I’ve been looking forward to Days 5 and 6 of this list. I love music. I love anime. This will be a challenge indeed. There are far too many endings songs I love that I can not possibly just choose one as my favorite. I’m going to do ten songs, five opening and five ending themes for each day and let you in on why I love them so much.
5.An Evil Angel and a Righteous Devil
Dragon Ball Super ED 8
Performed by The Collectors
With the Tournament of Power Arc introducing a new ending theme this week (Haruka by Lacco’s Tower), I thought it would be a great idea to start off this list with the Arc’s first ending theme. An Evil Angel and a Righteous Devil is my personal favorite of the Dragon Ball Super ending themes due to the political tone and themes of the lyrics and music video (choosing a side, deception, the tragedy of war, etc.), something I would never expect from a Shonen series such as Dragon Ball.
I’ve already given an in-depth analysis on the song in an earlier post, so please check out the link provided.
‘Angels and devils: even if the devils were really angels
Righteousness and evil would still hold no meaning
Winning or losing doesn’t benefit anyone –
Everyone is simply hurt, crying at the end’
Dou Kangaete mo Watashi wa Warukunai (lit. No Matter How I Look at It, I’m not Popular)
Watamote Ed 1
Performed by Izumi Kitta (voice actress of series heroine Tomoko Kuroki)
Great songs are the ones that are personal. It’s even better if find parallels in the lyrics to your own life or if the performance of the song matches the spirit of the song’s central theme. The first ending theme of “Watamote” captures this as voice actress Izumi Kitta’s performs as Tomoko the series socially awkward main character I coudn’t help but find a sense of similarity by listening to Tomoko sing about her inability to commute with “normies”, wasting her life online, and her loneliness.
I also couldn’t help but laugh as in reflection of my old days of being a shut-in weeaboo back in middle and high school – feeling superior to my normie peers.
…god i was such a special snowflake trash back in the day.
‘After all the time I’ve spent online
My voice won’t even come out after all this time
In rain or shine, it doesn’t change
Is that right?! It’s not my fault!’
Hiru no Tsuki (lit. Daytime Moon)
Outlaw Star ED 1
Performed by Arai Akino
‘This serene feeling…
Tell me, what’s the word people use for it?’
“This serene feeling”. It’s the feeling I had towards Hiru no Tsuki ever since I was a child watching Outlaw Star. Despite being ignorant to the Japanese language and the context of Hiru no Tsuki back then, I always felt this peaceful, yet sorrowful presence in Akino’s performance and in the song itself. 11-year-old Benjamin couldn’t quite tell exactly what or why the reason for the feeling back then but he knew that there was more to Outlaw Star than just the simple story of ragtag crew traveling through space finding treasure and collecting money.
Hiru no Tsuki fueled the feeling.
Emily Brown and Ayako Kawasumi’s (American and Japanese voice actresses of Melfina) performance of Hiru no Tsuki in Episode 21 (Grave of the Dragon) drove the sorrowful emotion point home with Melfina singing acapella – possibly reflecting on her longing to understand the purpose and reason on why does she exist; despite her artificial creation.
The pain in her heart.
‘Will the time come? When you will know the pain in my heart?
Then you’d be able to be gentler than you are now.’
Ride on Shooting Star
Fooly Cooly ED
Performed by The Pillows
Ride on Shooting Star doesn’t make sense. You can not make sense of it, no matter how much you want it to. It’s confusing. It’s crazy. It’s nonsense. It’s perfect for FLCL!
Think about it: Fooly Cooly is a crazy and outlandish anime series. You know what else is crazy and confusing? Puberty – and the changes that it brings. Unexplained changes and experiences you did not understand at all as a teenager. What’s one of Fooly Cooly’s creative themes? Dealing with puberty and not knowing how to deal with it. That’s why Ride on Shooting Star is perfect as the series’s ending theme. It doesn’t need to make sense and that’s why it’s perfect.
‘Ride on shooting star
With the voice of my heart, like a shotgun
I kept on singing’
The Real Folk Blues
Cowboy Bebop ED
Performed by Mai Yamane and The Seatbelts
‘THE REAL FOLK BLUES
I just want to know real sadness
Sitting in the muddy river, this life isn’t so bad either
If it ends once.’
The lyrical music of Cowboy Bebop is of an expansion of the series’s story beyond simple background atmosphere. Cowboy Bebop is heavily influences by music so it shouldn’t be a shock how the music in the series work in synergy for the narrtive of Cowboy Bebop with songs such as “Rain”, “Blue”, and ending theme song “The Real Folk Blues”.
Spike’s tale is that of a depressing, saddening one. While there are many things about Spike and his past that we may never know, we do know and are aware of the sad realities of it. One could consider The Real Folk Blues as additional information on Spike, with lines in the song such as “The despair that grew out of hope
And this chance with a trap laid in it “ and “How long must I live to be healed?”.
Well, I hope you’ve enjoyed my top five anime ending themes! What are some of your favorites? Please tell me in the comments below and see ya later!
I’ve been looking forward to Days 5 and 6 of this list. I love music. I love anime. This will be a challenge indeed. There are far too many opening songs I love that I can not possibly just choose one as my favorite. I’m going to do ten songs, five opening and five ending themes for each day and let you in on why I love them so much.
Keep in mind that there’s order to this list (although number one is based off personal bias)
Dan Dan Korko Hikareteku (lit. Bit bv Bit My Heart is Charmed)
Dragon Ball GT OP
By Field of View
There are only three good things about Dragon Ball GT – the animation, the new ideas presented (that were poorly executed sadly), and the music. When I’m talking about GT’s music, I am not speaking of the horrible American original soundtrack (OST). And I’m especially not talking about horrible attempt at hip-hop that is “STEP INTO THE GRAND TOUR” trash (still to this day I cringe every time I hear that shit).
I’m talking about the superior Japanese OST, mainly GT’s opening theme song “Dan Dan Kokoro Hikareteku” or “Bit by Bit My Heart is Charmed”.
There’s a certain, nostalgic charm with this song, setting it apart from other Dragon Ball opening themes. To start, Dan Dan Kokoro Hikareteku is actually a love ballad. The character iit reminiscing on the first time he first met the one he fell in love with . On the surface, it seems out of place to have a long song in the Dragon Ball series, but if you dig a little bit, it make sense (plus, original Dragon Ball had a few romantic ending themes and as of recently with the Tournament of Power Arc , “Boogie Back” [the second ending theme of that arc] also carries that romantic feeling of longing).
Dragon Ball as a whole, is a charming series of adventure with unique and lovable diverse characters. Plus, I can promise you that we Dragon Ball fans can remember the first time when we first watched Dragon Ball and fell in love – our hearts charmed by the show bit-by-by. It works.
Finally, the best thing about the song is how it was used in the final episode of Dragon Ball as we relive main character Son Goku’s life, trails, and victories from Dragon Ball, Z, and GT.
‘You see, when I met you
I remembered the view which I had treasured when I was a child’
Yuu Yuu Hakusho OP 1
Sung By Sara White
Another intro that gives me a sense of nostalgia. Maybe it’s how the English version still kept that 90s Shonen anime vibe with the lyrics, instrumental arrangement, and singing. Maybe it’s the lyrics and it reflection on friends supporting you on your journey. That’s probably it.
One Punch Man OP 1
Performed by JAM Project
Have you ever listen to an anime song that you just knew it fit just right with the series? The lyrics fit perfectly with the series’s tone, or the song was just full of so much energy that it felt just right using it as a theme song? That’s “The Hero!!” to me. I don’t think words can even describe the emotion in it, so I’ll just provide the full version below.
‘I wanna be the strongest HERO’
Seriously any version of the iconic Lupin the 3rd Theme
Lupin the III
Composed by Yuji Ohno
Do I really have to explain why I love this song? Seriously I kinda don’t wanna because I have to go to a friend’s house soon. Fine, I’ll explain why. Ready? 70s acid jazz in an anime with a charming thief, the OG Femme Fatale, the stoic wandering samurai, and a smooth gunman. This song makes me want to go out and do some high level criminal things with my crew.
The moment when I first heard the horns section blaring in the first bar of Tank, I knew Cowboy Bebop would be dissimilar to any anime series I’ve watched prior. Cowboy Bebop’s opening combined two of my loves: jazz music and anime. Never would I imagine that somebody in the world would put those two things together and make it work. Let me tell you something, It was at that moment in the year 2001 at the age of 12 that I knew Cowboy Bebop would be a game changer in the American anime fanbase.
With that, those were my favorite anime opening theme. Stay tuned in the future when I’ll drop my top 5 anime ending themes! In the comments, please tell me some of your favorite anime theme songs of all time!
I can not believe I fell for that Attack on Titan bullshit hype.
It was the Spring 2013 anime season. I havent’ watched a new anime series in years and I was wanting to get back into anime, so I could stay current with the new anime trends. I wanted to fit in with the popular weeaboos (a paradox yes) and get on whatever they were on. Attack on Titan was poppin’ up on everyone radars Everywhere on social media, otakus were talking about this new series. AOT made the weeb block hot like the cops during the last day of the month for those quotas. .It was clear that Attack on Titan was the number one contender of “Anime of the Year” in 2013. I wanted to be a part of the new trend.
The premise was interesting: Humanity is being annihilated by enormous human-like titans of enigmatic origins. It’s up to the last reminding humans to fight back against the threat.
One day, my homeboy “Alan” invited me to his place to smoke blunts and watch Attack on Titan. Two birds one stone. Two weebs getting stoned. Perfect. Alan pulled up AOT on Crunchyroll while I was grinding up our trees and packin them into his bowl (I didn’t know how to roll blunts back in 2013). We both took turns taking hits from the bowl, getting ourselves nice and right for the new series.
The episode starts. Mikasa and Eren are running around playing in the walled city Maria having fun doing whatever kids in a fucked up future do. Suddenly, titans appeared – wreaking havoc. There’s chaos and panic everywhere. These massive monsters are eating people, poppin’ them in their mouths like ravers poppin’ pills on the dance floor. Eren and Misaka rush home to safety, only to watch helplessly as his mom is snatched up by a stoned looking smilin’ titan like an unattended white kid left alone in a park.
The kids can only watch helplessly as the titan shoves Carla into its mouth and consume her alive. Or dead. I don’t remember.
Alan and I watched in awe as we witnessed a new era of “great” anime. We were blown away by the animation, the suspense, and drama. We declared Attack on Titan the best anime of 2013, and it only has been about ten minutes into the first episode. We were hooked like suckers. I packed another bowl, took a hit, and pass it to Alan as we enter episode 2. I think we watched about 3-5 more episodes until we were too stoned to watch the show and decided we would pick back up on it the following day.
The next day came. We got some Fruity Pebbles kush off our boy and decided to blow some trees and marathon Attack on Titan before we had to rest up and travel to Chicago for Anime Central the next morning. We resumed from episode 7 and here are things I started to noticed about the anime that made me regret even wasting time watching it.
“Okay, why is it taking so long to get to the damn point?”
“Why are they pussy footing about the basement?”
“This has become another typical entry-level shonen anime. Yay.”
“Nice main character powers with becoming a titan Eren didn’t see that coming.”
“I’m in love with Misaka’s abs. I want Misaka to dominate me and make me call her ‘mommy’ while I lick her abs.”
I didn’t say that last part out loud I kept that to myself. But the point reminds! Attack on Titan was trash. Overrated trash. A complete let down.
I do not know if it was the Fruity Pebbles kush that made me aware that Attack on Titan was actually shit or if the hype died for me too soon, but I was disappointed by the anime. I was hoping that it’ll get better by episode 8. Nope. Maybe episode 9 will make me forgive the series. Nah.
Alan, our homegirl “Claire”, and our homeboy “Dante” (who sold us the Fruity Pebbles) all agreed that Attack on Titan was overrated trash. Hell, Dante even predicted that Eren would have titans powers and the identititly of the Female Titan and Armored Titan before we all knew who they were. That’s how predictable the series was to him.
On the bright side, Attack on Titan has amazing art, animation, music, and sound design. Also Sasha and Misaka are best girls. Just suck that the story wasa bland and the hypetrain led to nowhere.
One should never feel ashamed for enjoying an anime (well, unless it’s some sexualized loli crap, then you should be ashamed and arrested). You shouldn’t feel embarrassed by it – even if it’s a terrible, flawedadaption. You enjoy it regardless. This is how I feel about Studio DEEN’s infamous animation adaption of the visual novel series “Umineko no Naku Koro ni” (When The Seagulls Cry). Despite the disrespect towards the original source material, such as key story elements left out (creating loose ends untied) and animation errors, I hold a small space in my heart for Umineko.
A space I use to make fun of shitty adaptions, but a space nonetheless.
The Umineko anime is garbage compared to the original visual novel and amazing manga counterparts. I can’t deny that Studio DEEN did a horrible job on it. Even if visual novels are awkward to adapt (I assume it’s hard to animated scenes from a source material that only has a static image, character sprites, and background music) , Studio Deen is known in the anime community for being lazy with their work and creating horrible adaptions (see: their version of the Fate/Zero anime). Umineko isn’t exempt from DEEN’s laziness.
The Umineko VN is heavy with detailed dialogue scenes which were omitted from the anime (which I can assume DEEN was being lazy). Any mention of kid Ange’s sickness preventing her to attend the Ushiromiya annual family meeting by her parents from Episode 1 in the anime? Nope! Did you love how Rosa barbarically jammed an ink pen in the eyes of a Goat Butler and saying her saying her epic line ‘I’ll show you how lukewarm the hell you came from is!’ before blowing it brains out with her gun in the visual novel? Well, DEEN decide to not add that in.
Reflect on how sorrowful you felt for Ange when she revealed her true identity was to her brother Battler, pleading to him to defeat Beatrice and return to Kid Ange to prevent living the lonely, depressing life as her future self as she was dying in the visual novel. Remember man?
Well, It’s in the anime, but DEEN managed to ruin that with one simple frame:
Because of Deen’s hilarious errors , the Umineko fanbase straight up loathe the anime. The very mention of the anime and anyone admitting that they enjoy it will trigger even the most chilliest Umineko fan. You’ll get attacked with great vigor by the diehards. It’s not worth it unless you like creating conflict. Go on the Umineko tag on tumblr or /jp/, say you think Studio DEEN did nothing wrong with the anime, sit back and watch the rage.
Despite the flaws of the anime, I still love it as it’s special to me.
There’s something about the anime that I can forgive its awfulness. It made me aware of narrative themes in anime such as abuse (sexual, emotional, and physical), the past returning, revenge, and suicide. Umineko (both the visual novel and anime) shows how abuse can be passed down within a family, as we see patriarch figure Kinzo passing down his abusive ways to his children. This results in mother Rosa abusing daughter Maria.
Hell, this gets worse with Eva (suffering from being the sole survival of the massacre of her family in Episode 4) abusing her niece Ange (who too was suffering from losing her love ones). The abuse from her aunt, the impact of losing her family (who was involved in some pretty illegal shit mind you), and being bullied in school drove her to become suicidal. Even with the awfulness of the anime, it made me aware of narrative themes within the story-line which got me hooked into the series.
I do not feel ashamed about my love for the Umineko anime. In fact, I feel given it got me into the original visual novel and the manga (which is a superior adaption compare to the anime), Yea, it’s garbage, but it made me notice themes in anime.
Well, I did say I’ll return to writing about anime soon. I’m always good on my word (okay I’m lying about that part). From seeing blogger Karandi’s post, I figure that I’ll do the 30 Day Anime Callenge as well! I have nothing better to write about for the next 30 days (outside my planned posts) so why not!
Day 1 – “Anime I Want to Watch” (boy where do I start?)
Bubblegum Crisis was recommended to me by a friend recently. I’ve heard of this legendary cyberpunk OVA series by studios Youmex, AIC, and Artmix during my early anime viewership days, but I never had any means of watching it up until my adult years. While I’m not super deep into 80s and 90s cyberpunk anime, I do love the a e s t h e t i c visuals of that era (there’s something about cel animation man it’s so beautiful). Four kick ass women mercenaries in exoskeleton suits destroying robots and doing whatever kickass women do in 2032 Japan?
Bakemonogatari was a visual and story masterpiece. Can’t believe I slept on the show for seven years. So glad my homeboy got me hip to this show and it’s characters, including best girl Hanekawa (and second best Hitagi). So why I’ve been sleeping on the second animation adaption? I do not know (okay I know it’s because I’m lazy). But I do know that Akiyuki Shinbo is back as chief director with Nisemonogatari. That’s great! You know why? We get his outlandish directing style that we all know and love from him. Yay Shinboism!
I’m going to have some E&J for the infamous Toothbrush scene on standby. I have yet to see the scene in full, but I heard it’s quite…interesting. Cringe-inducing creepy incestuous fanservice interesting. Alcohol is needed for that shit.
The anime adaption of the third volume, Owarimonogatari, is coming soon. I best knock out Nisemonogatari and the moves out as soon as possible before that drops this Summer 2017 season.
Summer 2017 Anime
I’m a shitty anime fan. I’ve been lacking on the recent anime game. I’m screwing myself over with my laziness by not to investing the time on watching new shows. If I’m gonna be about this anime blogger life, that means I best expand on the anime I watch. Here are two shows I’m eyeing from the upcoming season!
Looks promising, but I’m not holding my breath on another light novel anime adaption doing well or at the very least blow me away. I do not know much about studio “Pine Jam”, so that will be something on the field of first impressions. From what I’ve researched, it’s like a group of high schoolers forming a video game club with fellow other gaming otaku. Getting some Genshiken vibes here, but I’m doubtful it’ll go heavy with the gaming nerd culture like the Genshiken manga and anime series.
Hajimete no Gal
I’m going to be completely real here. Up until three minutes into writing this paragraph, I’ve never heard of Hajimete no Gal (First Time Girl) and its My Anime List (MAL) synopsis left much to be desire in explaining what’s up with the show (as most MAL synopsis are). I took it upon myself to researching the upcoming anime by studio NAZ (hey! That sounds like Nas the rapper. That must be a great sign!)
After completing my quick lackluster research, I found that Hajimete no Gal is based off Shonen Ace’s romantic comedy manga of the same name by Meguru Ueno. Main character Junichi is pressured by his homeboys to seek out a girlfriend and lose his virginity to her during his first year of high school. He encounters the alluring gyaru Yukana, who shames him for looking at a porn magazine openly in school. Junichi decides to make it his mission to confess his feelings towards Yukana and get with her.
To his surprise, Yukana is incredibly sexually forward, teasing him about how much he wants to sleep with her by flashing her panties and revealing her cleavage towards the kid. From my first impression off two chapters, the art is amazing and the story is funny enough to catch my attention.
I have high hopes for the adaptation!
There are my anime I want to see soon! With that, the day 1 challenge is completed! Onwards to day 2!
NOTE:This is the text version of the audio discussion between my friend DJ Killzown and myself on the same topic. The link to the YouTube will be provide below.
A convention is a wonderful place to meet and befriend new people who share your passive for nerd pop culture. You can be yourself without being ridiculed for who you are. However, just like in the real world, you still have to obey the laws of the land, use common sense and logic at conventions. Just because somebody is cosplaying as a sexy Slave Leah outfit doesn’t give you the right to touch her. Somebody has a cool prop you’re admiring? That’s great! Just ask permission to hold and touch it first. You don’t wanna ruin the con experience for yourself or somebody because you’re on some childish crap. Don’t know what not to do at conventions or need a refresher? Well, we’re here to help! Not Taking Care of Your Personal Hygiene
Look, there’s no excuse for not taking care of your hygiene; both in the real world, and at conventions. You need to shower and take care of other hygiene issues before you hit the con floor. Take a damn hot soapy shower. Use deodorant. Brush your teeth. Comb or brush your hair.. Freshener your breath. People are sensitive to body odor. You are being selfish when you do not bathe. Again, there’s no excuse.
Disrespect Personal Boundaries.
People attend conventions to have a good time. They don’t want it ruined by some creep or somebody breaking their props. It should go without saying, but think before you act. Keep your hands to yourself; cosplay is not consent. People have worked hard for months on their costume and props. They don’t want it destroyed by some touchy grabby idiot. Please ask for a picture before you snap one. Don’t become that one creepy photographer that gets talked about within the community.
Ghost the convention Please, support the convention. If you want the convention to flourish, you must buy a badge. Ghosting hurts the convention as they lose money to stay afloat. Every penny counts. If you want better and bigger guests, convention to expand, and an overall better home con, supports the convention. Buy a badge.
Consume drugs/alcohol beyond your limit
Partying is not a secret at the convention scene, so I’m going to say this: please know your limit when consuming drugs or alcohol. Don’t consume drugs or alcohol on the convention grounds. Leave that shit in your room If you smoke trees in an illegal state, spray yourself down or cover the smell with tobacco smoke. Be aware if law enforcement catch your ass with that shit, you’re getting locked up, no tolerance. Do not drink if you’re underage. Do not serve underage people alcohol. . It’s not worth it.
I hope our tips will help you improve the quality of your experience at conventions. We wish you a great and happy convention season!
Please! Check out our audio discussion on the topic on YouTube!
Audio collab between my boy DJ Killzown Jones and myself. With the convention season well into the summer season, DJkillzown and I figure we will be nice and give nice audio guide on NOT to do at cons.
Cosplay is NOT Consent
Respecting Personal Boundaries
Creeping on Women
To say that Haruhi Suzumiya (The Melachonholy of Haruhi Suzumiya) is a bit of an attention whore is a grave understatement. Haruhi lusts for attention. She demands notability. She wants all eyes on her like Tupac. To Haruhi, the world should and must revolve around only on her. (of course, she’s God after all, so she’s not. She’s not wrong to think that [despite unaware of her godly reality wrapping powers]). Every day, she makes an effort to be noticed, to have people know her name, and who she is. She doesn’t care if people speak of her in a negative light; it keeps her name circulating. She loves it.
Haruhi doesn’t want to fade in the background. She does not want be average, or one of faceless many in the world. Haruhi’s drive is to become extraordinary and different from the rest of the world. To understand this drive, we must look at her flashback scene from episode 13 of season 1.
‘So I figure I would change myself in middle school. Let the world know that I wasn’t a girl content with sitting around and waiting.’ -Haruhi Suzumiya
As they’re walking home from school, Haruhi tells Kyon the story of her family going a baseball game as a child. Haruhi was amazed at the sight of the overflowing, sold out stadium. She believed that the entire population of Japan came together at the venue to watch baseball. When she asked her dad about the number of people in attendance, he told her around 200,000 people. These people, including herself, only made up very small fraction Japan’s population (around 128 million during the show’s original run in 2006). After returning home from the game, she did the math, breaking down the attendance , compared it to the entire population of Japan, and discovered that it only made one two-thousandth of the population of Japan.
Haruhi was just one of many. A drop in the massive and everlasting ocean.
Realizing this, she no longer felt special. Haruhi was just like everyone else; doing the same shit (brushing her teeth, eating breakfast, going to school, etc.). Life became boring. What’s life when you’re just like everyone else? Maybe in the world, there was somebody amazing, unique, and extraordinary And yet, it wasn’t her.
At this revelation, Haruhi had to stand out from the rest of the world. She to get up and demand change by her own will. To not become content with being average. She had to make her mark in the world by any means. To court attention at all cost.
‘Be obsessed or be average.’
-Grant Cardone, American CEO, Author, and motivation speaker
Later, Haruhi set out to achieve her dream of being noticed and not average. On her first day of high school, she proudly introduces herself and states that she isn’t interested normal humans. Rather, she wants to meet with time travelers, aliens, and espers. This caused a stir in her homeroom, making people think just who the fuck is this childish girl, and why does she still believe in such things at the age of 15?
Throughout the series, Haruhi attempts (and mostly succeed at) various actions to be noticed. She devolved a system to change her hairdo by style (she even went as far to wear a different hair ribbion each day). She stripped down from her school uniform into her gym clothes, not caring if her male peers were watching. She attempted to join every school club, only to dip out from each and forming her own club: The SOS Brigade. She stole the show at her school festival, filling in for a sick guitarist ( revealing that she’s an amazing musician in her own right). All in the name of courting attention. She places herself at the center of it all, regardless of what others may think.
In my last post, I explored bullying as a possible source of Kale’s rage, which served as a catalyst for her faux “Legendary Super Saiyan” state. Supported by theories such as her shyness , timid nature, and socially withdrawn, I theorized that Kale may had been bullied in the past, and bottled her anger of being bullied within her. Bottled up until Cabba managed to enrage her, sending her over the edge, and triggering her transformation. Caulifla managed to chill her friend out, telling her that she wasn’t into Cabba romantically (which Cabba assumed was the source of Kale’s anger from his interactions with Caulifa). Hearing this, Kale reverts to her normal state and passes out with a smile on her face. Kale was pleased to know that the two weren’t that close and that her mentor respects her. Maybe Kale likes Caulifa beyond that of a friendly relationship, and seeing Cabba and Caulfia all chummy with each other might had been the cause of her rage.
Is jealously the true link to Kale’s rage? Let’s examine this theory!
In the previously episode, Kale is “spying” on Cabba training Cauifla to become a Super Saiyan. She smiles when Caulifla snaps on Cabba for making her angry. Kale becomes at awe, amazement ,and admiration when Cauifla obtains Super Saiyan with ease. Kale is impressed by her mentor’s achievement, but beats herself up as she states she could never be a Super Saiyan like her. Later (in the following episode), Cabba and Caulifla are encouraging Kale how to become a Super Saiyan. Cabba attempts first. He focus his energy and displays the Super Saiyan form to Kale, who is completely unimpressed by his power.
When Caulifla shows Kale her Super Saiyan transformation, she starts blushing and flash a bashful smile towards her. It’s clear that Kale is more impressed by Caulifla’s efforts. Perhaps Kale has a secret gay crush on Caulifla or just really looks up to her.
Either way, Kale has a strong interest towards Cauifla. Too strong maybe, as Kale ggets rather jealous with Cabba and Caulifla’s interaction. Kale assume that they’re too friendly just to be that close. It’s possible that Kale gets jealous quick. A little too jealous for the good of her friend’s sake, and her own sake.
Kale’s jealously (and inner rage) hits maximum when Cabba and Caulifla are trying their absolute damn best to help Kale tap into the power of the Super Saiyan. After a barrage of insults by Cabba, Kale becomes agitated and discouraged. She loses hope of becoming a Super Saiyan, telling Caulifla that she’ll never reach that level, and that she’s just an useless and pathetic excuse for a Saiyan. Cabba’s words triggered Kale’s emotional state, causing her power to soar. She loses control of all sense and self awareness and finally achieves the Super Saiyan transformation! However, there’s something quiet different about transformation compared to Cabba and Caulifla.
Kale transform into a hulking monster, influcned by her rage and jealously. She focus her attention towards Cabba, and vows to make him her first victim. She lunges at the man with furious anger, completely ignoring Caulifla, who seems to be pretty excited that her friend achieve a greater level of Super Saiyan. As Cabba and Caulifla tries to combat against the berserk Kale, Cabba theorized that Kale’s rage is rooted in assuming that Cabba and Cauifla were a bit wee too close to be just friends.
Caulifla just scoffs at Cabba’s theory and tells Kale that she isn’t so cheap that she would be romantically involved with such a low class Saiyan like Cabba (ouch). Kale hears this, and stops her attack. Caulifla then praises Kale, admiring her superior power. Kale calms down, reverts to her base form, loses consciousness, and falls towards earth. As Kale is falling , Caulifla rushes towards her, catching her in her arms. Cauilfla praises her friend once more, smiling at her sweetly. Despite her unconscious state, Kale herself wears a warm smile across her face , happy to know that Caulifla and Cabba aren’t an item as she originally believed, and her mentor lauding her power.
With the examples provided, I can conclude that Kale’s initial transformation was inspired by her jealously towards Cabba. She assumed that Cabba was romantically close with Caulifla (whom I can assume Kale may have a possible crush on). In addition of Cabba’s insults and her own frustration of feeling useless and fear of failure, Kale unlocked her Super Saiyan form out of pure hatred, jealously, and rage. Thankfully, with Cauilfla’s calm words of respect, and reassuring her that she does not like Cabba, Kale managed to snap out of her rage.
With that all said I hope you’ve enjoy reading my theories on Kale’s power as much as I’ve enjoyed analysiing and writing about it! Stick around for more theories and thoughts on Dragon Ball and other anime series in the future!
We nerds are goofy. You’d think that from experiencing rejection and exclusion by non-nerds, we would be welcoming of our fellow nerds nerds. But nah, we’re not. Some indulge in repeating the same exclusion and rejection cycle they faced in the past to other nerds. Elitist nerds will play the gate keeping game; allowing certain “real” nerds in their circle.
Others will quiz people who they deem fake; asking questions and checking if a person is knowledgeable to their personal level. This essay will explore gate keeping, quizzing, and understanding the causality of such acts.
Gatekeeping is common, yet old practice, existing before the social media and nerd culture boom. Gatekeeping is the act of not allowing certain people into the community; fearing that they’re fake, attention seeking fans (nerds blessed with good looks are often accused of being fake), or casual fans who don’t appreciate the source material.
Example: Some Shin Megami Tensei (SMT) fans believe you’re not a real fan of the SMT series if you started out on Persona, or haven’t branched out to other games of the franchise. Some hardcore SMT fans have belittle, mock, and excluded the newcomers; judging them for not starting or being interested with the archaic (but fun) early games such as SMT 2 or Megami Tensei.
Elitists feel that to be a real fan, you must have outlandish amount of experience and knowledge before joining their ranks. It’s really just their insecurities speaking. They’re afraid of the inclusive.
But hey! What’s a great way to cope with your insecurities? Showcasing your superior, yet unimportant knowledge by quizzing folks! Elitists quiz others on topics that only the truly hardcore (virgin) nerd knows. They’ll ask things like “Who was Akira Toriyama’s first editor”, or “What comic issue did Raven (Teen Titans) debut”? It’s a test to prove you’re worthy to call yourself a real fan. Honestly, it’s stupid and it makes you come off as an asshole.
You know some useless nerd trivial. Congratulations. Nobody is trying to play your quiz game. Nigga you ain’t Alex Trebek.
When compared to their male counterparts, female nerds are more likely to be subjected to quizzing. These beta ass males can’t believe that women have nerdy hobbies and interests, so they gotta drill them to see if they’re not “fake”.
Oh, you’re a pretty girl at a comic book shop who takes care of her personal hygiene, rock a My Hero Academia snapback, and wear a Captain America shirt because you’re a legit fan of the comics before the movies because your dad passed down his Captain America comics to you? If you’re a real Captain America fan, then name the main staff who worked on the June ’97 issue of Captain America!
Can’t answer? You must be a fake nerd girl. Girls don’t read comics!
I mean, I get that these dudes are (probably) still mad about being bullied and rejected for being nerds by girls back in their high and middle school days, but let that shit go. Don’t become the bully fucking with a chick just because she’s a nerd and you assume she’s not a real fan. Go get help or something bruh.
While I do not agree with the gatekeeping, nerd checks, and quizzing, I can somewhat understand why they do such actions. Nerds were/are ridiculed, bullied, and mock for their hobbies for decades. Prior to the recent nerd boom, nerds weren’t accepted by the mainstream. Having nerdy interests was considered weird; nobody wanted to fuck with you. People were on that “Oh I’m a nerd!” game, only to play the real nerds and hurt them for being nerdy.
When you’ve been bullied and teased for your hobbies, you tend to be defensive. It’s a shame that people are like this, but it happens.
Maybe if these elitists weren’t so hurt. Not saying what they’re doing is right though.
We nerds are goofy. You’d think we would be more welcoming of other nerds to our circle. Sadly, with elitism, quizzing, and “nerd checking”, this isn’t the case in our community. Quizzing and nerd checking may leave out some and expose “fake” nerds, but is it worth making newcomers feel excluded?
I can understand why the elitist do this due to ill experiences, however, you got to let go of the past. Past experiences shouldn’t’ determine that everyone on that fake shit based off assumptions.
I would say it’s possible to end this but that would require humanity to end as well.
TRIGGER WARNING: Rape, molestation, and child abuse mentioned. If you’re bothered by these things, please please please, for the sake of your mental health, do not read on. Thank you.
A traumatic incident can screw up one’s mind. It creates defense mechanisms, anxiety, and trust issues. Hitagi Senjougahara, main heroine of the anime and light novel series “Monogatari”, experienced such things. To repay a debt owed to a cult, Hitagai’s mother set her up to be molested and rape by a high ranking cultist. Hitagi resisted, hitting the cultist with a spiked shoe. Afterwards, her dad filed for divorce, and Hitagi haven’t spoke to her mom since.
Overtime, Hitagi grew distance, hostile, and untrusting of others.
‘And now you’re kinda cold to the people you met Cause of something that was done to you by some creep.’ –Whodini: Friends (1984 hip-hop single).
Throughout the “Hitagi Crab” arc , we learn of the condition and causality of Hitagi’s literal weightlessness, as well as her hostile nature. After Araragi (series’s main hero) saves her from an otherwise fatal fall, he discovers that she’s weightless. In fear that he might run his mouth about her state, Hitagi attacks him. She shoves a mini stapler inside his mouth, stapling his check.
After removing the lodged staple from his check, Araragi reveals his healing factor. Hitagi was shock that there was somebody like her (in terms of weirdness). Araragi offers to help her regain her weight, taken by a god crab spirit.
As Araragi and Hitagi bike to Oshino’s (friend of and occult advisor to Araragi) residence, the two engaged in an interesting conversation. Hitagi refers herself as a tsundere (otaku slang for a character who’s hostile and cold initially, but grows softer and warm towards close ones overtime). This fits her well. Hitagi is cold, distanced, and hostile due to her mental trauma and physical condition. With Araragi’s reveling his powers, understanding her situation, and knowing someone who could help her, Hitagi gradually warms up.
There are two points I want to explore here:
Prior to meeting Oshino, Araragi asks Hitagi if he could hold on to her school supplies (which double as her weaponry). She responds “You set me up, right?”, pauses, and surrender her goods. At the second point, upom meeting Oshino, Hitagi asks if he could save her. Oshino responds with that only she could save herself. Hitagi snaps on him, stating that five people prior told her the same thing, only to try to scam her. She then asks Oshino if he was a scammer himself, which he only laughs off her (somewhat baseless) fears.
This made me wonder: are her worries defense mechanisms? If so, you can’t blame her. Victims of traumatic experiences tend to be more defensive and aggressive towards others. Traumatic experiences can changed one’s point of view, as Oshino pointed out to Hitagi about hers.
‘If I trust a person so easily, I don’t know how many times I would’ve been tricked.” -Hitagi Senjouhara
Fasting forward to episode 2’s ritual scene, Oshino asks Hitagi a series of questions. The first few are basic: school life, date of birth, and favorite author. All to each she answered unhesitating. When asked about her most painful memory of her life however, Hitagi freezes up, taking a sharp breath. Regaining herself, Hitagi painfully recalls the attempted sexual assault. She brings up that her mother was punished because she fought back against the cultist.
Her parents divorced soon after. Hitagi felt guilt for her resistance, blaming herself for breaking the family apart (of course, it wasn’t her fault). She felt anger towards her mom; she did not save her. Oshino tells her that these were her feelings, feelings that she can’t transfer to others.
Feelings that she must carry the burden on her shoulders.
In their conversation, Oshino uses the word “omoi”, which can either mean “Feelings” or Weight” (depending on the kanji). What I like about the word usage is the symbolism of the meaning. The feelings caused by horrific, traumatic experiences are a heavy weight to carry. You go through life blaming yourself when you should not, closing yourself off from others and being on edge; unsure if people will hurt you physically, or emotionally.
A weight that you can never get rid of; just only overcome it with proper help and support.
At the end of the ritual, Hitagi confronts the crab god whom stripped her weight. Hitagi freaks out. Her breathing is heavy, eyes widen. Her body is frozen in fear , muscles tensed. Hitagi asks if anyone else can see the crab, which the others reply with that they cannot.
Hitagi shuts down right as the crab attacks. Oshino rescues Hitagi and destroy the spirit. He explains the crab is the result of her mental state. Finally, after thanking him, she breaks down and starts to cry uncontrollably.
Hitagi’s freezing, fears, tense body language, breathing heavily, avoidance of the crab, and crying made me think: was she having a PTSD flashback of the attempted rape? Yeah I mean, the crab is a supernatural force for storytellin, but her response to not confront it, in addition to her being asked about her most painful life experience, can be debated in favor of this theory.
When triggered, victims of traumatic events experienced symptoms such as heavy breathing, feelings of tightness, emotional break downs, and avoidance of anything that reminds them of the incident to name a few examples.
After Hitagi regain her composure, Oshino tells her that despite how much she longs for her family to return, and her desires to remove the pain, those things will never happen. She must learn how to overcome it and grow stronger. At the end, she gained a new friend (and eventually boyfriend) in Araragi and gain her “weight” back as well.
‘Ohhh…tired of the strain and the pain’
‘There’s so much pain…’ -2pac: Pain (1994 rap single)
Special thanks and shout out to my homeboy Mr. Y giving me advice and tips and checking if my info on mental health was correct. Check out his blog here:
I’m a huge fan of the Infinity arc of Sailor Moon. I love it. It’s my favorite arc of the franchise and was my first exposure to the series. The soundtrack is amazing, the characters are lovable, and there are a slew of amazing scenes. It is just a wonderful addition to the lore of the Sailor Moon series.
However, I think one thing that some people may have overlooked about this arc is the theatrical and narrative themes. I believe that if one were to analyze and break down the arc’s themes, they could gain a better appreciation for it.
Join me as I go in-depth in the themes of the Infinity Arc. I hope that after reading this article, you’ll gain greater love for arguably the best arc of the series.
Science and Technology
‘Yeah, but your scientists were so preoccupied with whether or not they could, they didn’t stop to think if they should.’
The theme of science and technology is one of the best things of the arc. It’s a refreshing addition to the lore of the series. While prior villains Queen Beryl and Wiseman were versed in magical arts, Infinity Arc villain Professor Tomoe used science and technology to combat against the Sailor Scouts’.
From genetically engineering superhumans such as the Witches 5 (manga and Crystal anime), transforming his own daughter into a cyborg, implanting himself with an alien egg, and constantly performing experiments, Tomoe had various tools of in his arsenal in relation to science. I mean hell, the man was even blacklisted from the scientific community for his illegal and unethical experiments (manga and Crystal).
The brilliant Tomoe wasn’t alone in using science against the Scouts. His assistant, Eudial had her own tool set as well.
Eudial (of the Witches 5) fought the Scouts using her own tools such as poison gas, a shotgun that exacted a victim’s Pure Heart, a flame thrower that even surpass the strength of the Sailor Scouts, and perhaps her most dangerous tool; her wits and mind.
While she wasn’t a total genius like her superior, her wisdom could not be ignored. The woman even wrote a computer program that hunted down possible owners of pure hearts and the Holy Talismans. In addition, she built a super computer made from peach cans. Hell, she even worked on dimension transporter device in her downtime.
Granted, she did realize there were fatal flaws with the device. Something that her hater I mean partner Mimete learned the hard way. Boy did she learn the hard way.
I can’t forget the more science fiction elements of Sailor Moon S. The invasion of the Daimons felt like something out of sci-fi movie; strange aliens from a foreign galaxy attempting to take the world over, using humans as their host. Or whatever cheesy plot they thought of.
Even Mistress 9’s theme sounds like a track from a sci-fi film:
I wonder, was Naoko Takeuchi and the Toei writing staff were on a sci-fi kick during the development of the Infinity manga and anime arc? The sci-fi aesthesis are way obvious. Cyberpunk and sci-fi culture were dominating and influential in the anime and manga culture of the early 90s. I would not be shocked if Naoko and Toei were influenced by the cyberpunk culuture for the arc. In any case, the sci-fi elements were a breath of fresh air after compared to two anime season and manga arcs of magic and fantasy. It brought something new to the series.
Father and Daughter
Father, you left me but I never left you
I needed you, you didn’t need me
So I, I just gotta tell you
Goodbye, goodbye – John Lennon “Mother”
The father and daughter narrative isn’t anything new in the series. You have Usagi and her pops, Kenji. Then we have Chibi-Usa, and her dad, Mamoru (and of course, Chibi-Usa’s dark persona Black Lady with her Electra Complex with Mamoru).
Those examples of fathers-and-daughters are stable. However, with the introduction of Hotaru,it broke the mold of the stable father/daughter relationship in Sailor Moon (excluding Rei and her dad, but that’s for another alcohol fuled writing)
The manga and the original anime continuity depict Hotaru and Souichi’s relationship in polar opposites. To put it nicely, Souichi was a piece of shit to Hotaru in the manga. The selfish asshole viewed his daughter’s injuries resulted from a fire in his lab as a blessing. Taking advantage of the newfound “blessings”, Souichi fitted Hotaru with cybernetic implants, as well as genetically modified her by infusing the kid with the egg of Daimon Mistress 9 (given to him by Master Pharaoh 90). Souichi’s selfish actions, and his desire for revenge ruined not only Hotaru’s body, but her life as well.
Hotaru had some well… daddy issues. She went off on her dad, frustrated with him for allowing Kaorinite in their house. She also moped about her dad being consistently away, focused on his research rather than her. Thus, Hotaru felt lonely.
It doesn’t help Souichi’s case that he only cared about Hotaru to awaken Mistress 9. In addition, he only saw Hotaru as a science experiment, a perfect hybrid of cybernetic, genetic, and alien technology. Yea, the dude saved his daughter’s life. Yet, he only did it to make her into a living puppet.
Sometimes, family ain’t shit.
‘Back when I was a child
Before life removed all the innocence
My father would lift me high
And dance with my mother and me’
When it comes to their relationship in the first anime, Hotaru and Souichi were close. The two loved each other dearly. Souichi gave up his freewill to Germatoid , in order to Hotaru’s life, who lost it in a lab explosion. Souichi was supportive of Hotaru, always there for her and made the girl his number one priority.
Despite not being his fault, Souichi regretted ruining Hotaru’s life. In his defenese, he wasn’t unaware that Germtoid made her a vessel for Mistress 9. Souichi even risked his own life to protect Hotaru, taking blows from Mistress 9 and attempted to restore his kid (Even though Mistress 9 used Hotaru’s voice to trick him and Sailor Moon).
While I’m on the subject on Mistress 9, I love the more sinister side of Hotaru and Souichi’s relationship; Germatoid and Mistress 9. Although indirect, they did have some interactions while under the possession of their alien overlords.
It’s strange to think how opposite their relationship were when comparing the anime and manga. Souichi was willing to save Hotaru, even if it meant becoming a servant to Germatoid. While he was noble for doing so, it did spite him, as Hotaru would become Mistress 9’s vessel. Souichi had enormous remorse for allowing Hotaru to be possessed, despite he knew it wasn’t his fault. Unfortunately his manga counterpart did not share that guilt. He felt prideful about his actions, thinking of Hotaru as just a project and not his daughter.
Conflict and Division
Why can’t we be friends?
Why can’t we be friends?
Why can’t we be friends?
Why can’t we be friends?
-WAR “Why Can’t We Be Friends”
Most fictional team up will have their time of division and conflict. The nWo splitting between the nWo Black/White and nWo Black/Red, the Avengers splitting up between Team Iron Man and Team Captain America, and Spider-Man and Venom’s team splitting during the events of Maximum Carnage. It’s bound to happen.
With the introduction of the Outer Scouts, and their goal of saving the world by any means, including sacrificing the wielders of the Pure Heart Crystal, the Inner Scouts will face their biggest problem yet: Inner conflict and division. It doesn’t help that the problem increased with Hotaru revealed as the Messiah of Destruction, but more on that later.
I love the clash between the two teams. Right from the jump, the Outers didn’t play with Usagi’s optimistic, idealistic views. Hell, they flat out told her to stop being childish and selfish; bigger things were at stake.
Episode 21 of Infinity arc, “The Death of Uranus Neptune?!” expands on this:
Usagi is desperately pleading Haruka and Michiru to join forces with the Inner Scouts. You can feel her emotions as she wants the pair to unite with her team. Usagi wants nothing more but to unify her friends. Despite Usagi positive attitude, Haruka snatches Usagi’s transformation brooch and gives the girl a chilling warning:
“Don’t ever show yourself in front of us ever again…Sailor Moon. Or else.”
Haruka and Michiru ain’t playing games, even if it meant threatening to kill Usagi to save the world.
Speaking of killing, The Outers had no issue with wanting to kill a sickly 12-year-old child, Hotaru Tomoe, whom was confirmed to be the Messiah of Silence, Sailor Saturn. The second Saturn awakens in Hotaru, the trio went on the attack, not caring if this was a damn kid. They wanted her dead, for the sake of the great good.
By the way, Hotaru is the best friend of Chibi-Usa, who just happens to be the future daughter of Usagi. One of the Outer Senshi is Setsuna/Pluto, who just happens to be a second mother to Chibi-Usa.
So this whole “Kill Hotaru” thing was going to be fun for all parties involved, right? Two group of allies and friends split into two opposing teams. You have one team aiming to save the person because it wasn’t their fault that they are a puppet for the bad guy. Then, you have the other team wanted to kill the person regardless.
Hell, even our heroes weren’t the only ones with team work issues. The Witches 5 (anime) weren’t too keen on sticking together. Mimete and Eudial had their beef with one another. In Eudial’s defense, Mimete was a complete and jealous idiot who wasn’t shit. Their beef escalated to life-ending heights, with Mimete destroying the break system in Eudial’s station wagon, leading her to a watery death.
Mimete’s petty shit starting would catch up to her, leading to her own death at the hands of another member of the Witches 5, Tellu. You see, Mimete thought she was slick, calling up Tellu and pretending to be Professor Tomoe (using a voice changer), reliving Tellu of her duties. All so she could could take Tellu’s spot in the upcoming mission.
Tellu wasn’t playing that shit. Boy, she wasn’t playing that shit.
Man, it’s such a damn shame that even the bad guys, who are supposed to work together in order to defeat the good guys, are beefing.
Teamwork makes the dream work but not with these fools…
Messiah of Creation. Messiah of Destruction. They’re like ying and yang; one can’t exist without the other. Sailor Moon is the fabled as the messiah; the one whom will bring hope and salvation against the taboo messiah of destruction and death; Sailor Saturn.
We are introduced to the Messiah of Destruction in Rei’s horrifying premonition. The world is frozen, painted in red. Rei, (the only person who isn’t frozen), spots a destruction force of light and energy approaching. It’s dreadful. As Rei is violently pushed back by the energy, a light shines behind her. She turns to it and in despair ask is it the Messiah.
The light ignores her cry. Rei can only watch as the darkness consumes her allies the world. Never get your hopes up, children.
As the series progress, additional information of the Messiah of Destruction are presented. In episode 30 of S, we are revisited by Rei’s nightmare. This time, there’s a feminine figure with a scythe (hmm…), standing on a cliff menacingly, illumined in a bright white light. Rei’s vision ends with the figure violently descending towards Rei, bringing her scythe down on the girl ending with blood splatter.
Rei awakens, recalling the dream. She notices the figure has a recognizable face, but quite can’t put her finger on who it is. It’s totally not Hotaru as Sailor Saturn who’s the malevolent messiah. Trust me; I have never misled people on the internet.
As for the true Messiah, she is hinted as Sailor Moon. After Neptune’s death, and the revelation of the two being the Talimans wielders, Uranus questions the Messiah. She asks their deaths were divine punishment for their crimes of their mission. In her despair, she envisioned the messiah, whom in actuality is an untransformed Usagi.
Usagi envisioned as the messiah is fitting. Time and time again, Usagi is willing to put her own life on the line for both the world, and her loved ones. Usagi even risked her life to save Uranus, the same person who threatened her earlier in the episode.
When the Outers tried to kill Hotaru, Usagi pushed the girl out of the way of a combine energy blast that may had otherwise killed her. Usagi defends her new friend, stating that it’s not her fault that she is Saturn, and that she shouldn’t have to die.
Usagi still had the drive to protect Hotaru, even after her transformation to Mistress 9. Usagi took an energy blast from Pharaoh 90 head on, (who attempted to kill Mistress 9). Before that, Usagi attempted to restore Hotaru back to normal by giving her the Holy Grail. Granted, it was a trick from Mistress 9 (who was using Hotaru’s voice) to manipulate Usagi into giving her the Grail.
Finally, Usagi tried to save Hotaru (as Saturn), who jumped into the core of Pharoh 90 to kill him and save the world. Despite being warned by Saturn that she may not survive inside Pharoh 90, Usagi still went in. While Usagi “failed” to save Hotaru, who had died using her destruction powers, Usagi managed to recover a reincarnated, newly born Hotaru.
By the way, did you notice that both Saturn and Moon were introduced as messiahs at right around the same time? It’s like both the Toei writing staff and Takeuchi knew how to directed these two to meet at the end of the arc. It gives a sense of duality with Saturn, being the Messiah of Destruction, the one who would end the world, and Sailor Moon, the Messiah of Creation, the one who will save it. Of course however, Sailor Saturn became the savoir of the world, sacrificing her life in the progress.
‘If you have feelings for other people…anyone can be a messiah.”
Sailor Moon S Episode 36
‘Logic dictates that the needs of the many outweigh the needs of the few…or the one’
The narrative theme of sacrifice returns in Sailor Moon Infinity and boy, do they shove it down our throats. From Uranus and Neptune’s willingness to sacrifice the live of pure heart owners, to the two losing their own lives to ensure the world’s protection, to Profressor Tomoe surrendering his freewill to save Hotaru in the anime, to Hotaru herself giving up her life to save the world, sacrifice plays a huge role in Infinity.
As previously mentioned, Uranus and Neptune’s prime objective was to track down the Holy Talismans, sealed within three Pure Hearts. The Three Holy Talismans (The Mirror, The Sword, and The Garnet Orb) were tools to summoning The Holy Grail (or Sailor Saturn in the manga/Crystal anime). Once summoned, the true Messiah will use the Grail’s everlasting power to stop the threating silence and Messiah of Destruction. However, in order to unseal the Holy Talismans, the Pure Heart owners had to be sacrificed.
As time went on, Uranus and Neptune were revealed to be the wielders of two Talismans (by Eudial). Upon her death, Neptune ‘s Pure Heart transformed to the Deep Aqua Mirror. Once Uranus realized she too held a Pure Heart, she took her own life to exact it, in hopes that Usagi will use the Talismans to summon the Holy Grail and save the world.
(Of course Uranus and Neptune were brought back to life, so their sacrifices were somewhat meaningless.)
After concluding that Hotaru was Sailor Saturn, the Outer Scouts decided they needed to kill her in order to prevent the world’s destruction from Saturn. Take an innocent girl’s life to save countless others.
It’s heavy, isn’t it?
I do find this funny: the Outer Scouts wanted to sacrifice Hotaru life. The Inner Scouts were all gung-ho against it. Despite the conflicted groups’ back-and-forth aguring, Hotaru ‘s life was still sacrificed. Just not in the way anyone expected. After Hotaru accepts that she is Sailor Saturn, she jumps into the core of Pharaoh 90, and destroys him, killing herself in the progress, but saving the world and her friends (and of course her father in the first anime).
While sacrifice was always a theme prior and after, I love how it’s portrayed in the Infinity Arc. It wasn’t just about Usagi, or the other Scouts putting their own lives on the line. Others may have their own life sacrifice if needed be. Eventually, one life was taken to save the lives of countless others. This arc did brought up the ethics of sacrifice. It is like to to say is if really okay to (unwilling) sacrifice one person’s life to save the lives of others.
Sailor Moon S/Infinity is my most beloved and favorite of the series. The narrative themes oof this arc made it interesting and analyzing the themes makes it a renewing experience. The Science and Technology theme was refreshing in a magic based series. The paralles of the father-daughter relationship of Hotaru and Souichi from the anime and manga were conflciting, The Outer Senshi brought in something that the Inner Scouts never dealt with in the past: division and in-fighting. The Messiahs gave the arc a near religious side to the series. Finally, the sacrifice theme presented the issue of is it ethic to take a life of a person to others.
On the surface Sailor Moon S appears to be that of a simple shoujo magical girl series but once you dig into the narrative themes with an analytical mindset you’ll uncover that there are hidden meanings behind this excellent arc.
I hope with this in-depth look of the themes of S you have gained a better apperication for the season as much as I have. Thank you for taking the time out of your life to read this article.
Thanks to everyone who supported and believed in me. Thank you so much.
Matoko: Asian Ghost. Mira: The White Shell. In the movie, it’s revealed that Mira (or The Major) was in fact, Matoko, before the mind-to-body transfer. Matoko was an Asian runaway girl who was kidnapped by Hanka units, along with several other runaway children of Japanese heritage. After destroying her body, extracting her mind, and injecting it with false memories give her motivation to fight terrorists, Matoko was given the body of that of a white woman.
Prior to that reveal however, Mira runs into an older Asian lady. The lady welcomes Mira in her house, offering tea. As the lady and Mira speaks, the lady remarks that Mria’s body language and verbal tones reminds her of her dead daughter, Matoko. It’s incredibly eerie to the woman.
Anyway, While I’m happy Matoko wasn’t “white washed” (completely), the scene made me think: Was this all social commentary on the white washing of iconic ethic characters? You have Matoko, an Asian woman inside the cybernetic body of a white woman.
Matoko/The Major, an Asian anime character (we assumed), is portrayed by Scarlett Johansson, an white actress.
In a sense, it’s meta. Film Matoko is Asian but why is she in a white body? Why are iconic anime characters of Japanese descent are being portrayed by White actors in Hollywood.
It’s probably not that deep or meta. Hell, perhaps they changed things around to cover up any edvidances of white washing. Perhaps this was just all apart of the plan.
These were just merely thoughts I played around with at 2 in the morning when I had nothing better to do but to overthink an action film based on a comic book.
DISCLAIMER: I’m Black. Not Asian. I don’t speak for Asian-Americans, Asians, or all people of color. White washing is an issue in American films. I am not okay with it. We all have different views on this shit.
(Gotta get that shit outta the way before people SJWs tumblrinas get mad or 4channers think I’ll support their bullshit I already got people mad at me on Facebook lmfao)
I never got the “There Episodes Rule” of the anime community. The “logic” behind this rule is that you should give a series three episodes to see if it gets good, or worthy enough to continue.
I personally believe that a show should be good and make a great impression on the first episode. The first episode should at least have a few things in it that should match your taste so you don’t have to wait for a show to get good.
If I don’t think a show is good on the first episode, I ain’t gonna waste my time on the series. I have way too many shows on my backlog to get through to worry about shows I’m gonna dropped of the first episode.
Pic related: Attack on Titan, a show I wasted nine episodes on waiting for it to get good lol.
“Holy shit! This is gonna be good! My lord, this is gonna start some shit within the community! Can’t wait to get home to watch this shit!”
‘Just shitalkin other anime youtubers for like half an hour, oh god what have I done’.
As soon as I saw the title of the ever controversial Digibro’s video, I knew I had to hurry up with my work, get home, and watch it. I could had play the video on my phone while at work, but something of this caliber needed to be experienced a larger screen to be great detail.
Plus I can’t drink at the job so there’s that.
“Oh fuck, who pissed off this nigga this time? Who is he gonna go in on this time?”
Digibro’s rant videos are like special events for me. There just this feeling that know there’s gonna be some backlash and butthurt off of his drunkenly brutal honestly. It’s a fun time for the anime community.
Right off the bat he’s going off on niggas with bravdo. My dude is straight up telling these cats that they suck and their videos are garbage. He ain’t being subtle with disdain either. He’s name droppin’ like crazy; Mother’s Basement. AnimeEverday RCAnime. The Canibal Effect. My dude Digi out here callin’ folks out on their “flaws”,
negative” points of their content, and overall “lack” of quailty This dude doesn’t’ care and I love it.
He’s like the weeaboo Tupac.
(It is dishearting to hear him talk shit about anime youtubers I do enjoy. I can’t even lie because the people he name dropped do have great content. )
“Oh shit! Oh shit! Oh shit! Is he trying to start beef with these guys? Does he want the rest of the community to hate him? I mean, he already got haters so why not more? More haters and drama make the world go round! Haters are motivation!”
As I predicted, the community was shaken up by this. For the past 72 hours since his rant, people on both sides have given their views and expressed their feelings. Some are understanding upset by his words while others are supportive of his rally call to improve the community. I’m in the middle but I’m learning towards supporting him.
Personally, I don’t think he should have called niggas out and their works like how he did. But sometimes, you just have to be that guy. The bad guy; like Scarface. I mean forreal the liquor was flowin’ in him and certain substance make you tell the truth without a filter.
I do feel Digibro on his stance on the community. Some people aren’t reaching out to one another and helping folks come up and improve. People are putting out the same old bullshit and there ain’t much diversity. It sucks.
Maybe I’m somebody who is way too optimistic for my own good but I love it when people help each other. We need more diverse content from all range. I want to see this community improve and grow. I may not be as harsh and brutal about it as Digibro was in his video, but I’ll be direct and blunt.
If I see a flaw in one’s works, I’m going to try to help that person out because I like seeing people improve. I feel that people should strive to do better in their craft. I don’t mind it myself when others tell me the areas I need that I need to improve on. I welcome it.
Also, tell me that I suck and that I’ll never get better. Not because you wanna feel better about your miserable life but because I’ll prove you wrong one day, work my ass off fixing my flaws, and come up. Thus so when I come up and fix my weaknesses I can make you angry that I stop sucking. ❤
But that’s just my good ol’ pride talking shit!
What I’m trying to gain from Digibro’s controversial video is the sense of the community helping one another. We all in this together ya know? We all want to be successful and we want others as well. I mean fuck, my homeboys and I are almost always on each other asses on our goals and passion, checkin’ one another and telling each other if they’re doing something wrong, how to correct it.
But that’s just me.
‘The question everybody wants to know is why they got this nigga started?’
I can still fondly remember my first episode of Sailor Moon. It was on a Saturday mornig in early February 2001. Dragon Ball Z had just finished on the Toonami’s “Rising Sun” block and Sailor Moon was next. I had prior knowledge of from a friend, who gave me a short run down of the series in the past
A magical school girl team run by some dumbass girl named Serena, running around Tokyo saving their city and the world from Queen Beryl or some shit in high heels and mini-skirts. (It’s been 16 years. My memory of his summary is rather weak).
I figure that I’ll give the show a shot. I mean, what young 11-year-old dude doesn’t wanna watch schoolgirls in minishirts and high heels?
The episode airs. I get a quick introduction to a sparkly Tuxedo Mask giving a short history of the Outer Scouts’ role in the past. That was cool and all but it did not make an impact on me as the next scene: the infamous Twister game.
The game starts out normally; sans lady scientists playing in their lab coats and heels. But whatever, that’s anime for ya.
“Right hand on Blue 4”. Just a simple command for a simple game of Twister, right? However, as soon as the woman does instructed, she makes a rather sexual moaning sound.
“Okay…? What’s going on?” I asked myself but whatever.
Next up was this cute, young, orange hair woman with glasses. She starts ramblin’ about some track star name Shawn, who inspires her to win. That’s cool I guess. I too look up to my idols for inspiration. Biggie Smalls, Tupac, and Hennessy to name a few. It’s normal to look up to idols.
What wasn’t normal was her ass soundin’ like she was having an orgasm.
In utter shock, I quickly turned down the volume on my TV. Didn’t want my parents to think that I was watching porn at 10 in the morning. As I watch this awkward scene I am asking myself “What the fuck type of anime my friend suggested me to watch and why is this woman imagining that she’s getting dicked down by this sports dude?”
“Whatever. Keep watching Ben. Less than five minutes in and we have good lookin’ science ladies playin’ Fake Orgasm Twister, one with her leg up in the air! This show is great!”
While the game of Fake Orgasm Twister was going on, this creepy ass science dude was peeping at all of this. Perhaps he thought there was an orgy going down and he wanted in on the action.
Creepy Ass Science Dude tells the Fake Orgasm Science Lady tells her about her new “Heart Snatching” mission and gives her this metal briefcase with a star on it. As he and the rest of the ladies send her off with well wishes, Creepy Ass Science Dude declares it was his turn to play.
“Creepy Ass Science Dude is a playa!” I told myself.
(Real shit, I always wanted to be like [90s anime] Dr. Tomoe when I was a kid. Dude had beautiful women in his big ass house working for him playing Twister in his lab. You know he probably fucked the Witches 5 a few time while his kid Hotaru was at school and Kaori was away doing business. “I’m A Playa” by Too $hort is probably his theme song)
Two minutes of pure nonsense and I’m already hook on Sailor Moon. I didn’t know what was going on. Hell, I didn’t care. This show is great!
Ahh man, young me was easily impressed by anime back in the day. Today? Nah.
Mimete: The Nutjob Fangirl
Ah Mimete; the ditzy, nutjob celebrity fangirl scientist of the Witches 4. Her goofiness carried this episode to me. Hotaru did as well (it’s her character arc after all) but more on her later.
Mimete was crazy. I mean, wanting to kill the guy she was fakin’ an orgasm to because he inspired her. That’s kinda nuts. Like this woman was straight watching this dude warming up, fangirling and shit, but also planning on killin’ him.
Like, how do you even go on to think about killing your celebrity crush ? Ya fangirls are weird. I hope ya know that.
On top of that, this woman straight tried to kill a bunch of innocent people with her Daimon, including two teenagers and a little girl. All because she was salty that she couldn’t get close to her celebrity crush. Granted she was going to kill him regardless, but still.
Seriously Mimete, you need mental help.
(Also I wonder if she knew Hotaru was her boss’s daughter. She almost got her boss’s daughter killed off her bullshit.)
Her Daimon monster confused the fuck out of me. I was like “why is this elf looking track star got a shell on her back? You know what? This show is already weird. Stop asking questions.”
The Daimon’s her Heart Snatching method. It was rather…out there.
“Do all of these Daimon monsters make out with their victims to kill them?”
“Why does she need to sit on this guy for his heart? What’s going on with this show?”
Watching the monster’s attempt to make out with her victim was awkward but hell, there was an awkward scene earlier with a Twister game. One more ain’t gonna hurt at this point.
The Daimon would meet her end by the means of flurries of mini hearts made out of pink sugar (wut?) and a giant heart made from rainbows (okay). Mimete runs off like she just ripped off her plug, declaring she will get Sailor Moon next time. And her pesky little sister/daughter/whatever too! I presumed she’s gonna try to kill her next celebrity crush in the next episode.
But forreal Minete was fuckin’ weird. Her monster friend was weird. This entire episode was fuckin’ weird.
Hotaru: The Shy Goth Girl
“Wow! She’s so pretty!” I said to myself, watching the girl in all black with purple hair and eyes writing a letter to her sports idol. Same sports idol Mimete was gushing all over.
Man, this Shawn nigga is popular!
“And she has health issues. Maybe she has really bad asthma like I do. That’s probably why she can’t do sports.”
Less than say, what 25 seconds into this scene and I’m already got a possible favorite character right off the bat. But then, I started asking a few questions.
“Why the fuck is she writing in the dark wearing all black though? Is she one of those gothic people that worship Satan, mope around all depressed, and cut themselves when they’re sad? ”
Ahhh 11-year-old me was so ignorant about alternate subcultures. I blame Christianity!
(In defense of my 11 year old self, I at least got one thing right about this character)
As I admired this character (as well as questioned her fashion bedroom lighting choices ) an incredibly busty woman sneaks up behind her and starts belittling the girl. She states that she’s weird for writing the letter and doesn’t have the guts to approach the dude.
“Man, her step mom’s a bitch! How could you taunt your own step daughter like that?” I mean, she was right about her not having the courage to send the letter out and everything, but still.
Kaori is a bitch.
(Of course, I would learn that Kaori wasn’t her stepmom but her dad’s assistance.)
After Kaori’s taunting session, the scene transition to the girl chillin’ with her friends, Rini and Serena.
“Okay, she has friends. She can’t be completely gothic. Most, if not, all of them don’t have any friends.”
(To my readers who are in the gothic subculture: I sincerely apologize for my baseless, stereotypical views of that subculture at age 11)
The three discuses about Hotaru’s letter, which she expressed her concern about sending the letter out or even talking to Shawn, thus she gets discouraged. Serena brings up that they should take her to the track field and give her encouragement.
There was something about this character, Hotaru. She had shit tier health, got teased, incredibly shy, has confidence issues, relies on her friends too heavily and she’s pretty! Just like me at that age!
It was pretty much set that this character would be my favorite in the entire series, and I was just only less than seven minutes in. That’s good character-viewer relation right there.
(I’m pretty sure Hotaru [along with Washu from Tenchi Muyo] may have been the source of me becoming a sad lonely waifu loving otaku years down the road but that’s for another time.)
Fasting forward, the three hit the track field to meet Shun, although they kinda sorta trespassed on the field. Shun soon approaches Hotaru and Serena, but Hotaru just freezes up. Despite Rini’s rally cries, Serena’s prep talk, and committing a few trespassing crimes, Hotaru ain’t talking.
Hotaru, you disappointed everyone. Good going.
Mimette, witnessing all of this, gets butthurt because Hotaru and Serena managed to get close to Shawn. Although Mimete was in the right by not trespassing. Ahh haters…
In her rage, she releases her Daimon and shit happens, like The Daimon indirectly burning Hotaru’s letter from the immerse flames of her rolling a giant ball. All that hard work, dealing with Kaori’s bullying, and the Tsukino family’s prep rally: gone.
She ain’t too pleased with that. Holy fucking shit she ain’t too pleased.
As Mimette and her Daimon friend runs away, the Daimon spots Hotaru being a depressed gothic emo girl in her makeshift emo corner. Concerned, the Daimon tells her if she ain’t feelin’ well she needs to go to the medical office.
(Hey, at least she has her morals.)
Hotaru blankly stares down the Daimon, eyes glowing red and straight blasts her ass across the track field like she’s on some Dragon Ball Z shit!
“Holy shit! Hotaru has powers too!? She doesn’t even need to transform like Sailor Moon and Mini-Moon! She can just fuckin’ blast these dudes like nothing! She’s so cool!”
Yea, at that point she officially became my favorite character.
After Moon dispatches the monster, Hotaru finally meets her idol and they talk about how much their frail health sucks and Shawn gives the girl encouragements to do whatever she wants in life. Like complete in sports. Or blasting monsters across a track field. The sky’s the limit, just keep pressin’ on.
“Hotaru is so awesome and cool!” I told myself as I finished my very first episode of Sailor Moon . 16 years later, I still feel the same way
A goofy game of twister, a psychotic fangirl, and an emo ass gothic ass shy ass girl. What an unusual combination of how I feel in love with the Sailor Moon series 16 years ago. A love that is still felt to this day
Granted, I am an 27-year-old jaded adult now who knows better. Giving this episode a retroactive reflection, the writing was pure garbage. Nothing about this episode did anything enhance Hotaru’s character development, and I’m pretty sure the creative staff behind this episode were on drugs while creating this episode.
Also, doesn’t Hotaru hate sports? Why would she be fangirling over a sports star? And why did everyone acted like everything was normal after Mimete attacked them?
Nevertheless, it was the episode that I got me into the series. I believe if I may have watched the wrong episode as my first episode, I wouldn’t gotten into Sailor Moon at all.
But forreal drugs where involved in the making of this episode.