As the Tournament of Power reaches its conclusion, I am constantly reminded of Dragon Ball Super’s 7th ending theme: An Evil Angel and Righteous Devil. Towards the end of it, there’s a line that goes “Justice and evil both carry the same gun”. I couldn’t help but think about the song when Toppo tells Frieza that “Justice…is worthless now” during their battle and Toppo’s resolve (to become a God of Destruction and forego his morals). The theme of justice is played with Toppo throughout the Universe Survival Arc. Toppo is a proud warrior of justice; leading his Pride Troopers to battle after battle in the name of all that is righteous.
From analyzing Toppo’s personality, he holds justice, morals, and honor with the utmost respect. He fights fairs: preferring honest play over cheap tactics. This is shown when Toppo snapped on Android 17 for attacking the Kamikaze Fireball (during their transformation). He questioned the motives of the Tournament, The Grand Priest, and Zeno-Sama. Toppo doesn’t feel right about fighting in a tournament designed to wipe out multiple universes; a tournament in which countless lives will end upon each universe’s erasure.
Toppo and his Pride Troopers initially entered the tournament to punish those who they deemed “evil”. While survival was ideal, targeting evil doers were their prime goal. However in episode 104 of Super, Toppo started to change his mind. With seven of his men gone and his universe at risk of deletion, Toppo decides that the Pride Troopers must kill their ideologies of justice and ethics in order to live.
There’s no place for justice and heroism in a war of survival.
Towards the end of the tournament, Toppo is struggling against Andoird 17. After analyzing 17’s combat style (and discovering 17 has infinite energy), Toppo decides to end his battle with 17 with one blow. However, he fails and is forced into a beam struggle with the Universe 7 warrior. During the struggle, Frieza attacks Toppo from behind. Frieza taunts Toppo while blasting him with Death Beams. Bored with Toppo, Frieza attempts to blast Toppo off the battlefield; enveloping him with overwhelming energy.
Despite the struggle, Toppo survives but is heavily wounded.
Frieza taunts Toppo once more. He mocks the man, calling him trash. He then points out how shameful it must be for Toppo to have his prized uniform of justice in shreds. It’s here where Toppo snaps. Coldly, Toppo replies that justice is worthless. After seeing his men fall and the destruction of six universes before him, Toppo comes to a resolution. Justice is worthless. It has no use on the battlefield. Justice doesn’t translate to survival.
In order to survive, Toppo gives up on justice. This same man who praised it with pride now sees it as a waste. A liability even. Toppo decides to ascend to godhood: A God of Destruction. Destruction – like war – is neutral. It doesn’t care about silly ideas like good or evil, justice or injustice. All it cares for is annihilation and death.
What good are both justice and playing hero if both things never ensure survival?
‘There’s only one difference between heroes and madmen: It’s whether they win or lose.’
“Respect is earned, not given” is a controversial statement. Some believe that respect should be given to all – regardless of who they are or what they have accomplished. Others think that respect should only be earned through hard work, talent, skills, etc. In high levels of competition, respect is earned only if one is impressed by the superior flair of another person (most of the time). In the Tournament of Power, we see Jiren giving his respect towards both Goku and Vegeta: calling both men warriors. Jiren doesn’t use this term lightly, nor does he use it freely.
For Jiren, calling you a warrior is his sign of respect and admiration.
In Episode 122, as Jiren squares off against Goku, the two engage in conversation. Jiren asks Goku why does he seek to become stronger. Goku simply replies that he doesn’t know why; he just wants to. Following, Goku asks Jiren if he too wants to be stronger. Jiren states that what he wants is beyond mere, selfish thought of strength. This is a change from how Jiren initially viewed Goku (from their first fight). At first, it appears Jiren had no respect for Goku. But, after proving his worth against Jiren, we can assume that he’s a little curious about Goku’s strength and goals. It should be noted that Jiren calls Goku by his name: “Son Goku”, rather than a title like “Saiyan” or “Assassin” (as he did with Hit during his battle against him).
With this, it’s safe to say that Jiren respects Goku.
In Vegeta’s case, Jiren gives him the title of “Warrior”. As Belmod and Khai both stated, Jiren calling Vegeta “warrior” is his sign of respect Now, originally Jiren viewed Vegeta as arrogant. He even dismisses his brash fighting style as too prideful – taunting his Saiyan heritage in a sense. When Vegeta was able to hold his own against Jiren, that’s when Jiren was able to show his respect towards the Saiyan Prince.
Jiren’s respect doesn’t end there.
When Goku fought Jiren in Ep. 123, Goku overwhelmed Jiren. Not by brute strength, but by tactics and strategy. Using a combination of teleportation, Ki landmines, and Destructo Discs (or Kienzans for you purist weebs), Goku was able to knock Jiren out of the ring. This forced Jiren to use a hint of his true power to recover and combat against Goku. In turn, Goku tapped into his reserves; going Super Saiyan Blue with Kaikoen x20 stacked. Vegeta tapped into his hidden power, breaking his shell and limits. The fact both Goku and Vegeta drew out power beyond their limits could suggest that Jiren want to see both warrior’s true power in combat.
Jiren sees them as truly worthy warriors. Goku and Vegeta have earned Jiren’s respect.
2017 marked the 5th anniversary of the Western visual novel “Katawa Shoujo”, produced by 4 Leaf Studios (4LS). The game (set in a boarding school for disabled students) touched countless lives and inspired many to better themselves. Except me; I’m still on some asshole shit even after finishing the game years back, but whatever. In the summer of 2012, 4LS ran a Kickstarter for their official Katawa Shoujo artbook titled Tomorrow Today: A Katawa Shoujo Illustration Book for the Anime Convention “Anime Expo”. 4LS requested backers for the book with rewards such as receiving a copy of the artbook and button set from the game.
As both fan and future hustler, I saw the chance to support the project. I love the work 4LS put into Katawa Shoujo. Plus, I never owned a video game artbook before. I went ahead and donated a dub for an ero video game artbook where you have sexual relations with physically and mentally fucked up girls (Hanako, Rin, and Emi got some fucking issues). 23 year-old me was like “Bruh, this gonna be worth some money one day. Buy that shit and save it.” So I did. Back the Kickstarter and a few weeks later, the artbook arrived. I was impressed by the quality of the production (and the beautiful art) – and I was seeking the money.
After consuming the art in the book a few times, I put it aside in my closet in a box and let it sit for five years. 2017 came along. I decided that I should start to work on my dreams of increasing my income and use the extra income towards my goal of producing infinite cash flow. Around this time, Doki Doki Literature Club (DDLC) came out on Steam. Weeaboos were once again celebrating a feels-like Western visual novel masterpiece. Some bold stated that DDLC was the second coming of Katawa Shoujo and many agreed. WIth Wester Visual novels making a come back an idea popped in my head.
“I should take advantage of the success of another popular Western visual novel like DDLC and flip that Katawa Shoujo artbook.”
‘While we out here, say the Hustler’s Prayer If the game shakes me or breaks me
I hope it makes me a better man, take a better stand.’
-Sky’s the Limit by Biggie Small
With Doki Doki Literature Club’s release and people comparing it to Katawa Shoujo, I saw my chance. I made a listing for the book and put in on the market. Within seconds, my friend hit me up asking if she could buy it off me. Within seconds, we made a deal for the book: $40 – twice as much as I back the Kickstarter (yeah there’s that five years’ worth of price inflation and all that fun shit but whatever I don’t feel like doing inflation math). That was about a week ago. Today, as I’m waiting for my friend to come through and pick up the book, I started to reflect on Katawa Shoujo, the art book, and how bittersweet this sale is.
From my own estimation, there are only maybe 1,000 of Tomorrow Today in existence. I am doubtful that the other owners of this book are willing to part with it (that or they’re smarter than me and waiting for the value to increase as the years pass by). The chances of me encountering the book on eBay are rare (a copy was on auction on eBay last weekend and I almost won it…but I was signed out of my ebay account five seconds before I was going to snipe it for $48) 4LS stated that they will never touch Katawa Shoujo again, nor will they expand on the game. The story of KS began and ended in 2012 – never to be retold again.
Katawa Shoujo changed me. No, fictional crippled animu girls didn’t make me a better person. I cracked jokes at Hanako’s pain (because she’s not a real person). I made fun of people who cried over this game. I sneered at anyone who got overly emotional about Rin. I told fans who called Emi a slut for having a boyfriend and sex drive that “They’re just mad because no woman will ever fuck them in their lifetime.” I got myself banned from the Katawa Shoujo forums for trolling, shitposting and overall keeping it real. Yea, Katawa Shoujo didn’t make me a better person within the fanbase, online, or in real life.
What Katawa Shoujo changed within me however was my creativity. From playing Katawa Shoujo, it hit me: If these random dudes online can get together and make their own shit for the world to see, then so can I. In fact, I can do it better than them because there’s nobody better than me. Like I’m on some Vegeta from Dragon Ball or Lute from Fire Emblem 8 type shit. Egocenteric pride aside, KS fuel some sort of creative fire in me and got me focusing on my craft. I want to create something that has the same emotional appeal as it. I long to create a visual novel that was consider a milestone of Wetern visual novels. That or just write about otaku culture in a crude, spiteful matter.
Have my name in Western otaku history, you know? No, global Otaku history.
Katawa Shoujo touched many people. Katawa Shoujo inspired those who played it. I was inspired to sell my Tommorrow Today book for $40 to fund my hustle. But, it’s bitter-sweet. One part of me wishes that there was a follow up to Katawa Shoujo, but I understand why there will never be one. And that’s okay. Parting with the artbook feels like I’ve finally parted away from Katawa Shoujo for good. It’s been five years, it’s time for me to move on. I best use the $40 to wipe the tears away.
The word “tragedy” for the episode title of DBS Ep. 118 is fitting. Beerus losing his twin brother, Champa. Universe 2 was destroyed e despite their cheer and support for their team. Piccolo had to defeat warriors of his own race to survive. Valdos was in grief as she saw her hand pick warriors and good friend Champa disappear from existence. And finally, Vegeta’s anger as he saw once again, his proud warrior race destroyed.
This was truly tragic. Hiroshi Yamaguchi’s genius writing of Episode 118 should be celebrated and analyze. He graced Super with such emotions that haven’t been felt since the Future Trunks arc. It must be brought up! Since I love me some good writing, I decided to break down why this episode is so brilliant. Let’s go!
PART 1: The Beautiful Power of Love
‘Without love, it cannot be seen.’ -Ange Ushiromiya, Umineko no Naku Koro ni
Episode 118 opens up with the revelation that Team Universe 2 was broadcasting the tournament to their citizens. The people watched in despair as Ribbranne admits she – and the rest of the Kamikaze Fireballs – were defeated. She begs her beloved fans to cheer on the final three warriors with their supportive love. As requested, they start to cheer and send love. The power of their love empowers Zaolin, Zarbuto, and Rabna and pushed them to defeat Universe 7. They mentioned that the weight of Universe 2’s love is a heavy burden, but they must bear it to save their universe. This shows us that Team Universe 2 is loved by this fans. This can be proven not just story-line alone, but visually as well (as many of their fans were wearing t-shirts with members of Team Universe 2 printed on them)
With this power of love, Team Universe 2 takes charge towards Team Universe 7.
Time passes and Universe 2 is struggling. During their last stand, Zaolin, Zabun, and Rabunra summons a black heart of love. I love the symbolism used in this seen. Obviously, the heart is the symbol of love, but one should note the color of the heart: Black. Going by color theory, the color black is used as a symbol of death. If an Universe loses in this tournament, they’re erased.
Being erased means death.
Universe 2 explains how the Black Heart entraps its victims with it crushing, unbearable weight. The weight of the hearts forces itself to sink to the ground. We can take two things from this. One: the weight of this heart is the burden that Team Universe 2 must carry to protect the people they love. It represents the trust, faith, and love of the people has towards them.
Two: The sinking is symbolism of Universe 2’s defeat and death – not the defeat of Team Universe 7. You see, Goku is a simple man. While he (barely) understands the power of love, he prefers guts and spirit over it. He’s not going to let love bring him down. And so, Goku overcomes the burden of Universe 2 with a Super Saiyan Blue Kaioken Kamehameha. The Kamehameha breaks overpowers Team Universe 2, knocking them out of the ring.
Universe 2 has fallen. Yet, despite destruction approaching, they accept their fate with grace. The Universe 2’s citizen still happy and celebrating their warriors. The Kamikaze Fireballs perform one final formation; thanking their fans for their loving support. Then, we have Kakunsa’s final line:
It’s like the real world: When a love one dies, it is just their body that is dead. The precious memories, love, spirit, support, and bonds, they are still alive in the hearts of the people they touched.
Those feelings will never die.
Universe 2 kept their pride, spirit and love to the bitter end. They refused to wallow in grief. Instead, they chose to show love. They reminded true to themselves, touching the hearts of those they impacted. A sad approaching event turned into short lived happiness and grace.
PART 2: The Emotional Connection of Universes 6 and 7
While the destruction of Universe 2 is depressing, the true tragedy lies in the destruction of Universe 6: Universe 7’s twin universe. Bear in mind that members of Universe 7 have personal connections with Universe 6 (Goku and Hit having respect towards one another, Vegeta as Cabba’s mentor, etc.). In the real world, fans have grown to know and love Universe 6 since their introduction during the Unvierse 6 vs. 7 Tournament arc. Seeing Unvierse 6 being destroyed was a heavy toll for the fans.
After Universe 2 charges at Goku and Andorids 17 and 18, there is a scene where Champa is mocking Universe 7 (as Goku is struggling to fight against Universe 2) Valdos chime in to remind him that Universe 6 is at near defeat and follow up with her usual jests and jabs.But More on that later. Let’s focus on Piccolo first.
Piccolo (along with his son Gohan) are struggling against the Universe 6 Nakemians.
Gohan and Piccolo’s victory over the Nakemians means that Piccolo will, by proxy, wipe out his own people. Nakemians from another universe, but they’re still Nakemians. Back in DBZ, Piccolo had to liberate his people who were suffering under Frieza’s rule. For Piccolo to have to wipe out his own race is a heavy burden – but it’s either his universe or theirs.
The Universe 6 Nakemians go on the offensive against Gohan and Piccolo. The father/son duo is overpowered, with Gohan jumping in to protect his mentor and father figure. . Piccolo asks for Gohan’s forgiveness (as he let the fear of the Nakemians’ overwhelming power get to his head). This mirrors Dragon Ball Z when Piccolo had to risk his life to save Gohan’s. To see Gohan protecting Piccolo can be consider full circle in this sense. The two regain their composure fire back at the enemy.
Gohan, along with his (real) father Goku, both charge up their respective Kamehamehas against their enemies in unison. Both engage in a beam/energy struggle against Universe 2 and 6. Gohan is grabbed by Pirana in a failed attempt to stop and attack Gohan. Piccolo backs Gohan up with a Special Beam Cannon, stopping them. At the climax of the distinct Father-Son Kamehameha, Gohan and Goku overpower their enemies at the same time.
Universes 2 and 6 have dropped out.
The defeat of Universe 6 is a victory for Universe 7, but it’s not something to be celebrated. As I mentioned earlier, Universe 6 and 7 are twin universes. Members of Universe 7 (such as Goku and Vegeta) formed personal relationships and bonds with members of Universe 6. Goku lost Caulifia – a girl he promised he would train and mentor. You can even say that Caulifia looked up to Goku as an older brother. Piccolo defeating Universe 6 means that he – by proxy – helped wiped out members of his own race. Vegeta was promised by Cabba that he’ll give him a tour of Planet Salada to see the Saiyans of that race. Vegeta was longing to visit the King of the Saiyans of that race; since Vegeta himself is of royal blood. Vegeta will never have get that chance (assuming he does not win the chance to use the Super Dragon Balls).
What make this disheartening and tragic for Vegeta is that this man just witnessed the total destruction of his people once again. Vegeta grew up experiencing the Saiyans of Universe 7 suffering and dying under Frieza’s rule. To find out there were full-blooded Saiyans still existing in other universes made him happy. Now, they’re gone.
He isn’t happy.
Then there’s the tragedy of Beerus and Champa. Yes, the twins did fought and get into arguments, but they’re brothers; that’s natural. While they didn’t show it, you can tell they still loved each other. Even if Champa was being goofy towards Beerus at the bitter end, he still loved him. Even if Beerus was stoic about his brother’s death, you can’t say he wasn’t hurting inside. Beerus want to show it, but he has to keep it together for his team’s sake.
And that’s hard.
‘I was always thinking of you.
The reality that squeezes my heart
I was always longing to see you
And I’ll continue to forge ahead with that memory’
–70cm Squared Window by Rottengraffy (DBS ED 10)
The destruction of Universe 6 reminds me of two lines from the full version of Dragon Ball Super ED 7 “An Evil Angel and Righteous Devil”. The first: “Either destroy yourself or destroy everyone else.” Piccolo had to destroy Pirana and Saoneru. Gohan, a man who finds no joy in being maliece and hurting/killing others, had to help Piccolo do it. It was either their universe losing, or defeat Universe 6.
The second line reads “Winning or losing doesn’t benefit anyone – Everyone is simply hurt, crying at the end.” I’m reminded of this line by Valdo’s grief of losing Champa. Yes, she did make jabs and jokes at him. Yes, she did call him out on his bullshit at times. But she did care about him. She did enjoy his presence…even if she made fat jokes towards him from time to time.
It’s safe to say that those two were good friends, maybe even best friends.
This is Dragon Ball and no good popular character stay dead or erased forever. There’s the chance that somebody will use the Super Dragon Ball to bring everyone back to life and everything. I just wish with the emotional driven episode we got with Hiroshi Yamaguchi’s writing that this arc could had been a series finale arc. Perhaps Toei should had introduce this tournament arc after there was an arc were we got to know all the universes in this tournament a little better.
Just to have that stinging pain of losing them in the Tournament of Power/Unvierse Surivivial arc. Even people who hated Universe 2 (myself included) were upset and sadden by their deaths. They went out carefree and happy. They stay true themselves and rather than cry and complain about hteir last moments of life, The Kamikaze Fireballs and Hellios decided to just be graceful and be themselves.
That in itself, is tragic.
That’s the emotional brilliance of Episode 118. This is why many of us are consider this as the best wrirrten episode of the tournament so far. It reminded us how the emotional power of Dragon Ball in general. Dragon Ball is a simple Shouen action battle anime series that’s more logical than emotional. But there are times were the emotions do reveal themselves and they hit hard when they’re showcased. I hope Hiroshi Yamaguchi returns to Super to write yet another emotional episode. His writing surprising works for Dragon Ball Super.
The Jumpman. When you see this iconic silhouette, you think of Micheal Jordan and his Jordan’s shoe line. The long-running Jordan brand has this…magical effect on its fans. Because of the name and man behind the shoes, and their limited supply at each release, people will line up for hours their local shoe store – just to obtain them. Few fans are so passionate about Jordan’s that they will risk the safety of others to obtain a pair. That’s the power of Jordan’s.
Sailor Moon: The iconic champion of love and justice. She is recognized by her blonde, twin tail odango and sailor suit. Sailor Moon inspired many around the world to better themselves, fight for good and be a kind-hearted person to their friends. Sailor Moon is a character many look up to and draw inspiration from.
It seems that being an inspirational, long-running recognizable brand from the 90s is something both Sailor Moon and Jordan have in common. And that’s about it. Sailor Moon is a role model of kindness and selflessness. Jordan…yeah. Just type “Micheal Jordan Asshole Stories” on Google and have fun reading the stories about how much Jordan is a piece of shit on the court and off. You never heard any stories of Sailor Moon being a horrible person to others.
For a week, I ran a giveaway on my Yuki The Snowman Facebook page for the Loot Crate exclusive Sailor Moon Bottle Opener. The requirement for entry was that you must state your favorite Sailor Scout and why she is as such. I expected nothing more but basic replies such as “Sailor Mercury is my favorite because she’s smart”, “I love Sailor Jupiter because she’s my tall waifu.” and “Sailor Pluto is the best Scout because I like older women and I want her to mommy dom me”. I wasn’t expecting that people will go in-depth with their favorites. It’s a simple Sailor Moon Bottle Opener; there’s no reason to write a motivation post on their favorite character just to win a tool to support their alcoholism.
After adding some final details (and shameless sharing on Facebook and Instagram), the contest started. The first few comments were basic answers as I expected. However, as time went on there were a few that caught me by surprise.
One commenter stated that her favorite Sailor Scout was Uranus (Haruka). Uranus was the first positive queer icon she saw on TV – and seeing her as such helped shaped sexual identity.
There was a fan who revealed that as a child, she imagined herself as Sailor Moon to help her get through an abusive childhood. During the time of her abuse, she would pretend that her parents were monsters from the Negaverse and that as Sailor Moon, it was her duty to defeat the monsters (her parents). She went on to say that being recused from her parents felt like she was Sailor Moon being recused from the grasp of Prince Demande.
On the lighter side, a Sailor Moon cosplayer revealed the reason why Sailor Moon is her favorite because she aimed to be like her: caring, loving, and a supportive friend to all. She took the (rather cheesy) Sailor Says PSA took heart and let them mold her into becoming a better person in life.
After reading these comments it hit me: The Sailor Moon brand touched so many lives. The series gave power to these fans; may it be to do better with their lives, inspire them to do good for others, or help them through troubling times. It’s not uncommon for fans of fictional media to have a favorite character based on traits they see in a character they relate to. For some Sailor Mercury fans (like myself), they connect to her because they might have been bullied and outcasted during childhood for having great grades and/or spending time reading books. Seeing a superheroine like Mercury reading books made their childhoods a little easier, and inspires them to hit the books – regardless of what their peers may think.
It’s goofy to say, but these Sailor Scouts empowered us. They inspired us to do better or to find ourselves. This I believe is why the Sailor Moon brand has a strong, 25 yearlong following – netting new fans every day. I wonder: did Naoko Takeuchi ever thought she would create such a legendary and empowering series when she started creating the series back in the 90s. I wonder if she’s proud and happy that she made such an impact on the lives of her fans because of her brand.
If you’re out here reading this article and you have a brand, please – keep working on it. You never know if it could help people and make them a better person.
Title: Mechanical Madness: Clash of the Artificial Humans!
Summary: Nearly 25 years after the Cell Saga, brother and sister duo Androids 17 and 18 unite in combat once again! Ordered by Mosco – Universe 3’s God of Destruction – Panchla, Borareta, and Koltsukai start to hunt down the Android twins. Unmoved by their oncoming attackers, the Androids smirk at each other before charging at the threat with such great and furious offense. They appear to show dominance over the robots but…
Producer: Hiroyuki Sakurada
Storyboard: Masanori Sato
Planner: Kōzō Morishita
Script: Hiroshi Toda (Scenario writer for the TV special Dragon Ball Z: History of Trunks)
Animation: Yuya Takahashi
Music: Norihito Sumitomo
What do you guys think? I’m excited that Androids 17 and 18 are teaming up again, it makes me excited. The term “Gattai” (lit. “Combine”) is used in many classic mecha anime and Super Zentai . With Kale and Caulifa fusing into Kefla from this past episode 114, I wouldn’t be surprised if Panchla, Borareta, and Koltsukai fused into a super robot. Given Toriyama draws influences from Super Zentai shows and sci-fi movies, seeing those robots fuse is not out of the realm of possibility.
Also, if you believe any of this, well good sir or madam, you’ve been duped. You deserve to be fooled by misleading and false information on anything Dragon Ball Super related. I hope you’re tricked by clickbait articles and vlogs from the likes of Blasting News and Double4Anime until the end of time.
Seriously. There’s no source from any official websites or trustworthy members of the Dragon Ball community. As Akira Toriyama famously said in a May 2013 JUMP Magazine interview:
‘Do not believe anything you read on the internet about my works, upcoming projects, and episodes from unconfirmed, unofficial, and untrustworthy sources – even if they list staff members from Toei. They’re trying to trick you into giving them your views. To be blunt, I’m sick and tired of the misinformation in the community and fanbase.
As a person who brutally reviews and talk about anime with joyful smite, you come across people who get mad at you because you don’t like an anime they enjoy. Shoot, you don’t have to be an anime reviewer to run across these folks. You know, the people who go “Turn your brain off and enjoy the show!” or “You’re not allowed to talk about a show you like” and my personal favorite, “Fuck you, you darkie for trashing my waifu this is why you blacks get shot by cops and lynched!”
Anime fans are goofy.
I don’t see the idea of getting all in your feelings over the negative opinions on an anime. I get it: you invested endless hours on a show. I know what it fell to fall in love with a character that you have a personal connection with. That’s cool. What’s not cool is being all mad because somebody said something like “I don’t think this show wasn’t that good.” or “This show was trash.” They just didn’t feel the show the way you did; that’s okay. You cannot expect everyone to think your favorite anime is awesome as much as you. You cannot hold everyone to your standards when it comes to appreciating every show this medium has to offer.
You will be disappointed.
If you come across somebody who says “This show suck” or something, just ignore them and move on. You are confident (I hope) with the show’s enjoyment level. You love the show. Why does it really matter if others don’t like your favorite show? Why do you get in your feelings because somebody negatively review a series you enjoy? If you get all angry over the opinions of others over a cartoon that you did not even create, you need mental help. Like forreal. Does Wit Studio send you a Chise Hatori cosplayer to give you head for every 20 time you defend The Ancient Magus’s Bride? Let me know because I would totally defend Touhou Project to get head from a Junko or Yukari cosplayer. Space MILFs and older gap women are two of my things. But really, what is the point of defending your favorite show against somebody who will never change their opinion about it?
Let’s be honest: Everyone is critical about something. You included. It’s human nature to judge something and either have a positive or negative reaction to it. Anime is not excluded in this. I bet you there are many shows that you’ve watched and did not enjoy. Don’t bullshit me. People who say they’re not judgmental on any anime are full of shit. We all have anime series that we don’t’ like enjoy. We all have shows that we love to bash. I bet you there’s a show that came out this Fall 2017 season that you straight up hated and spent your precious time talking shit about.
To conclude this little rant, people won’t like your favorite show. Deal with it. If you love a show and somebody else doesn’t, that’s on them. The simple fact that you like that show should be more than enough for you to not be bothered by somebody else’s negative opinions. You need forreal help if you get angry about it.
Warning:Blood, gore, spoilers, bad grammar, and no direction in the post I needed to capitalize on the Halloween Holiday before it ended. You’ve been warned.
Happy Halloween everyone! While some of you guys are out partying and drinking, I’m out here working. While ya party, I work and get shit done like a real nigga. Real niggas do real shit. We ain’t out here partying like ya broke ass lames!
…okay, I’m not out here making moves. I wish I could go out tonight and get drunk in a costume. Being a responsible adult working a full-time job is suffering.
Since it’s Halloween, I decided that I should talk about my one of my favorite anime horror characters: Shion Sonozaki from the anime series Higurahsi no Naku Koro ni. We’re first introduced to her in episode 5 of Higurashi with her all cheerful and laughing that she made Rika stab herself to death (Great first impression dear, you made a child commit suicide). She doesn’t seem fazed that Rika’s blood gotten all over her. Heck, I say she even seem interested in the whole “Rika Is Killing Herself Again!” thing. Granted, she was dressed like Mion, and everyone thought it was Mion doing all the killing but we’ll get back to that later.
Anyway, before that whole Shion snapping and killing people because she couldn’t ride Satoshi’s dick anymore thing happened, we see her at work at Angel Morte as a cosplay maid or some shit. Shion seems like a normal girl. There’s nothing off or strange about her. She’s nothing like her twin sister “crazy” ass (with that whole Mion trying to inject Keiichi with “drugs” an arc earlier). While Mion is more headstrong, rough, a bit boyish, and traditional, Shion is mellow, chill, has feminine charms, and a bit of a rebel (she did escape her from her boarding school and was dating a boy who her family members hated).
She also can be a bit…scary. I mean, it’s Higurashi who isn’t a little scary or crazy?
But hey! Shion isn’t crazy or scary at all, right? She’s just a normal girl who likes doing normal things. Normal things such as teasing her sister, falling in love with a boy, sneaking into a holy shrine with a built-in torture chamber, and beating the shit out of her crush’s little sister. Normal things that every girl does at her age during the 80s.
Beating the shit out of your crush’s little sister isn’t normal, ain’t it?
About that. One lovely summer afternoon during school, Satoko spilled her lunch all over the ground. She starts to cry for her brother Satoshi and Shion gets all in her yandere feelings. Rather than helping the poor child (who clearly was stressed out due to a lot of abuse at home) to win dick points with Satoshi, Shion channels her inner R. Mika off Street Fighter Alpha 3 and throw Satoko across the classroom. Satoko, rightfully terrified, calls out for her brother to save her. Shion gets enraged and starts throwing shit at Satoko. As she tells her to go suffer and die alone, Shion picks up a chair and threatens to cave Satoko’s skull in, but is stop by Rika, Rena, and Satoshi.
And that boys and girls, was any and all chance of Shion getting with Satoko. I get having crushes. Crushes are cute. Crushes are fine. Hell, I have a crush on somebody that will never grow into anything serious. But crushing a 10-year-old girl’s head in to get with her brother won’t get you laid – it’ll only land you in jail for murder. Also why the fuck was Satoshi still fucking with Shion after the fact she beat his sister’s ass. Like bruh, crazy pussy is amazing pussy but it ain’t worth it in the long run.
I digress. Remember how I said that Shion is a bit of a rebel in her family? So Higurashi season 1, Shion wasn’t really supposed to get close to Satoshi because Satoshi’s family doing that pro-dam bullshit. She also didn’t suppose to sneak out of her boarding school either. Her family got word on both things and fun stuff happened to her; like her nails being forcibly removed from her fingers one-by-one (well three but eh). That didn’t discourage her from wanting to be with Satoshi. She’s loyal.
Speaking of Shion’s loyalty towards Satoshi, she even covered his ass when he was a suspect in the murder of his aunt. Shion made up an alibi for the nigga. She stood up to him when Oishi tried to bring him in for questioning as well. And then later Satoshi “disappeared”, Shion got angry, and horrible things happen to a lot of people. Shion kidnapped Mion, their grandma, Satoko, and some old dude and killed them one-by-one (watch/read Higurashi I ain’t obligated to explain shit).
Oh and after killing Satoko, Shion remembered that Satoshi told her to watch over Satoko if something would happen to him.
Yeah…Shion fucked up. Bad. But hey! At least in the Beyond Midnight manga arc, she became a total sexy badass adult of the future whose total older woman waifu material…even if it was just Shion’s body being controlled by the ghost of her dead sister in an alternate timeline. Still, Shion truly shines in that arc and it was nice to see her portrayed as a hero after watching her villainess yandere bullshit in the anime and visual novel.
However, her heroism wasn’t just a manga exclusive. In Higurashi Kai, we’re treated to a kinder, gentle, big sister Shion. Kai Shion is way mellower and chiller compared to question arc Shion. Yeah, she’s still pretty pissed about Satoshi’s disappearance, but she ain’t bloodthirsty about it. She even starts to treat Satoko like a little sister she never had (as opposed to treating her like a punching bag and pin cushion). Shion loves Satoko and is willing to do whatever for her – even if it means killing her abusive Uncle.
Shion may have chilled the fuck out, but she still has problems with her temper and anger issues. But this time she isn’t going around plotting to kill people in cold blood. Shion wants to kill Teppei to protect her little sister. And really, can you blame her? Yea? Okay I get you, she was kinda sorta on some premeditated murder type shit with Teppei so…
I guess this is the part where I explain why Shion is one of my favorite anime characters. To be honest, I hate most yandere characters. Hell, I’m not really a huge fan of the dere-archtype unless the character has a great reason to be dere (such as Hitagi off Monogatari being a tsundere because of abuse). Shion gets a “pass” for being a yandere since her family pretty much rejected her for being a twin or some shit (it’s been a while since I last watched Higurashi I forgot). Then, she had to deal with that bullshit from her family because she was in love with Satoshi. There’s also the fact her family sent her away to boarding school.
Okay. Maybe she does have her reason to be a yandere.
I admire Shion’s rebellious spirit. I’m not a guy who likes tradition (especially Christian traditions — long stories lol). Seeing Shion marching to her own beat and doing her own thing, rather than to do things to please her family, reminded me of me. I don’t get traditions. I rather do my own shit.
There’s also Shion’s anger. While her anger wasn’t justified at all in the question arc, I totally understand her anger when she found out Satoko was being abused. I feel her on her wanting to kill Teppei to save Satoko, and not rely on the justice system to make a move.
Overall, Shion is a cool character whom I would love to go more in depth and analyze her character in the future. But for now, I’m going to end this here so I can spend the rest of my Halloween evening watching horror animu.
The 2018 convention season draws near. You’re always broke from spending $500 on half-naked anime girl figurines. You love to spend $300 on anime Blu-rays, but somehow, you don’t have enough money for a convention. Do you think your mommy and daddy are going help you pay for your weeaboo dress-up festival? Of course, they’re not! You’re a grown man (or woman) now. Just like your friend whom you borrow money from for cons, they’re tired of funding your hobbies. Maybe you’re not broke, but you suck at money management. You’re the type of person to not have their priority together and splurge your cash on useless crap.
Because I’m a nice person, I’ll teach you how to get your money right. I’ll promise you that with my guide, you’ll have more than enough money saved up for you next convention adventures. It’s my duty and ethical obligation to help my fellow nerds stack money for their passion.
My guide is not for you begging ass, broke ass nerds (who always mooch off their friends). This is not for people who refuse to make money on their own. This guide is not for skeptics who believe saving money is impossible. Go away. You’re wasting my time and yours – but mostly my time. Do you tend to blow a check, or dip into savings for wants, rather than needs and raining days? Good. Get the hell off this guide – people like you will never learn. My advice is only for those who are serious about saving and getting their money right. I only help people who are willing to better themselves.
If you’re still here then that means you’re serious about wanting to save for conventions. Let us begin.
Obtaining a hotel room should be your utmost priority (next to buying a badge/pass). There are two categories for convention hotels: The main hotel(s); where most of the action takes place, and the secondary Hotel(s); for those who want a cheaper option and/or avoid crowds. The main hotel’s full price can range from $230-$1500 depending on the convention, location, hotel brand, days etc. Secondary hotels range from $180-$1000.
Most conventions hotels will accept room bookings about eight (8) months in advance (before con starts). Normally, the convention’s social media team will provide an update on when this will happen. Once they give the dates for room bookings, you want to start stacking up immediately.
Let’s say that you want to book with the Waverly Hotel (the host hotel of Anime Weekend Atlanta [AWA]). The hotel will allow room registration on October 3, 2017,* (the time of this writing) and the convention starts on September 20, 2018. The total cost of staying at the Waverly for four days is $700. This gives you about 50 weeks (or about almost 12 months) to stack. Ignoring assets and other forms of income, let’s say you get paid bi-weekly. You’re given 24 paychecks prior to saving if you’re working a regular 9-to-5.
Let’s do some math.
$700/24= $29.16. $29.16/2 bi-weekly paychecks = $14.58 $14.58 is how much you need to take out of your check a pay period. Put the $14.58 in a savings account (or any other accounts you do not have normal access to). If need be, consider opening a new bank account separate from your main one. If you bank at Bank of America, open an account with Commerce Bank, and then deposit the hotel money in that bank. Destroy any and all credit/debit cards linked to the bank – you do not want to spend any money on that account. Repeat until you reach your target goal.
(Please note that many banks are different with their savings account. Some may require you to have a minimum amount of savings to keep the account open.)
What if you’re splitting a room with four people (you included in this four)? Well, that’s simple! $700/4 people = $175 per person. Take your $175 and divide it by 24 checks. That’ll equal to $7.29 a check that you need to put aside.
Regardless if you’re alone or with a group, keep taking the money out of your check and stack it up until it adds up to the total amount of what you need. Remember not to touch it until it’s time to transfer your funds into your checking account, or when you need to give the money to whomever the name is on the hotel’s bill.
With the hotel taken care of, it’s time to tackle your badge situation. Now, should you save up for a badge, or go all in and buy one ASAP? That is dependent on you and your situation.
(*NOTE: AWA has yet to accept room bookings at the time of this writing)
Is it better to just go all in on a badge and pay for it now? Should you stack up for badge overtime and buy one in the future? Let’s go over each option and decide which is best for you.
Let’s say the badge is $45 at its cheapest (usually the first tier of pricing). If you can spend $45 and not be hurt by it, then go for it. Yes, you’ll lose money, but you won’t lose time waiting for your badge in line at at-door registration. Trust me: Losing time is worse than losing money. Money, we can gain back – time, we will never recover. You’re investing $45 in extra time – extra time you can spend on panels, autograph lines, chilling with friends, etc. To be quite honest, that’s a win-win.
Losing both time and more money is lose-lose.
So you can’t afford to invest in a badge quite so soon. That’s okay; you can stack up to the desire tier pricing. Maybe you want to save up for the second tier that’s coming up in two months. Or perhaps you want to wait and save for the final tier before online registration ends in six months. That’s cool. I can work with you on either or.
The second tier badge price starts at $55, the price increase will start on December 3rd, 2017. This gives you four paychecks until December 3rd. 4 paychecks divided by $55 equals $13.75 ($55/4=$13.75)
For the six months option (October 3rd to March 3rd): 12 paychecks/$75 = $6.25 a check. Again, just like your hotel money, place this money in your savings and do not touch it until you hit your target goal.
How you will get to the convention is up to you, and it will be different from person-to-person. Sadly, humans cannot teleport, so you must figure out a mode of transportation. This section will be broken down into four sections: Air, Road, Rail, and Public Transportation/Ride Share
Admittedly, I have never traveled to a convention by air. From what others told me, it’s best to book your flights as soon as your hotel and/or badge. I would personally put aside around $100-$200 a check for about 8-10 months if you have 100% confidence that you’re traveling by air. You might go a little over your target goal for the tickets, but it’s better to have more cash than what you think you need. Do not delay as airline tickets will increase their price as your departure date draw nears.
It’s not wise to wait.
In general, you want to book your rail tickets (such as Amtrak) months in advance. I say that you want to buy your train tickets around the same time you booked your hotel rooms and/or badge. The sooner, the better. Why? Because you don’t want to waste more money as time passes. Use the same method for booking and saving money for an airline flight as you would use for plane tickets as mentioned above.
CAR: This will depend on how far you’re traveling, your car’s MPG, and how many people you have riding with you. A trip to STL to CHI will cost you around $60-90 in gas. From STL to ATL will cost you $90-120. Again, this is dependant on your car and the people riding/driving with you. I would start saving up for gas money about three months before the convention.
Let’s take St. Louis to Atlanta as an example. When traveling with my friend to ATL, he charges me around $40 for the trip. I put aside about $20 a paycheck a month prior to us heading to Atlanta.
I really hope I don’t have to break down this simple math for you guys.
PUBLIC TRANSIT/SHARE RIDE: If you need to use public transit, taxi services, or a shared ride to get to a con, please research what bus, train, etc. you need to take for the convention. Bus and train fare will be dependent on the city you’re in, as well as share riding to a convention. In general, I say put aside at the $10-$30 for your choice of public transit and share ride a month before the convention (if need be).
If I know I’m doing a $20 Uber to get to my convention hotel, I put aside $5 from each paycheck about two months prior. So $20/4 bi-weekly checks = $5 I need to put aside.
Don’t forget to tip your driver. Don’t be a cheap ass.
You gotta eat and stay fueled up. Ever danced at a rave on an empty stomach? It’s not fun. Fast, cheap food or dine-in at a high-quality restaurant? Cook your own food if you have a kitchen suite? Again, this section depends on your budget and needs. If you’re planning on eating out in fast food places, your budget should be around $40-100. Are you planning on eating out at non-fast food places? You want to save around $130-200. If you’re cooking your own food, I say around $60-200 depending on how many people you’re feeding. Before I forget, you should have about $20-40 aside for a snacks budget just in case you’re walking around the convention center all day and you need lite fuel (such as cereal bars, fruits, etc.)
If I’m planning on eating out at fast food places, I place my budget at about $60 for the convention weekend. Knowing this, I give myself a month before the convention to put aside $30 a paycheck until I hit $60.
When I’m in Chicago for Anime Central, my friend, his crew, and I go to Hofbräuhaus for one night and dine in. Knowing that he preps for this dinner, I put aside around $40 two months prior. Two months gives me four bi-weekly paychecks. With this, I put aside $10 a check until I hit $40 and keep that $40 in my savings until it’s time to transfer my funds into my checking account.
This section is optional and you don’t need to party to have fun at cons (but it’s better that way). If you’re like me, then you’re about convention partying life. Therefore, this section is for you. In all honesty, this varies from person-to-person and their needs. If you’re just going to one party, you may need just one or two bottles, a few mixers, and a case of beer, which will run you about $35-$75. If you’re hosting a room party, then you may need to spend about $150-$1200. Feel free to check out my “So You Wanna Host a Room Party” article for more information.
I usually wait until after I check into my hotel and have everything ready before I buy my liquor. You do have those people who love to drop out of the hotel room at the last minute. That extra money could help in a situation. It does suck though.
Boy does it suck.
But you can make it not suck by stacking up six months prior to the convention if you’re 100% sure you’re hosting a room party. I’m projecting that my room party for Anime St. Louis* 2018 will run me $600 in alcohol, mixers, and other goods. Given my room party will be on that Saturday (May 5th, 2018), I must plan on saving my money aside for the party on December 5th. For two weeks up to May 5th, I will put aside $50 until I hit my target goal.
$600/6 months = $100 must be saved each month.
$100/2 bi-weekly paychecks = $50 taken from each check.
Of course, your room party budget will be different from mines. This is just an example of breaking down the math and planning.
*Disclaimer: I am not hosting a room party for Anime St. Louis 2018. Do not come up to me asking if I’m running a room party. This was just an example.
Adding it all Up
We have the numbers; now let’s add them all up. The total will be your target goal for savings. Below is an example based off my personal funds for major conventions, so your numbers will vary. Some will save more money than I. Others will save less. This is all dependent on the conventions you’re going to as well as funds and time.
TRAVEL (Road): $40 for my share of gas money
PUBLIC TRANSIT: $6
PARTY GOODS: ~$120
I’m going to take that $971 and divided by 11 months (until Anime Weekend Atlanta).
$971/11 months = $88.27 I need to put aside each month until the week before AWA for 11 months. By going bi-weekly paychecks I can put aside $44.13 per paycheck. This does exclude any forms of secondary sources of income. Applying my other sources of income to build up will make me reach my goal faster and earlier. This is giving or taking some items away (such as badge and alcohol)
Tips on Making (More) Money
Conventions aren’t cheap; that’s not a secret. I know people are struggling to make ends meet as well as putting towards their hobbies. It’s a cash drain, believe me. I understand. However, you can always make extra money to add to your funds. I’ll break down a few simple and easy ways to make extra money for you to use for the con.
WORK EXTRA HOURS/USE PTO
This is the simplest way to gain extra money. If you see that there are extra hours or shifts to be picked up at your job, jump on that chance. Does it suck that you have to give up free time to make more money at the job? Yes. Is it awesome to have a little bit of extra cash in your pockets for the convention? Yes. Go through some hardships now so you can have a better time later. If those hardship means working more hours at a job you don’t like, so you can go to a convention and escape from the workforce for a few days (or even work on your business AT the con), then do it.
If your job allows it, you can use your Paid Time Off (PTO) hours that you’ve stacked and use those hours on your off day. Then, when you get paid, put the PTO money into savings.
SELL/FLIP PRODUCTS ONLINE
Do you have old video games, comics, mangas, etc. laying around at your house that isn’t of use to you? Sell them on eBay to make extra dough! After you research and study the value of the items you want to sell, just create a listing for them on eBay, Amazon, Craig’s List, etc. You can either sell your own product if you have your own business or flip other people products. I personally flipped items from Loot Crates to gain extra cash for funds.
SELL DRUGS/INVEST IN A DRUG DEALER
Don’t do it. You’re not a dope boy/dope boy investor in college anymore. If you are a dope boy then all I have to say is be careful and watch out for the haters and fake friends.
…Althrough you could sell drugs to the partiers at conventions to make extra cash. Just a thought.
INVEST IN A LEGIT BUSINESS Your homeboy is a real estate investor or owner and has a great track record of returns on investments? Invest with him.
If you need more ideas to increase your income or have a new source of income to fund your weeaboo hobbies, I recommend the following, as they have helped me with increasing my income and manage my money:
Saving money for conventions shouldn’t be so hard. Yet, so many weeaboos struggle to do so. Sometimes, people attend conventions without a budget or money at all! Having a budget and money saved aside will help you out in the long run, as it’s nice to have extra money. Not having money at a con isn’t fun. Nobody will help you out – it’s up to you to have cash. With this how-to guide, I hope you learn how to save and manage your money for future convention events. I believe everyone should have money save up to maximize their fun at cons. Start saving now! Do not wait until it’s less than a month before the convention to save. Apply what you’ve learned from this guide for the future!
Besides, nobody will feel sorry for your broke ass. Get this money and save it.
Soo…I’m currently “The Prince” by Machiavelli and I am utterly confused by it. Was this dude a psychopath? Am I suppose to deeply analysis his ideas and interpret them in a special style. Cuz this dude is confusing and he was clearly fucked up in the head.
Don’t get me wrong, this is a good book and it making me interested in politics and power, but there’s a good reason a Dark Triad was named after him
Episode 112 of Dragon Ball Super has me thinking; Frieza will be the one to defeat Universe 6. You may be asking “How so? How can you be so sure?” Well, this odd theory I have comes from the fact that the final warriors of Universe 6 are made up of two Saiyans and two Nakemians. And as well all know, Frieza has a fantastic history with members of those races.
Frieza hates Saiyans. I’m talking your racist neighbor getting mad every-time he sees those “illegal” Mexicans across the street level of hatred. The mere sight of those uncivilized monkeys fuels Frieza with great, furious anger. Frieza wants nothing more but to kill any and all Saiyans – even if they’re from another universe. Frieza mentions to Cabba that wants to play fun with Kale and Caulifla. Frieza, he’s a fan of games with full cooperation from others. Those are his favorite type of games after-all. Like the classic chocking game. That’s a game where Frieza wraps his tail around his buddy’s throats, and starts squeezing the life out of them until they choke to death.
He’s also a fan of the game “Shoot people’s pressure points with non-lethal Death Beams Barrages until they’re begging for the sweet release of death.” I think Kale and Caulifla will become great fans of those games. It’s going to suck when Frieza decides that he’s bored and stops playing with them. Maybe he might bring them back with the Super Dragon Balls if Universe 7 wins. Plus, having two Saiyan monkey girls just means he’s respect diversity and equal gender rights in the work place!
Diversity quotas don’t fill themselves now.
Now, let us imagine Frieza meeting the Universe 6’s Namekians. Just picture his joy! He’ll become so happy that Universe 6 has Namekians too! Frieza will get all warm and nostalgic – reflecting on his youthful days of Planet Namek. Days where he made those green people bow at his feet. Ahh, that was a great period in his life. Shooting Dende in the head. His troops hunting and killing the lot of them. Ripping that one Namek who look like Piccolo arm off. I think his name was Nail or something I dunno they all look alike. Frieza strikes me as a fellow who loves reliving his glory days of being a ruthless dictator on Namek. I mean, look how happy Frieza was when he was healing Goku. It brought back lovely memories of Namek. I hope him meeting those Nameks of Universe 6 will re-spark that happiness once more.
Here’s where my theory comes to play.
It’s strange that the final four warriors of Universe 6 include members of two races that Frieza has a past relationship with. In the past five episodes or so, Frieza was given some shine story-line wise. We can assume that Toei wants to build some focus on Frieza, the Saiyan girls, and the Namekians (whom were given a little shine in Episode 111). Before I forget, let me bring reminder you that universes who were shown to have low numbers (sans Universe 11) were doomed to erasure (as we’ve seen with Universe 9 and 10).
See where I’m going with this?
I predictthat in the near future, Frieza will take out the Saiyan girls and the Nameks. Therefore, with their elimations, Universe 6 will be erased. They’ve lost their leader and strongest warrior — Hit. Their morale is low. Frieza’s hatred for Saiyans has no bond. He also doesn’t take too kindly to Namekians either. I may be wrong, but I think Toei is hinting that Frieza will be the one who will slaughter Universe 6.
That or this all a red herring from Toei. The Namekieans are going to get a Toriyama handjob, the Saiyan girls are going to get a Toriyama finger bang, and get an asspull powerup and defeat Frieza and we’re all being mislead by Toei and Trollriyama.
You only get one shot. If the first episode of an anime doesn’t impress me, it’s getting dropped. So, did My Girlfriend is a Shob**h impressed me in its first episode?
It’s often said that the best way to court attention is to generate controversy. Companies and brands understand this well. Let me use some examples real quick. During the 2000s, Rockstar Games used the negative press of their Grand Threat Auto series as a positive in order to boost sales. It worked in their favor. Vince Mcmahon, CEO of the World Wrestling Entertainment (WWE), saved the company with the Attitude Era; a controversial period during the late 90s that used politically incorrect and sexual themes aimed at adults. Hell, there’s a certain notorious cosplayer right now gaining attention through controversial lewd cosplays.
So, when I first heard the title My Girlfriend is a Faithful Virgin Bitch, my eyebrows rose a bit. The title alone was enough to grab my attention. “Jeez, Japan. You guys are getting bolder.” I told myself. For real, who goes around calling their girlfriend a “faithful bitch”? I’m not a domestic violence expert, but I’m sure that’s a red flag for an abusive relationship. I mean, congrats on finding a girl who ain’t fucking other dudes behind your back, but did you really have to call her a faithful bitch?
With a controversial title like that, I had to do some research on the anime. I went to My Anime List and some anime pages on Facebook to gain some knowledge on Shobitch. Fans of the original web manga were going around telling others not to panic!
“It’s not like all other trashy, horrible romcom anime out there today! Shobitch is different!” One zit face ridden weeb stated “Shobitch is not bad at all! It’s funny and cute! Don’t take the title at face value.”
For a second, I had faith in this stranger’s words. Maybe he’s telling the truth, and Shobitch isn’t like all the other romcom anime series out there. The title is just something to bait people into watching it. I should give it a chance. Just because the cover art shows the main girls looking at a banana, commonly used as a phallic symbol, doesn’t mean this anime is going to be ecchi trash. Have faith in these weebs, Benjamin!
…And then I remembered why I don’t have faith in most anime fans.
I went to my favorite source for anime, pulled up Shobitch, and played the file. The anime starts with a boy and girl in their teens in some field lookin’ stupid. The girl speaks.
“I, right here and now…will raise my skirt and display myself to you.” Joy. Oh joy. Another romcom opening up with a panty sho- hold up! Did this bitch straight say she ain’t got no panties on? Am I 10 again sneaking into the living room at 2AM to watch that Wax-a-Million music video on B.E.T. Uncut?
But seriously. This anime isn’t opening up with a panty shot. It’s a straight up vag shot. A censored vag shot, but a vag shot regardless. Or maybe not, as the dude was dreaming the whole thing. Doesn’t matter, really. As I’ve stated before in my Hajimete no Galfirst impression review, if your anime opens up with panty shot, then you have no confidence in your work. So, if your anime opens with a girl flashing her vagina in the opening scene, then you should never work in the anime industry.
Just quit my man.
Dude wakes up and gets an eyeful of some girl’s ass. Great. I see where this is going now. Next, he spots his crush (the girl in his dream) and talks about her in some inner monologue bullshit that I don’t care for. Kosaka Whatsherface is her name. The guy wants to be her boyfriend. He plans to confess to her later that day. They meet up after school. He confesses and Kosaka accepts. Not only does she accepts, Kosaka tells dude that she’s gonna learn 48 different positions for him so they can have a good time.
“Benjamin. Abandon ship. Why are you torturing yourself by watching trash tier anime? Go play that Fire Emblem 4 romhack with those Touhou characters. Go watch better anime. Don’t do this to yourself.” My gut was trying to tell me to stop but I refused. It’s my duty, obligation, and responsibility to tear apart bad anime – no matter what ill results may come to me and my mental health.
I should have I listened to my gut.
The OP begins. We see Youmu Konpaku, err, Yuki Nagato, wait no, Kosaka Whatsherface (look, all silver hair, blue eyes anime, and video game girls look alike to me. I don’t care; I’m anime racist) half naked and dressing. As she leaves her house, the camera pans up to her skirt for a panty shot. At that point, I stopped watching the OP. I went on my phone to watch some fight compilation on World Star Hip Hop (WSHH) to past the time. As I’m scrolling through WSHH my eyes peep the TV screen to check if the OP finished I was greeted to Kosaka, completely naked, sitting on a cake. Oh, and she was taking a loud of white frosting on her face in a suggestive matter.
The OP ends and the episode resumes. We get some annoying brunette girl screeching, running down the hall and glomping Haru from behind. She’s followed up by another girl wearing some catgirl bullshit trying to take both of them back home with her like she’s Rena off Higurashi or something. Later, Haru daydreams about Kosaka. He debates if he should talk to her about her about asking her hobbies and interests.
To the surprise of nobody, Kosaka appears. Haru gets all giddy inside. He has a chance to ask her what she enjoys face-to-face. And hey! Kosaka has the same idea in mind. She wants to get to know her new boyfriend better as well. You know, it what makes a strong, solid relationship. Communication is key in these things.
You gotta ask your new boyfriend or girlfriend things. Things such as what they’re favorite color, what type of foods they love, who is their favorite music artist, and what do they like to do for fun. Oh! Don’t forget to ask what kinda fetishes do they have in the bedroom. Yeah, Kosaka asks Haru what type of fetishes he’s into for some odd reason.
…at least she’s thoughtful. I guess.
The scene transition to a boob gag to remind us that Kosaka is well endowed (as it wasn’t obvious enough in the OP). As she helps their teacher, she places her breasts on top of the books, and carry then them out. She then asks Haru if he’s a masochist because…I don’t know nor do I care anymore. In less than eight minutes, I could tell that this anime was just going to be terrible. It was at this point I started asking myself questions:
“Do I hate fun?”
“Am I secretly a masochist and is my pain kink is watching terrible anime?”
“Is this what they mean to turn your brain off and enjoy something even though its horrible?”
Besides this anime sucking, what also sucked that I drank all my alcohol from the day before (to relieve work-related stress). That bottle of Peach New Amsterdam vodka sure would have helped get me through this trash. Maybe being under the influence of alcohol would have made this a little bearable. Wait, actually no. It wouldn’t. It would have just me even angrier that I was wasting my time on such bullshit. Then again, in retrospect, Drunk Ben is smart enough to turn off this anime so he wouldn’t have to suffer any longer.
The next scene shows Kosaka eavesdropping on two girls talking about their relationship issues. Kosaka butts in. She tells the girls that the best way to get their boyfriend’s attention is to say “Nyan” after each sentence. Ya know, like one of ‘em socially awkward annoying high school weeaboos who wear cat ears all day. Her next advice to the girls was to not wear any panties around their boyfriends to make ‘em happy. Yeah. This is the character of Kosaka: A perverted airhead who think sex and being a catgirl will solve everything in the world. Kosaka is a tad bit off (as her peers states) Maybe she doesn’t know how a relationship work. Maybe she thinks sex should be a priority in it. It’s her first time having a boyfriend, so I should be a little merciful. But I won’t.
At was at this point I got bored with this anime. I simply turned off my TV, went on social media and started ranting about how terrible Shobitch is. After my rant, I dropped the anime.
I’ve concluded that I shouldn’t do these types of shows. Maybe there are good, romcom anime that isn’t utterly perverted (or the perverted jokes are actually funny) but I haven’t discovered them yet. My Girlfriend is a Shobitch isn’t one of them. The jokes doesn’t make me laugh (given I’m way out of pubtery I gues). Both main characters are utter idiots, with Kosaka being an airhead, monotone pervert. Her voice is as boring as the show. The only good things I can say about this show is that the animation is decent and the girl is more sexual forward in a genre where its the male who is sexual forward. Also, I will admit it was (laughably) cute to see Kosaka work hard to be a good girlfriend to Haru.
This show is getting dropped. I have better shows to watch and review.
First Impression score: 2.5/10
+The animation is decent
+Kosaka is a pervert rather than the male lead unlike most romcom shows
+It feels a little different from most romcoms
-Jokes weren’t funny
– Jokes were obvious
– Too overly sexual
-Episode opened with a vag shot
-Obvious harem set-up
-Fanservice transition shots
-Alcohol did not make this show better – only worse
-Kosaka looks like a lame ass version of Yuki Nagato off Haruhi
My Girlfriend is a Faithful Shobitch (c) 2017 Diomedea, Studio Blanc
Your father has finally given in! After years of belittling and disowning you for it, he wants to watch those weird, girly “Chinese cartoons” with you. Your football jock buddy has been curious about those anime cons you attend often. He wants to bang him a hot, but depressed/mentality disturbed cosplay girl. But he wants to watch some anime first (so he won’t appear like a total tool). Your African-American youth pastor just heard about this Bible Black anime and wants to know if it’s about Black people going to church (spoilers: it’s not). Your entry level weeb girlfriend has finally grown some taste. She doesn’t want to watch Dragon Ball Z or Sailor Moon anymore. She wants something more deep and artsy.
Suggesting anime to newcomers and casuals alike can be a difficult task. The world of anime is full of diverse shows begging to be watched. The effort to suggest a show to your normie friend might be overwhelming; as there are millions and millions of anime out there in this world. You can’t choose one over another to start them out with. You may be thinking “Well, I can show them the classics! Everyone loves the classics!”. You’re right. You can show them a classic anime series. Good luck with that though. Some people don’t have the time to watch 100+ episodes of a “classic” series (whatever that means). Your friend might not like a classic anime series like Fist of the North Star. The violence and length of the series might them him off.
You could try a short and sweet classic series. Like, let’s say High School of the Dead. It has that 1970s grindhouse movie influence with the violence, gore, and sex appeal. Yeah! That might work. Then again, you don’t want to show your dad an anime full of fanservice and big tiddy animu girls (it’ll give him clues on why you’re such a kissless virgin).
“But Benjamin! I can suggest Cowboy Bebop to my normie dad, right?! It doesn’t have high school girls being sexualized like HSOTD! It’s a modern classic!” Sure! You can do that. But what if they hate space adventure sci-fi series? They’re gonna be bored with Cowboy Bebop and drop it after five minutes.
(And you wonder why you’ll never have a great relationship with your father. No wonder he’s more proud of your sports playing older brother than he is with your Chinese cartoon watching ass!)
Now, do you see why it’s hard to suggest anime to non-anime fans? Many of you assume that they’ll like an anime because it’s a classic. No son, it doesn’t always work like that. But don’t fret! I, Benjamin “The Greatest of All Time” Snow, will use my oh-so-superior, borderline arrogant, and elitist anime wisdom to great use. I myself will help you suggest great anime to your non-anime watching friends. You can trust me; you guys already know my tastes are great (and if you don’t know, now you know). So, how do you go about suggesting new anime? Well, it’s real simple and easy.
Check this out.
The best way to suggest anime to non-anime fans is this: show them anime based genres, TV shows, movies, etc. they already like. That’s it. Seriously. It’s neither complex nor deep. Your dad, he loves the sport of boxing, right? He loves boxing movies such as Rocky and Million Dollar Baby. Get him to watch the classic boxing series Hajimete no Ippo by Studio Madhouse. Simple. Very simple.
Your brother, he’s a kung-fu film fan, no? He spends hours emulating spinning kicks and karate chops in front of the mirror. He idolizes Jackie Chan: the legendary martial arts master and actor. The classic martial arts adventure Dragon Ball is right up his alley! Dragon Ball was inspired by many kung-fu movies that Toriyama (a major movie fan) watched in his spare time during the development of Dragon Ball. Your brother might catch some classic kung-fu movie references in this epic series.
Is your friend a sci-fi nerd who loves long-running, story-driven space epics like Star Trek? Have him check out Legend of the Galactic Heroes; a series with vivid characters of various backgrounds. He might even enjoy the military and political narrative themes of Galactic Heroes.
Now, that wasn’t so hard, right? You just need research anime series that will match non-anime friend’s interests. Don’t suggest shows that you like – your friend may not like them. Remember: one bad experience with a show could turn them off from all anime forever. You don’t want that.
Now, what if your friend or family members are already casual anime fans? They have a few popular series under their belts such as Death Note or Naruto, right? Yet, they want to branch out to other series but don’t know where to start. I gotcha, it’s just as easy as suggesting anime to non-anime fans.
Since you have a general idea of what shows they like, you can suggest new series based around their favorites. If they like Bleach then, they may like Yu Yu Hakusho. If they like fanservice, have them watch Monogatari. Your little sister enjoys Sailor Moon? Have her watch Card Captor Sakura or Madoka next. Over time, you can show your casual friends more artistic, deeper anime such as Paranoid Agent or Ani*Kuri 15. It will take some time for your casual friends to get into series that aren’t considered mainstream. Be patient.
Before I go let me say this: Do not get offended if your non-anime or casual anime fan friend or family member doesn’t like the shows you do. If they like a show you don’t, let them enjoy it. Attacking shows that they like, or getting upset that they do not like the shows you enjoy only makes you an insecure little bitch.
Don’t be a little bitch.
(Note: The Shit Art Online image is for clickbait views only. Never suggest such a trash series to anyone it doesn’t deserve money or more fans.)
You only get one shot. If the first episode of an anime doesn’t impress me, it’s getting dropped.
So, did Love is Like a Cocktail impressed me on its first episode? As an alcoholic anime fan, yes. Yes it did.
(Warning: I was drunk when I wrote this)
Let me start out by saying that I feel personally attacked by this anime. I swear, this anime was created for somebody like me: a hardworking 9-to-5 employee with an addiction appreciation for liquor and spirits. I can relate to Chisato Mizusawa –the main female lead of this show. When somebody suggests going out to drinks or invites me over to their house for a fine cocktail or some beers, I get excited. Like Chisato, my lips parts as if I am about to sip on some Hennessy on the rocks. Mention alcohol and hanging out and I’m down for whatever. I match you a bottle or a case of beer.
Honestly, which hard working adult doesn’t enjoy an after work drink? May it be at a bar with a few friends, at the homeboy’s crib, or coming home to see your husband or wife treating you to a cocktail that they created themselves? Sora (Chisato’s husband) knows what he’s doing. This dude is a real husband. He treats his wife to a fine cocktail and dinner each time she comes home. Fellow men: this is the type of husband or boyfriend ya need to be, especially if your mate is a hard working woman. Real talk, if I ever get married, I want to be like Sora, man. Helping my wife feel better after a long day of chaos at the office or the gig.
Sora, you’re a real man.
Anyway, remember how I say I feel attacked by this anime? Well, like Chisato, I’m not really good with alcohol myself. Despite my love for booze, my alcohol tolerance is shit. A single cocktail can get me drunk? Yeah. That’s me. I can respect a tasty drink like Chisato. I mean, just look how happy she looks when she drank her husband’s cocktail, the Plum Splet.
Man, I gotta give props to this sho. They even go the extra mile by showing the viewers how to make the drinks so you can make them at home. That’s awesome to me, given I have a hobby for mixology. My only complaint is that they don’t tell you if you need to shake the shit in a cocktail or go into details on how to make it.
I also like how they show Chisato’s true personality show when she drunk with her “I get weird when I drink” line. And like Sora said, there are some people who can’t be themselves unless they’re drunk.
Kinda strange how alcohol work that way.
To conclude, I’m looking forward to this show. Chisato’s a cute female lead character whom I can relate to and I love her interaction with her husband so far. The mixlogy information is a nice ad that I did not expect and personally, its gonna help me out with my hobby with that. If you love a sweet romantic comedy and alcohol, then I recommend you watch this series.
With all the hardships she went through, I’m pretty convinced that Satoko is Higurashi’s punching bag (and it’s pin cushion). To say that her young life is rocky is an understatement. To start, she killed her own parents (whom she believed were trying to kill her) by pushing them off a deck. The village of Hinamizawa treats her like an outcast. Her uncle Teppei abuses and belittles her. Finally, her beloved brother (who would protect her from the abuse) is missing – leaving Satoko all alone in the world. Well, she has Rika, her best friend. The two are for each other greatly; as if they were sisters. The hardships they’ve suffered in young lives drew them closer to one another, creating a everlasting bond between the girls.
Rika and Satoko are inseparable friends.
One day, Satoko went off on her own without telling Rika (which alarmed her) and haven’t return since. She fears the worse – her Uncle returning to the village; therefore forcing Satoko to move back with him. Acting on this fear, Rika decides to confirm or deny her worries, and makes her way to the Houjou’s house. Rika arrives, with Satoko showing up behind her (who was returning from an errand at the “request” of Teppei). While Rika is relive to see Satoko “safe” and alive, she is shocked at her physical and mental state. Satoko appears drained. She’s not her normal, happy, and cheerful self.
Alarmed, Rika hits up Oisihi’s line. She requests to get in contact with her friend Mamoru , hoping he can save Satoko. However, Mamoru was away on vacation, ending her plan before it could start. Rika then decides to visit Dr. Irie and Miyo at their clinic. Rika figures she could convince the two to mobilize their personal militia (the Yamainu) to kill Teppei (in order to save Satoko, or at the very least, rescue her without violence). The two decline the request; stating that the Yamainu couldn’t move to attack due to the police investigating Teppei (he was the pimp of Rina, who was found murdered days prior). At best, they would have to wait until after the Cotton Drifting Festival to attack Teppei – which by then would be too late (due to the time loop).
The next morning, Rika’s classmates are asking why Satoko hasn’t shown up to school. Rika (who is visibly depressed) ignores them, but decides to inform Chie-Sensei on the situation. Chie-Sensei figures she should contact Child Counseling Center (an even worse version of the terrible real world child protective services [CPS] ) to see if they can intervene. Rika see this as hopeless, since Satoko filed false reports of abuse on her previous step-fathers, but Chie decides to take action regardless.
Chie visits the Houjou household in an attempt to talk Teppei into letting her speak with Satoko and get her back to school – which fails. Chie returns to the school, telling The Club about her lack of success. Shion goes off, demanding answers on why Chie backed down against Teppei. In her rage, Shion decides that rather than wait for the legal system to make a move, she would kill Teppei and rescue Satoko herself. She doesn’t want Satoko to suffer anymore hardships.
Shion attempts to leave but is stopped by Keiichi. He tries to talk sense into her, telling the girl that she’ll only regret killing him later. Shion ignores him and threatens to kill him first (if it means getting to kill Teppei). Mion tries to stop her but is quickly stopped by Rena. Rena has faith that Keiichi will calm Shion down and convince her to see the errors of her idea. Shion picks up a chair and smashes Keiichi’s head with, which calms her down. As Hanyuu attempts to cheer Rika up (since they’re able to prevent their friend from killing Teppei), Rika refuses to believe that things will resolve in a happy ending.
Rika’s depression and doubts reminds.
Later, Mion, Rena, and Keiichi discuss strategies to save Satoko without bloodshed. Rena mentions that she was scared that Keiichi was going to mimic Shion’s actions and ideas of killing Teppei. This is funny, given Keiichi actually did kill Teppei in a timeline before (which Keiichi tells the girls he had a feeling that she once did kill the him) They come up with the conclusion that it is best for them to fight without resorting to harming Teppei.
The next morning, The Club visit the CPS office to influence them to rescue Satoko. CPS tells everyone that they’re working on it, but Keiichi calls them out on their bullshit; Stating they failed to act upon the first reported case of abuse. He tells the case worker to not believe Satoko’s words, as she hasn’t shown up to school.
Reflecting on the situation at hand, Rika breaks down in tears. She starts to beg Keiichi to save Satoko and not give up. His words gave Rika courage and inspiration to fight.
Rika’s hope is restored.
‘Gift of the silver tongue. They say it’s the mark of a good officer.’ -Revolver Ocelot, Metal Gear Solid 2 (2002 Konami video game)
The next morning. Keiichi and The Club rally their classmates save Satoko. Keiichi – the magician of words – utilize his talents to convince everyone to save her. He reminds the class of Satoko’s suffering, unhappiness,and how much she needs them. Keiichi ends his speech by informing the class that CPS weren’t taking the matter serious. It’s up to them to fight for Satoko.
With his zeal, Keiichi is able to successfully recruit his classmates into his army.
With his unit, Keiichi marches forth to the CPS offices to negotiate against them. The two groups go back-and-forth, with Keiichi’s unit not backing down. Despite their efforts and emotional appear, The Club loses. Yet, they will not give up hope. They must regroup and try again. They can not give up. Keiichi’s unit needs the support of everyone, no matter what.
Keiichi gathers new allies from all over Hinamizawa.
After a successful night of enlisting new recruits, Keiichi and the others go over their new battle plan against CPS. As they talk, they’re surprise and relive that Satoko has returned to school. However, Satoko looks like hell: She show signs of physical, emotional, and mental abuse. Everyone surrounds her, happy to see her again, but thigns don’t seem right. Satoko lies about having a fever. Cleary a cover up for abuse given nobody asked if she was sick.
Keiichi questions Satoko, asking her if thing are hard for her, which she denies. Satoko then mentions her brother; Telling Keiichi while it’s hard for her, she must stay strong for Satoshi’s sake. Keiichi gives Satoko a friendly, yet sorrowful smile and praise her for her hard work. As a reward, he pats her on the head. Satoko starts to weep as Keiichi and everyone else reach out to her. They want to help their friend; they don’t want her to think that she has to suffer alone, but she refuses the help.
Until she has a trigger.
Satoko hears footsteeps in the distance. This alone causes her to have a panic attack (as she thinks her uncle was coming to hurt her again). They manage to calm her down with injections (to combat her HImiizawa Syndrome) and let her rest. Rika and Keiichi talk about what they should do. Rika reveals that Satoko was forced by her uncle to stay with him; as he threatened to burn and destroy Satoshi room. This enrages Keiichi, who now wants to kill Teppei. Rika manages to talk sense into Keiichi by calming him down. Keiichi regains his focus. At this point, they can’t afford anyone to lose it this far – victory draws near.
The Club regroups with new allies. They march back to the CPS. While talking to Hanyuu, Rika analyze the events leading up to this point. She realize that while she has been rooting for her friend, it was just at the sidelines. Rika was just a mere spectator, refusing to take center stage . She takes it up to herself to fight at the front lines. She plans to convince Satoko to admit to the abuse.
She can no longer just stand by and watch her best friend suffer any longer.
After the meeting, Keiichi receives word from Chie that they have stir up ill will from the elders who still hold a grudge against Satoko’s family (as they opposed the village during the Dam Wars). The villagers believe that Oyashiro will curse them for allying themselves with The Club, but Keiichi continue to fight undisturbed.
Keiichi stands up and steps up to the elders. He outs them for bullshiting around, preventing Satoko’s resuce, and letting the conflicts of the past impact the present and future. He gets bold – demanding the elders to tell him if they are his foe or ally. The rest of The Club then expose the elders’ connections with the government (as they were getting favors from them). They know that the elders don’t wanna lose that connection. Using this to their advantage, the Club forces the elders to play with their cards. Keiichi’s relentless spirit and logic works: He successfully recruits the elders to his side.
With the elders and youth in his army, there’s one more person whom Keiichi must convince to fight in his war – Oryou Sonozaki – the head of the Sonozaki clan: The elder who still harbors hatred towards the Houjo family’s past sins.
Keiichi confronts her. He presents his case to her in hopes that she’ll let go of her anger towards the Houjous for just a little bit to help Satoko. When she doesn’t bulge, Keiichi threatens to kill her and make Mion the new head of the family. This isn’t a smart move on our talented magican of words as Oryou threatens to kill him. Keiichi tries again, begging her to change her mind. She still won’t buldge but it isn’t hopeless. Shion and Mion’s parents seem supportive of helping Keiichi’s cause, which pisses Oryou off. Keiichi goes off on her once again, which doesn’t piss off Oryou but her daughter, Akane. Akane tells Keiichi to fuck off and return once he matured.
Keiichi’s effort (and perhaps his stupidity) pays off: Oryou agrees to join his side and save Satoko.
The next morning, CPS is bombard with phone calls from the villagers of Hinamizawa. The pressure and heat is on and the CPS office can feel it. Supporters from not just Hinamizawa, but other villages and towns join forces to express their concerns of CPS delaying efforts to investigate the case. Somebody even pulls up on the rally with a protest van equpired with speakers. The CPS director starts to freak out. He’s corner and knows it.
Victory is in sight…or so it seems.
Oishi pulls up on Keiichi’s protest. He informs them that their assembly is illegal and they must stand down and break up, or risk arrest. Keiichi refuses. They cannot give up. They’ve come so far and worked effortlessly. Surrender means defeat; not only for theme – but as Satoko well.
Inside the office, the director is planning to escape, but is thwarted. Central office is calling. Elder members of the Sonozaki clan have reached out physically to the central offices. Learning this, the director surrenders to the demands of the people. With the pressure on, he decides to take action and calls the Houjou household.
Meanwhile, Satoko is assaulted by Teppei…
After beating her, Teppei answers the phone. The director requests him to speak to Satoko, which he agrees to. Before handing the phone to Satoko, Teppei violently grips her shoulder and tells her to tell the director that they’re a happy family. He threatens to burn Satoshi’s room down if Satoko betrays him.
Satoko speaks with the director while Teppei behind her, installing fear in her. Keiichi speaks to Satoko first. He tells him how the village is rallying for her. He promises her that nobody will ever bully or harass her again, even if she is a Houjou. The same village that once outcast her and her family is now rooting for her. They want to see her safe and sound. For a second, Satoko ponders if there is any hope for her to live a happy life in the village that once rejected her.
Keiichi then puts Rika on the phone to talk to her best friend.
Rika reiterates Keiichi’s statement. She promises her that nobody will mistreat her again. Rika tells Satoko that she almost gave up, until Keiichi show her otherwise. Rika then tells Satoko that she knows that she was doing all of this to atone for her sins. She tells her that if she wants to make up for that the sins, t she must also ask for her friend’s help. It is the job of Satoko to reach out like her friends did for her. Rika hands the phone over to the director.
The director asks Satoko if there have been any problems with her and Teppei since she returned to live with him. There is a tense pause followed by stuttering from Satoko.
“He…He-help me!” At last, Satoko admits she needs help. She stands up to Teppei, telling her abuser that this is her and her precious “Nii-Nii” (older brother) house; she will do anything to protect it – even if it means forcing him to leave.
Teppei snaps. He slaps her, knocking the girl to the ground. He then picks her up from her hair and slams her to the ground, threatening to kill her. Before he can do further damage to her, the police force their way in, arresting Teppei and saving Satoko.
Satoko steps out of the house, greeted with the sight of her friends: friends whom all joined forces to save her. Satoko spots Rika, runs over to her arms and break down crying.
Satoko is finally free. With her courage, Satoko was able to stand up to her abusive uncle and confess she needed help.