a main character (or M.C.) gifted with immerse, god-like powers after being transported into a new world without working their ass off (to gain those powers).  The idea is tired, corny, goofy, and I don’t get nor understand why weeaboos enjoy that shit.

Well, I lied. I do understand why.  Isekai fanboys (and most anime fanboys) live horrible, bland, and uninspiring lives.  In the real world, they’re not shit. Nobody likes them. Nobody knows who they are. They will never be anything in life. They need (isekai) anime as a means to live vicariously through their fictional heroes’ adventures – it’s their only joy. Of course, once the isekai trend dies out, these nerds will wind up committing suicide because they will nothing to live for.

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Isekai fangirl jumps to her death

 

Now, despite my hatred towards isekai anime, I’ve discovered one that I’ve actually enjoy so far and another one that’s on my radar: Ascendance of a Bookwork and The Rising of the Shield Hero. Let’s start with Ascendance of a Bookwork first.

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Urano, the star of Ascendance of a Bookworm, was a young Japanese college woman who loved nothing more but sticking her nose behind as many books as possible. Her life dream was to travel the world’s largest libraries and document her findings of rare books held in these libraries. Urano was one step closer to achieving her dream (by obtaining her librarian certification) until she was killed in an earthquake (crushed to death by her massive collections of books). Near death, Urano prayed to God that in her next life that she would be able to continue her lifework.

Answering her prayers, God transported into a world full of books – but only for the wealthy elites.

Urano, now a sickly five-year-old white girl named Myne, has been reborn in the medieval ages.  She wakes in her new world to a disturbing discovery: there are no books. Worse, she doesn’t see anything that indicates a writing system. Myne starts to panic and break down.  Myne’s new mother walks into her room and asks her what’s wrong, in which Myne asks her if there’s any books around.

Myne’s new mom laughs at her and makes her upset.
She’s such a loving mother.

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Myne would later discover that books do exist in this new world, but only for those who can afford them (as her dad puts it: buying a book for her would cost the family’s entire income for the year).  Copying books is also an issue that she would also come to understand, as they must be copied by hand ; costing as much money as buying a new book. Despite these setbacks, Myne is determine to  not only read, but to learn the  new writing system of her world so she can create books for the commoners of the world.

She doesn’t want the rich elites to have the joy of reading alone.

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I admire Myne’s willpower and drive.  Rather than to bitch about her current situation, she seeks out solutions for her problems; even if it means pushing her sickly body to its limits to yield desired results.  While most isekai heroes are given unbelievable god-like powers in their new world to make living in that world easy, she is given nothing more but her raw imagination, wits, and determination. Hell, the girl she was reborn into almost died from a nasty fever. Her doctors told her parents that it would be a miracle that she lived. Worse, Myne lives in a world where many children don’t live past the age of seven – and Myne is five years old.

To say that the odds are stacked against her is a clear understatement.   But, that’s life.  There always will be certain odds stacked against you. You don’t ask nor beg for greatest.  Nobody is born with it.  You have to work your ass off year-after-year for greatness.  Myne’s on the path of working towards greatness (even if she might have a mana cheat code built into her, but that’s for another blog post).

*****

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I have yet to watch Rising of the Shield Hero.  I have the series downloaded on my computer (can’t wait for the easy moralist weebs to get on my case about that  calling me evil for bootlegging anime while they probably got loli hentai and other fucked up shit downloaded on their phones), but I haven’t gotten around to watching  it yet.  Here’s what I know about the series from what I’ve seen and read from spoiler reports, screenshots, and video snippets:

Protagonist Naofumi is summoned into another world with three other young men from parallel universes to become Cardinal Heroes. While the other heroes are given offensive weapons and support from the people of the kingdom, Naofumi is given a shield. He also has no public support: as he’s falsely accused of raping the kingdom princess,  Malty Melromarc  Bitch a.k.a Slut (who was once his sole supporter before robbing him of his gear and accusing him of rape).  Throughout the series, the cynical Naofumi must learn how to trust others; as well as work with the shield class’s limitations to not only become a legendary hero, but to clear his name.

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Again, like Myne (cool nice Myne not Bitch a.k.a Slut’s fake name), Naofumi is an isekai hero who isn’t overpowered nor was blessed with anything special. He must work his ass off in order to get what he  wants in his new world – even if it means playing dirty. He has to gain the public trust and prove his worth to a world that wants him humiliated and dead.

I want to see more and more isekai anime where main characters have all the odds stacked against them.  They don’t need any special superpower that makes him top or god-tier from the jump  I want to see the M.C. forced to adapt to his new world and be forced to work his ass off to get what he wants.

I wanna see an isekai where the MC is a lame ass cornball ass goofy ass dude who has no luck with women.  He gets mocked for his horrible taste in fashion. Nobody wants to fuck with him due to his low social standing.  He dies in an accident and while he’s dying, he makes a wish that in his next life, he’s reborn into a man that’s fly. A man that all the women want. A man that has high social status.

And he gets that wish.
But, he has to work for want he wants.

In this new world, he is still the lame ass cornball ass goofy ass man that no woman wants.  After living in this world with anger and bitterness towards it, he realizes the only way he can get what he wants is to put forth the work. First, he figures out a way to make a lot of money through learning new skills through different trades.  Once he gets the money, he gets the power. Money + Power = High social status and respect.  High social status and respect = women (Yes, that was a Scarface reference).

Do you know how many male otaku isekai loving idiots would get inspired by an isekai anime like that? Do you know how many of them would want to be like that guy in the made-up isekai anime I just broke down that I know somebody will steal from me, turn into a light novel that will be adapted into an successful anime and never give me credit for it? Jokes aside, that’s the isekai we need in the world.

Stop with this power fantasy shit in iskeai.
It’s getting old.

-Until next time,
Yuki The Snowman.

 

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Reflecting on the KyoAni Arson Massacre

In my 20+ years of being an anime fan, the thought of a twisted individual committing mass murder against those within the have anime industry never crossed my mind.  Anime studios are known to receive death threats from disgruntled fans for whatever reason. Studios dismiss threats because those who send them never follow through with them. They are treated as people who talk a big action but never follow through.  Thus, (and sadly) death threats aren’t taken as seriously as they should within the industry at times.

Until recently.

On July 18th, 2019 around early morning at the Kyoto Animation studio, 33 lives – mostly young people who not only just got their start in the anime industry,  but in life in general – were senselessly taken from the world.  Their stories, wisdom, ideas, and creativity for the anime industry will never to be brought to life for the world to see – because of one angry disgusting man whom decided to end their lives. Buildings can be recovered and restored, yes.  Alas, we can not recover nor restored the talented lives that were lost.

It’s reported that the murderer was angry at Kyoto Animation (KyoAni) because they stolen something from him.  It’s rumor that what was stolen from him was a light novel idea that KyoAni allegedly rejected and used said idea for one of their anime production.  Out of anger, he broke into the main studio, pour gasoline on not only around the entrance of the building (to prevent people to escape the building) as well as inside it, but on his victims.

Even if KyoAni did steal this man’s novel idea, it is no reason for him to commit murder — let alone mass murder — through such inhumane means of turning a beloved animation studio into a death trap; burning people to death in the process.  As a creative person, I understand the rage of having people steal your ideas/works and claiming them as their own.  I would be livid if somebody stole my works and gain something from it.  I even admit that I would  go as far as to cause physical harm against a person if they stole my works. But, to commit (mass) murder over something I could prove was mines or creative a better version of it is maddening and illogical.

What was so valuable about that horrible man’s work that he had to take so many lives over it?

Is the love for one’s own art that extreme that people should be murdered over it?

 -Benjamin Snow

Anime Industry 1

Kyoto Animation Arson Attack: 30+ Injured And Multiple Fatalities Reported

Multiple people confirmed dead and 30+ injured at famous Kyoko animation studio from alleged arson attack. According to reports, police captured and arrested a man in his 40s who admitted to police he used a liquid accelerate to start the fire.

FROM ANIME NEWS NETWORK: “According to a report by The Kyoto Shimbun newspaper, nearby residents heard an explosion on the first floor of the building. NHK also quoted a man who supposedly heard an explosion in the building at around 10:30 a.m. JST, after which a fire erupted in the building’s second and third floor.” Kyoto Animation is an animation studio and light novel publisher founded in 1981.

Kyoto Animation is most famous for producing popular series and movies such as “Full Metal Panic!”, “The Melancholy of Haruhi Suzumiya”, “Clanned”, “Free!” and “A Silent Voice”.

My Personal Thoughts: Anime — and entertainment in general — isn’t that serious to the point that you have to commit arson and murder. If you’re gonna kill somebody, kill them because they harmed/killed a family member or they’re threatening to kill/harm you. Don’t lose your freedom and endanger others over some damn cartoons.

SOURCES:

https://www3.nhk.or.jp/nhkworld/en/news/20190718_31/
https://www.animenewsnetwork.com/daily-briefs/2019-07-17/kyoto-police-multiple-deaths-confirmed-in-kyoto-animation-fire/.149101

 

Anime community 0

Recording Otaku History (And The Growth of The Western Anime Community)

EDITOR’S NOTE: This is a (cleaner) copy and paste free write of my thoughts of the evolution and history of the Western anime fandom taken from my Facebook page Yuki The Snowman. As such, I was shooting from the hip; so it is unstructured and lacks research and sources to a few statements. 

While out-of-state at a friends’ house catching up on old times, we were disusing plans on attending an up and coming anime convention in their area next year named Dokidokon.  During the discussion, they mentioned how cool it would be for us to report on the convention, it’s growth, and recording the events as they unfold at the con.  With glee, they stated that it would be exciting to take record of what we witness there.  Further into the talk, it was mentioned that we’re living in perhaps the best time period for otaku history in the West and how it is important for us bloggers, vloggers, and content creators to record such events in history.

I started to ponder.

While my friends and I enjoy attacking the otaku culture with venomous scorn, taking cheap shots against anime fans whenever the chance presents itself, and mock the culture for its many faults, we still hold onto our great appreciation for how far the anime medium and fandom has come. This is especially true given how Western otaku culture and conventions came up from (to my knowledge, mind you) the underground college anime clubs and conventions of the 70s and 80s to the massive juggernaut in which we are a part of today where the modern anime community is an indescribable melting pot of distinctive demographic coming together to celebrate our love for anime.

For those who might be too young to remember, it wasn’t that long ago when Western anime culture and fans where pushed into the darkest corners of the pop culture world.  We were treated as unwelcomed outcasts by – and please note – most (meaning not all for those who are from the remedial side of the education game) nerds and geeks from different sets of  the pop culture  world (film, comic books, gamers, sci-fi, etcs.).

In the past, Anime (in the West) didn’t have that unbreakable grip that it has on the Western pop culture world today.  Thus, us fans were mocked and alienated by outsides (both normies and, ironically, non-otaku nerds who too where shunned for their love for comics, games, etc.) for enjoying something that most people didn’t get. Maybe it was due to  xenophobia, lack of understanding, or the pure pride of the ignorant who didn’t want to study  why people like and watch anime, but anime fans were treated like some weird nerds who were too much in love with some whacky Japanese cartoons.

Sure, you had timeless hits such as AKIRA, Ninja Scroll, and Ghost in the Shell making noise in America; planting seeds and paving the path for what we are witnessing today when it comes to the Western Otaku culture, but they didn’t have the weight to help put anime in that sweet postion that we call mainstream appeal  (Dragon Ball Z would take that honor and run with it in the mid-90s despite what the anti-entry-level anime elitists may want to argue to deal with the fact their favorite obscure anime didn’t get the job done but that’s another topic for another day).

 

Time went on. The influence of anime in the West grew stronger.  Its popularity increased with shows such as Dragon Ball Z, Sailor Moon, and Pokémon.  Television networks such as Time Warner, The Sci-Fi Network, Tech TV and Freeform created program blocks dedicated to anime (Toonami, Anime Unleashed, and Made in Japan) in order to carter to the blooming Western anime fanbase.  Online bulletin board systems (BBS) and websites revolving around anime culture sprung up on the dial-up internet side of the game.  Magazines dedicated to anime such as Anierica  were  sent out to the mailbox of the American anime fan.  Video stores started carrying anime that never aired on TV in America.

It was inevitable that anime in the West would become a huge deal.

****

Today, you can go on your favorite streaming website (legal and illegal) and pull up almost any anime from the past or present. Popular or obscure.  Modern or classic.  If you can think of an anime, there’s a good chance that you will find it online. No more wasting time and gas money traveling miles to a nearby video store in hopes you can get your anime fix.   No longer do we need to call up a certain  BBS to communicate with fellow fans of a peculiar anime and wait two-to-eight hours for a response.

With the advent of modern day technology and social media, we can instantly chat it up with fellow anime fans moments after an episode finished airing. Best of all, fans can communicate and interact with voice actors, creators, production studios, and distributors through websites such as Facebook and twitter – something that was once only possible at annual major conventions and snail mail.

History is being made.

 

As content creators, we must take advantage of this era of Western anime history. We must take part and note of the trends and the happenings of the fandom  – despite the fact if we love or loathe such trends and happenings. Remember: future generations of anime fans will be curious on how their favorite shows and beloved parts of the culture became to be.  They will research the roots of their favorites and find connects to the past (that is currently our present).  There needs to be a record of what is going on today in the world of anime: both in the East and here in the West.

Keeping record will perverse what is happening currently. It will prevent experiences from being lost to time and history.  Just imagine if nobody recorded the famous viral video of the Filipino female prisoners performing the Hare Hare Yukai dance from The Melacholy of Haruhi Suzumiya or most recent, the ever popular live-action versions  Chikatto Chika Chika dance from episode 3 of Kaguya-Sama: Love is War!! by energetic otakus cosplay as Chika herself.

It would be utterly depressing.

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Anime community

Finding The Time To Watch (And Talk About) Anime

From spending 40-45 hours a week cosplaying as a stable adult at my job for drug and alcohol money (for both anime con partying and to deal with life), to working with my homeboy The TV Guru on our new podcast The Swarthy Nerds Podcast, to reading books on how strengthen my troll game against people with the laws of human nature, and to downloading a ludicrous amount of best Monogatari girl Hanekawa ero pics and doujins as research material for an analytical video essay on her tits for the 10th anniversary of the anime series, finding time to watch (and talk about) anime can be difficult for hard working grown ass man reaching his 30s like myself.

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Seriously, I’m gonna make an analytical essay on her assets.

With so many anime coming out each season (roughly 60 shows a season) and the ever growing desire to watch hard hitting classic shows such as Evangelion, GunBusters!, and His and Her Circumstances (Anno’s a beast director I wanna learn more about him beyond FLCL) which fills my everlasting backlog, it can be a struggle to discus and view anime with the limited amount of time I have.
Sure, I can watch old anime and ignore the new shows. With older anime, there’s no need to dread on the fact that the next episode of an anime won’t come out for a week. Plus, older shows already have an established fanbase,  which makes it easier to talk to fans of it (sans the asshole die hards with no personality who think they’re better than everyone because they watch the show on its original run 10-25 years ago).

But, there’s a drawback to using my time to watch and talk about older, classic anime.

First, (most) older anime suffer from a lack of discussion (around the show). Unless it’s a timeless show such as Sailor Moon or Dragon Ball, the chances of me finding people to talk about an older anime is rather low (and if it’s an obscure OVA from the 80s, then the chances of me finding anyone to talk about it are neigh impossible).

Second, watching older anime will alienated me from the current discussion; where – thanks to social media – an anime that came out last season is consider old news. Example: Talk revolving hit Fall 2018 shows such as MAPPA’s Zombieland Saga, Studio TRIGGER’s SSSS.Gridman, and CloverWorks’s Rascal Does Not Dream of Bunny Girl Senpai has decreased since their finales.

The focus shifted to Winter 2019 shows such as Mob Pyscho 100 2 and Kaguya-Sama: Love Is War. However, with the Winter 2019 season finished, the community are going to talk about the Spring 2019 season with shows such as One Punch Man 2, Carol and Tuesday, Fruit Baskets 2019¸ and Aftertouch (Shoumetsu Toshi). I have to be willing to talk about the new shit if I want an active audience, so I can’t waste too much time on the past.
You have to be in the know, you know?

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PROBABLY not the best scene nor anime for the statement above, but you get it.

If you’re like me, a content creator with a “real” job, then you know how much of a chore it is to try to watch and talk about anime. It’s bad enough that we have to dedicate 40+ hours a week to earn worthless pieces of paper we call money (unless you’re using the money to help you buy and consume drugs at an anime con after party, then it’s not useless). But what’s worse is not having enough free time to focus on our purpose; just limited time.

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Sailor Pluto has all the time to watch anime, but she’s also lonely and sad and possibly an alcoholic.

All time is limited, of course. We could die today or next week, thus robbing us of all the time we could have had to work on our shit. Even if we do live into old age, some of us will spend all our time working until retirement. Retirement does nets us all the “freetime” in the world.  But now you’re too tired and old to do what we want (bear in mind that you can’t compete against the younger generation at this point of life unless you’re a very late blooming outlier – which is rare).

With this in mind, we have to spend our limited time wisely to ensure that our messages of great weeaboo cartoons reach the masses. We have to manage time. For me, I work on my content before work and do light studying on the topic of my content after work. I may skip breakfast (which I don’t recommend) to have more time to work on a post.

However, if not eating breakfast for a while means having so much extra time to present more content to the world because I was able to turn this hobby into a career (that’s making me 3x the amount of money then working a 9-to-5 on a consent level), then it’d be worth it.

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Me after becoming the world’s first trillionaire otaku

Even on my off days at work, there’s complete focus on my personal work.
I also tend to put forth a lot of work towards my projects on my days off, or if I plan on being a shut-in weeb and not kick it with friends at the bar. Time and sacrifices have to be made on my end in order for me to talk about anime through blogging, podcasts, etc.

Until I have made double, if not, triple the amount talking about anime in comparison to the gig; therefore enabling me to have access to as much time as I want to create content or just dick around and watch shows all day while still netting automatic (passive) income (thus not being hurt money wise), I must make do with the time I have and watch a few shows.

Does it suck?
Yes.
But, in order to do what I wanna do (if you haven’t guess by now, talking about wacky Japanese cartoons for a living and eventually creating a media company from it), I gotta spend my time wisely.
So, readers, how do you make the time to watch anime? For my fellow content creators: do you find it hard to balance content creation and having a gig (if you work a normal job while building your brand)? Let me know in the comments!

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anime 0

Failure Isn’t Bad (Zombieland Saga)

Throughout her short seventeen years of life, Sakura Minamoto dealt with everlasting failures and setbacks that mentally wrecked her. In the third grade, she landed the intense star role of Snow White after months of relentless practice to master the role; only to become sick and bedridden on the day of the performance.

 

Gifted with superior athletic skills, Sakura was selected as captain of her school’s relay team.  She trained day after day in hopes of leading her school to victory against other schools in the Saga district.  Alas, on the morning of competition, she tore up her hamstring; forcing her to retire.

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This is why you stretch before any physical activities, children.

But, those past failures wouldn’t hold her back. Determine to eradicate her bad luck, Sakura (now a sixth grader), had her sights set on academic mastery; vowing to shut everything out of her life in order to enter the best high school in her school district. Friends. Family. Entertainment.   If it wasn’t a tool that’ll help her gain scholarly success, Sakura ignored it. Nothing mattered to her sans entering the ranks of the educated elites.

Two years later, Sakura’s near psychopathic drive towards success would pay off for her. She aced the mock entrance exams days before the real deal.  Finally! Victory was near.

Or so she thought.

On her way to take the real exams, Sakura ran across a few sick elderly women who needed her help.  Instead of ignoring the women and letting them die on the streets (which she should: they had their chance at life), Sakura decided to help these poor women out. However, this drove Sakura into an intense panic; as  she feared that she’ll be late for and miss the exams.

Thankfully, she was able to make it in time. But, the stress from the fear of missing the exams gave Sakura extreme test anxiety – causing her to fail the exam – and missing out on her chance of success once more.

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Should have let the old ladies lay there and die, Sakura.

***

Now in high school, the defeated , depressed, and hopeless Sakura rejected offers to hang out with friends, join any after-school clubs, and work on her scholarly and athletic gifts. Nothing mattered to her anymore. She knew that anything she attempted to try would only make her feel worse about herself.

 

Every day after school, she headed straight home; numbed to the world. She lay up on the couch, mindlessly watching TV and rotting away as life passed her by.  One day in peculiar, Sakura caught a TV special featuring the rise of singer Ai Mizuno: the center performer of the idol group “Iron Frill”.  During the special, Ai was asked about her work ethics, as well as why and how she works so hard.

Ai replied:

“I guess it’s because I don’t think mistakes or failures are a bad thing.  Because they always end up helping with whatever happens next.  And I really believe I’ll only be the best version of me once I overcome it all.”

Mistakes aren’t bad.  Failure isn’t bad. If you study your failures and mistakes, learning from them in the process, you’ll always better yourself.

(Now, let’s not forget the fact that worse girl Ai is a stupid fucking idiot who got herself killed by sticking her arm out during a thunder/lighting storm while holding a mic at an open air concert on live TV/internet broadcast; therefore traumatizing her friends, family members, band mates, and fans for life. Plus, she made her parents cremate and bury her, so there’s that)

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You fucked up on a test.  Cool.  See what you were struggling with, study, and do better.  You got rejected by the girl or boy you liked.  That’s okay.  Be happy and reflect on the fact that you finally control your nerves, got over your fear of rejection, and you went for it. It’ll all be helpful the next time you ask different girl or boy who captured your heart out. You might get turned down from the company you’ve dream of working for since your youth.

Look, you will fail at something – it’s unavoidable.  Your return on invest for your efforts might wield negative results at the end.  Whatever you’re working on, sometimes, it won’t turn out the way you hope for.

And that’s okay.

You should embrace failure.  Appreciate it.  Respect it.  Failure means that it wasn’t the right time to execute your plan.  You selected the wrong moment for your course of action.  Something didn’t line up right. Your approach wasn’t correct. Even so, you should inspect what went wrong so that next time, you will do better and better; until the day you are successful.

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 “There’s no better than adversity.  Every defeat, every heartbreak, every loss, contains its own seed, its own lesson on how to improve your performance the next time.”-Malcolm X

Inspired by the TV special, Sakura attended their Saga concert. There, Sakura was captivated by Ai’s high spirited performance to the point she was moved to tears.   It was there where Sakura found the willpower to pull herself out of her depression; yearning to  attack success one more time.

One more shot.
One more try.
One more chance.

Sakura set her sights to become the girl that she always dreamed of.   She applied to join Iron Frill as an idol.  She wanted to perform next to the singer that – as cheesy and white girlish as it (always) sound – saved her life.  This was it.  She’ll no longer let the set-backs and disappointments of the past drag her down.  With the finished application in hand, the high-spirited Sakura ran out of the house to mail it…

…And then she got hit by a speeding truck and died on impact.
The End.
Thanks for reading!

(Just kidding.  Sakura lived for a few more seconds in the air from the force of being hit before dying.)

 

 

***

“Failure is deceiving; it’s a good thing! You want to and should fail –it’s the learning process!” -Grant Cardone, CEO and real estate investor

Sakura’s journey to success wouldn’t end at her death. In fact, her death (and zombification) was the start of her finally capturing victory. As the center of the all zombie girl music group Franchouchou, Sakura had to lead her team and new friends through failure after failure on the path of success.

idolhood_face_of_death.jpg

You could say that their first concert at the death metal show was a near flop.  First, Sakura was the only member of Franchouchou (or Death Musume as they were first called) who regained her human conscious upon awakening.  The rest of the girls were still in their mindless state.  This resulted in everyone (sans Sakura) not being able sing or play instruments – let alone perform in unison.

Second, they were dress in bright, colorful idol outfits; ill-fitting for a venue hall catering to savage and cutthroat fans of death metal.  Finally, the crowd wasn’t feeling them. They believed that Death Musume was mocking death metal with their idol get-up.

Death Musume proved their doubters wrong.

Thanks to their enhanced zombie  bodies and minds, Death Musume surprised the metal heads with their brutal, (literally) broken-neck style head banging, ghastly growls, hard hitting stage dives that would had injured or killed a normal human, and caused mayhem in the pits after the show.

Even if the show was a (so-called) “flop”, Death Musume gained the respect of the metal heads (whom normally dismissed idols).  They even earned two metal heads as loyal fans after the event. Fans who once were discrediting them admired their savage spirit so much that they followed Death Musume’s journey to success everywhere they performed.

 

Their second concert was almost a complete disaster (compared to the last).  Despite regaining their senses, Death Musume (now Green Face), weren’t in tune with one another.  Their movements were awkward and stiff (due to not building up chemistry with one another yet; not because they were zombies).  The audience seemed uninterested in their performance.   Tae had yet to regain her senses; so she was still roaming around mindlessly.

Worse, she tried to steal somebody’s dried squid snack. Sakura attempted to restrain her friend; only to cause Tae’s head to fly off her body into the crowd – therefore causing panic and confusion.

In panic, Sakura played everything off as a magic trick. While Sakura struggled to regain order, Saki started to dick around. The two girls started fighting over Tae’s head (Saki took Tae’s head off her body while Sakua tried to put it back on, annoying the latter). Pissed, Sakura snapped on Saki and snitched on the fact that they were all zombies. Saki snapped back: leading to the girls auguring on stage. Understandably, the audience was shocked.

Total disaster indeed.
But, most damages caused by disasters can always be fixed.

Tatsumi saw this as a chance to switch the show’s direction. Seeing Sakura and Saki argue as if they were rival rappers, he began to beat box.  Best zombie girl Yuugiri provided a melodic instrumental on her shimisen. Lily channeled her inner Flavor Flav and played hype girl.  Worse zombie girl Ai stood around looking stupid, awkward, and useless. Second best zombie girl Junko was also standing around looking stupid and awkward.  Sakura and Saki turned their argument into a rap battle.

Together, Green Face was able to take a losing situation, turn it around into something positive, and became victorious.
Franchouchou improved each passing day.
They didn’t avoid failure – they embraced it and turn it around – into success.

They failed to get a business sponsorship from a drug company (due to Sakura being an idiot). That’s okay; they cut a deal with a local restaurant a few days later; netting a promotion deal with them.  Tae accidently wore said restaurant’s mascot t-shirt after winning a sporting event instead of the shirts featuring their band’s name and logo (for promotional reasons). It didn’t matter: Franchouchou gained more fans from the sporting event.

Lighting struck the stage and the girls during their first major stage performance.  What would have killed any normal human the lighting gave Franchouchou (thanks to being zombies) not only gave the girls the appearance of angels, but enhanced their voices; giving their fans a musical experience they never forget.

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“Last night took an L, but tonight I bounce back.”
“If you’re a real winner you know how to bounce back!”
-Big Sean, Bounce Back

Like Franchouchou, you must use failures as a tool to net you a positive outcome. The path you were on turned into something else. But, you need to take advantage of that.  History is littered with people whom “failed” at one thing but was able to turn it around into greatness.

Japanese Horror and visual novel author Ryukishi07  Ryukishi07 first draft of the ever beloved Higurashi no Naku Koro Ni (lit. When They Cicadas Cry) murder-mystery visual novel series was a short play titled  Hinamizawa Bus Stop.  Inspired by a friend, he submitted the play to his college’s theater group for a contest.  He lost.  After college, Ryukishi07 tried to enter the video game industry with no luck.

Yet, despite the setbacks, he was determined to let the world know about the mysteries and horror of the small village of Hinamizawa. His passionate drive would pay off in August of 2006 when Ryukishi07 dropped Higurashi upon the otaku world at the massive Japanese anime convention Summer Comiket 2002. The game became a global sleeper hit; with the series branching off to light novels, mangas, two live-action movies, a TV series, remakes of the games, and of course, an incredibly successful anime adaption by Studio Deen.

Intelligent System was failing to keep the Fire Emblem series afloat.  After back-to-back failures with titles such as New Fire Emblem: Mystery of the Emblem and Fire Emblem: Radiant Dawn, the series was at risk of being killed off by Nintendo.  Finding themselves on death grounds with the series, nearly everyone at Intelligent System that has ever worked on a Fire Emblem game pour their heart, soul, guts, creativity, love, and focus into  Fire Emblem Awakening. They truly believe that Awakening was going to be the final Fire Emblem game in Nintendo’s (and gaming) history.

If Fire Emblem: Awakening was going to ultimately fail, at least  Intelligent System had the balls to try to revive the series everyone counted out with everything they had.  And as we all known (despite what the old-school autistic elitist assholes in the fandom may say), Fire Emblem: Awakening brought the series back to life: saving it from total death.

See how you can turn failure into victory?

We live in a world where failure is viewed as a bad thing. If you failed, you’re nothing (according to lowly people with their inflated egos who will never fix their own failures).  In Japan, failure is viewed in such a negative light that young school students have killed themselves from the shame of failure (may they failed a test, failed to get into an elite high school, etc.).

They would rather end their life than to face society (after failure).

The American school system have mentality wrecked children for decades; because teachers, parents, and the education system paint failing as the ultimate sin. Who knows how many children in America are suffering from mental health issues such as depression and anxiety because of how aggressive we are against failure?

Social media is now on a level where people will share your failures and humiliate you for it within seconds.  We would rather mock those on Facebook or Twitter for their mistake(s) than to encourage them to recover and give them advice on how to do better.  A screw up can easily be shared and display on the world’s stage without a second thought. It’s a shield to hide our own failures.

Why display your shame to the world where you can cover it with another man’s shame?

Society is not only fearful of failure – it uses it as a weapon.

But, you can’t be scared of failure.  I’m not saying you should go out in purposely fail; that’s foolish.   I am also not saying that some failures aren’t your fault; because your own stupidity and unchecked ego/pride can cause you to screw up. If you’re doing something that is outside the realm of logic, and your friends/family are telling you so, and you can’t prove them wrong, then don’t do it. Because that’s truly is failure.

You need to go into something knowing that there’s a high possibility that you will fail and that you need to bounce back from the failure.  Beating yourself up over failure won’t  get you to success. Having a defeatist attitude because you screw up won’t fix the screw ups.  People will use your past failures to mock you; in order for you to give up.  But, you can’t allow that. Try again until success.

As Sakura said to Junko and Ai in episode 2, and this is the closing statement:

“Quit coming up with excuses on why you can’t win. If you got even a little chance, try to do that then!”

 

 

 

SELECTED RESOURCES:

[Alux.com] (Dec. 15th, 2018) How to overcome FAILURE and start from scratch? [Video File]. Retrieved from https://www.youtube.com/watch?v=rs6PU5jQQBc

[Nino Brown] (Oct. 16th, 2019) Fail Your Way To  Success [Video File], Retrieved from https://www.youtube.com/watch?v=DO99GJwtsOk

[Alpha Male Strategies – AMS] (Oct 3rd, 2018) Why I Love Being A Failure [Video File]. Retrieved from https://www.youtube.com/watch?v=58wu8k4CjnI

Grover, Tim. “#1. When You’re A Cleaner… …You don’t recognize failure; you know there’s more than one way to get what you want.” Relentless: From Good To Great To Unstoppable

 

AFTERWORD:

I lied about the whole “Ai worse girl” thing she’s actually became my favorite character as I wrote this essay and re-watched ZLS due to her relentless drive to re-write her legacy after death.

Seriously, I wouldn’t spent nearly $25 on this shirt if I thought she was the worse girl:

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(Plus, I love how she G-checks Tatsumi when he’s on his bullshit)

I’m also going to work on another Zombieland Saga essay that tackles the  morality of men, how we should make the best of our limited time on Earth, and  and a touch of Stoicism to go along with it within the following months.

In addition, there will be an audio version of this essay in the near future.

Mob Psycho 100 0

Mob Psycho 100 II: Sparing The Enemy From The Guillotine

WARNING: Contains minor spoilers for the manga version of episode 5 of Mob Psycho 100

As I watched the end of Mob Psycho 100 II episode 5, I was reminded of Robert Greene’s controversial book The 48 Laws of Power.  To be specified, it reminded me Law 2 “Never Put Too Much Trust in Friends.  Learn How to Use Enemies”.  Mob wasn’t trying to use his enemy, the class bully Minori for anything; there was no need to.   It’s the fact that Mob saved and spared her life, despite Minori’s cruel and sadistic bullying of Mob for six months.

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Yes, she was possessed by the evil spirit Mogami. Under his influence she hurt Mob. She tortured him.  Made him feel lowly about himself. Now however, before she was targeted by Mogami, Minori spent her life bullying others. She loved belittling her peers who didn’t share her high social status. She found it thrilling to humiliate those who can’t defend themselves.  That said, bullying (Mob) wasn’t anything new to her; it was her nature.  Mogami wanted to show Mob that people like Minori deserved to die. He wanted to show that Mob would have been in the right if he killed her.

But, Mob believed that Minori could change if her life was spared.

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It’s mentioned in Law 2 that those who have enemies never expect anything from them (besides revenge).  When a man is spared from the guillotine from his enemy, he’ll become forever grateful towards that man; doing anything within his power to please them. Thanks to, or rather because of Mob’s kind and forgiving heart, Minori went on the path of bettering herself – vowing to never bully others again and to be kind to people as thanks.

To say that Minori was grateful (to Mob) is such an understatement – given her past with him.  Remember: Mob lived in a world of despondency created by Minori’s negative feelings, memories, and history of bullying to make him suffer.  Pouring sour milk all over him.  Recording her friends ostracizing Mob.   Threatening to kill the stray cat he was taking care of. Having her underlings beat him up.  Anything that is all hellish to crush and break Mob’s spirit and driven him into a near inescapable depression for six months.

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Love how the kanji are giving clues to Mob’ situation and Minori’s change of heart later in the episode.

Could you blame Mob if he’d snapped and used his psychic powers and physical strength to kill her? Could you blame Mob if he gave in to Mogami’s trickery and have the man take her life?

He had every right.
But he chose not to.
Why is that?
Why did Mob spare his enemy and show her mercy?

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“When you begin to see that your enemy is suffering, that is the beginning of insight.”
-Thich Nhat Hanh, Buddhist monk

Besides the (obvious) fact that Mob is far too benevolent to murder a human being, let alone someone his own age, he knows that people can change (through positive interactions with others).  He understands why people do horrible things.  It’s not out of the realm of possibility that Mob realized that Minori became a bully because she was fearful that she was going to be rejected and isolated by society.  It’s possible that she was projecting her own fears (of social isolation) unto Mob through bullying (bully the outcast so you won’t become a bullied outcast sorta thing).

Like Mob, she too was a victim of horrific mistreatment.   Minori was Mogami’s prisoner. The sole, lonely inmate inside a prison crafted from the darkness of her heart.  Mogami wanted to make Minori suffer for her crimes before killing her. Who knows how long Minori was strapped and chained to a bed while Mogami controlled her body.

She was helpless as Mogami used her body as he pleased.

Finally, if Mob would have kill Minori out of cold blood, he would had a worse human than Minoir and Mogami.  Pop her in the mouth for the bully?  That’s okay.  Beat her ass and put her in her place so she would never fuck with him again?  That’s normal.  But to outright murder her would only continue a tragic cycle.

A cycle that Mob had to break.

Sometimes, the best way to kill your enemy is with the guillotine.
Sometimes, the best way to kill your enemy is to show them mercy and kindness.


AFTERWORD:
lmfao I know this episode is almost two weeks old and everyone is talking about episode 6, but work has been kicking my ass lately, so I didn’t have time to bang this out on the week of episode 5.
Also, 10/10 episode a lot of great narrative and real life themes in it.

(Also some enemies are beyond forgiveness and you can’t show mercy to them. Crush them totally.  That’s just me being real.)

 

 

Kakegurui 0

Don’t Play Big Kids Games If You’re Still A Little Kid (Kakegurui xx)

June 6th, 1996:

Professional wrestling history was made when future WWE (World Wrestling Entertainment)  legend  Kevin Nash invaded rival company WCW’s (World Championship Wrestling) live show, WCW Nitro. Along with tag-team partner and friend Scott Hall (who invaded an earlier Nitro show before Nash), Nash delivered a warning to the WCW:

Idioms such as “[this is] where the big boys play” and “this is the big leagues” are often used to identify areas of intense and professional levels of competition. Areas reversed for the elites and only for the elites. Rookies are warned not to enter the big leagues unless they are mentality and physically tough and resilient enough to join.

Of course, you have the foolish rookies who – thanks to their ego –   think they can go toe-to-toe with the harden vets (of the big leagues).  Blinded by both arrogance and ignorance they try; only to be utterly humiliated, embarrassed, and humbled by their superiors.

This is the case of Erimi Mushibami: a little kid who thinks she’s hardcore just because she’s going through her baby’s first weeaboo gothic lolita teen angst phase. So hardcore that, the first thing that she does upon arriving at Hyakkaou Private Academy, is to challenge Yumeko Jabami and Midari Ikishima to a game of chicken.

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Erimi

An extreme game of chicken where players must place a finger inside a hole built into a mini guillotine with several cords attached to its frame.  The guillotine blade itself is only held by single cord that – if cut – will send the sharp blade flying down; slicing its victim’s finger off. Removing your finger before the blade comes down will results in the player forfeiting the match and becoming a slave to the game host.

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Erimi chose the wrong ones…

It’s the ultimate game of nerves.
Nerves that Yumeko and Midari both have an unlimited supply of.

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Again, she chose the wrong ones.

Yumeko is insane and gets off to playing high risk/high rewards gambles. Midari is not only insane, she’s a fucking deranged masochist whose panties would be soaked if she got a finger cut off.  The game is so thrilling to these women that Yumeko put aside her disdain towards Midari to team up with her against Emiri.

Erimi is a stupid kid.

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Erimi gathers Yumeko, Midari, and Suzui into a room for her little game. Yuemko is relaxed. Midari is thrilled. Suzui is scared.  Not for neither Yumeko nor Midari: he knows both of them are crazy.  Who he’s concern for is Erimi herself – the girl who started this mess.

Erimi has yet to understand that her opponents are extreme gambling addicts.  Both find joy in playing risky games – no manner how dangerous (the risks are). Furthermore, Yumeko and Midari are having fun playing Erimi’s game; even if the odds stacked against them. Erimi eventually picks up on her opposition’s carefree mentality towards her game and assumes if she pushes the girls to their absolute limit, she can break them.

Again, Erimi is a stupid little kid.

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Erimi starts bragging about how her mafia-like family is full of torture freaks that used the guillotine game (and other fear tactics) to force confessions out of their victims.  Yumeko isn’t impressed; she winds up finding the  game boring as time goes on.  Yumeko also thinks Erimi is a scared little bitch: as she believes that Erimi may have install a cheat to prevent her from losing her finger in things goes wrong and decides to go off on her.

Midari joins in on Yumeko’s verbal onslaught against the goth kid; reversing Erimi’s love for torture against her (remember: Midari wants to be tortured). In fact, she admits that the risk of losing a single finger doesn’t excite her; she wants more punishment if she loses.

Intoxicated with glee, both Yumeko and Midari pressure Erimi to cut the wires. Worse, Midari, out of her excitement and impatience, snatches the scissors off the table and decides to cut all the wires at once.  Sure enough, the safety feature that Yumeko theorized that Erimi put in place was triggered; saving everyone from losing their fingers. But, even in a moment of grace, Erimi  has broken down. In tears, she begs Midari and Yumeko to stop even after the game was finished.

She surrendered.
The little girl wasn’t ready to play with the big girls.

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***

Ego is funny thing. It’s the source of our ambitions, desires, and self-confidence.    However, if left unchecked, the ego can lead us to disaster;  as we saw with Erimi in episodes one and two of Kakegurui xx. Her wild ego and childish behavior made her believe that she could go toe-to-toe with two superior gamblers who outclassed her in talent, skill, and insanity.  She could not handle the pressure that Yumeko and Midari rain down upon her; leading to her breakdown. Her plan to mentality break her opponents backfired – given they both love the thrill and dangers that came from her game.   It’s the ultimate irony: Play with people’s fears only to be paralyzed by fear yourself. Pretend to be a big kid only to have bigger kids put you in your place.

Never attempt to play in the big leagues when you’re still in the little leagues.